35mm · Film photography · Photography

Merry Christmas!

Whatever your beliefs may be, here’s wishing you and your loved ones health and happiness, and I hope you have a good day wherever you may be.

The residents who live across the road from this country phone box seem to decorate it on various occasions (on the times I’ve passed it), and I think it makes a suitably festive image for Christmas Day.

Merry Christmas!

FILM - Festive thoughts

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford XP2 (expired).

Taken on 19 December 2019

35mm · Film photography · Photography

Disposable fun

A forum I frequent has been running a disposable camera challenge where each participant can enter up to three photos taken with a single-use camera. I didn’t have a disposable laying around, so I bought myself an Ilford XP2 model especially to take part ( I had planned on getting the HP5+ variant, but the shop didn’t have them).

I’ve used it on three occasions – in Sheffield on the day I bought it; in London when visiting for a work meeting; and in Sheffield again this weekend just passed.

The camera itself is (or was – it’s been destroyed presumably when the film was developed) a very lightweight piece of kit with a snazzy red and white striped design. It feels like it would smash into a million pieces if dropped on a hard surface. Feature-wise, it has a viewfinder, lens (30mm f/9), flash activation button, shutter button, and a film-advance wheel. And that’s your lot.

In operation there’s not much to do other than frame the shot through the basic optical viewfinder, click the shutter, and wind on to the next frame. The frame counter is reversed so you can see how many shots remain. The flash is advisable for dim conditions – I took several frames in what appeared to be decent light in St. Pancras railway station and they’re all pretty much useless.

In terms of the results produced, they’re pretty much as you’d expect from a disposable camera with a plastic lens – soft at the edges, but with acceptable sharpness in the centre of the images. Of the 28 frames I eked out of the roll I probably have half-a-dozen that I like, several more that are ok, but nothing to write home about, and the rest are underexposed or just badly composed – I think I had a bit of a tendency to ‘snap’ images with this camera rather than taking my time to find better pictures with it. That said, I’m really happy with the first two of the five shots I’ve posted here today, and the others aren’t bad either.

I can’t honestly say I’ll bother with a disposable camera again – even if the competition is run anew in future – especially given the other good cameras I have, but it was a good experience nonetheless.

So, here are five of the photos I took with the camera.

This one is my fave of the bunch. It’s not a sharp as it might have been had I used a different camera / lens, but I’m really happy with the result. This was taken at the Barbican Centre in London

FILM - There's no such word as Barbican't

Another one I really like. It’s mostly negative space, but I think it works well. This is Blast Lane near Sheffield city centre.

FILM - Blast Lane subframe

This golden taxi sits atop the cab firm’s offices on Abbeydale Road in Sheffield.

FILM - Taxi

The lens on the camera had a tendency to flare in certain conditions, here rendering the figure with a ghost-like haze.

FILM - Barbican ghost

And finally, another shot from Blast Lane where a dmaged bicycle lay (I presume) abandoned next to the tunnel.

FILM - Buckled

Anyone else gone the lo-fi disposable route?

Ilford XP2 single use camera.

Taken in April and June 2019

35mm · Film photography · Photography

Commuters

This group of people on the Tube in London caught my eye and I decided to take a quick candid. The Sure Shot Telemax isn’t the quietest of cameras and makes a quite audible camera noise as the motor winds the film on, but I took the chance of getting the shot. As the camera’s frame counter seems to be on the fritz a little, I was unaware that this was actually the last frame on the roll, so itnstead of a single, quick motor noise, I instead got about 10-15 seconds of loud motor noise as the film automatically rewound! No-one seemed to notice though.

FILM - Commuting

Canon Sure Shot Telemax & Ilford XP2.

Taken on 17 April 2019

35mm · Film photography · Photography

An empty seat

So, the big, scary carousel-thing is back in Sheffield at present (it’s been there for a few weeks, in fact). I took a few photos on a disposable Ilford XP2 camera, but this isn’t one of those – although, by coincidence, it’s also on XP2. It’s slightly tricky to get an appealing composition without bits of building creeping into the edges of the frame, and I ended up focussing on just the top of the ride when the pasengers were at the very top. Even then I’ve cropped this in a little.

FILM - Up there

Canon Sure Shot Telemax & Ilford XP2.

Taken on 29 March 2019

35mm · Film photography · Photography

Round the bend

A benefit of having a camera on you at all times is that you can grab a photo whenever one presents itself to you, as I did with this little scene that caught my eye while out walking a few weeks back.

As a point of interest, the phrase “being driven round the bend” comes from the layout of the grounds of old mental hospitals and asylums, which would not have a direct line of sight to the road they were accessed from. Therefore, a person being taken for admittance would be “driven round the bend” to get to the facility

FILM - Round the bend

Canon Sure Shot Telemax & Ilford XP2.

Taken on 31 March 2019

35mm · Film photography · Photography

Boot sale

Ah, the good old British car-boot sale. What beats getting up at 6:30am on a misty Sunday morning on the off-chance that someone is selling a Leica for a quid?

I didn’t get a Leica on this occasion (as I haven’t on all the occasions I’ve ever been to a car-boot sale, oddly enough), but I bought a Vivitar V635 with 28-70mm and 80-200mm lenses, and an Olympus OM-10 with a Zuiko 50mm f/1.8 for the princely sum of £12.

The Zuiko lens was faulty, so that went on eBay for spares / repairs and I got enough for it to cover my initial £12 outlay. The Vivitar was tested and, while it worked perfectly well and was in great condition, the lenses weren’t as sharp as others I already own for other systems, so that is being sold off too. I replaced the light seals in the OM-10 and finished a roll of Agfa Vista Plus 200 in it the other day, so should get the results back from that test roll this week. If all is well, I might keep hold of that as a spare body to complement my OM-1.

FILM - Boot sale

Canon Sure Shot Telemax & Ilford XP2.

Taken on 7 April 2019

35mm · Film photography · Photography

St. Paul’s traffic

It’s tempting to avoid venturing out for photography on rainy days, but it’s often very worthwhile. The reflections and sheen of the surface water can add whole new dimensions to a scene.

I’m not sure that the water adds that much to this shot beyond a bit of haze, some puddles and a vague reflection of the two cars. but I think it still does its bit.

FILM - St. Paul's Traffic

Canon Sure Shot Telemax & Ilford XP2.

Taken on 17 October 2018