Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
There’s a definite similarity to these two pictures, I think, in the placement of the hotels, and also the sea and horizon. Perhaps I should look out for similar scenes in future and collect them together.
Olympus Trip 35 & Fujifilm Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro
Taken 28 June 2026.
Olympus Trip 35 & Fujifilm Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro
Taken 23 June 2026.
This is a shot of the Savoy Palace hotel in Funchal, a large and distinctive building. It’s not where we stayed, but it was on the route into the centre of Funchal from our hotel and, as a result, I took at least a couple of pictures of it. I’ve not gotten around to processing and uploading the others yet though, so they’ll maybe turn up here on another day.
Nikon F70, Nikkor 28-80mm f.3.5-5.6 AF-D & Kodak Portra 160. Lab developed. Home scanned and converted with Negative Lab Pro
Taken 24 June 2026.
No, not the one from The Shining!
This is a view overlooking the lawn area beside one of our hotel’s swimming pools (there were three – one indoor, and another outdoor pool on the same level from which I took this picture). The hotel was quite maze-like and it took almost until the end of our holiday to get a decent feel for how the different areas and levels all interconnected.
The white building in the picture is also part of the complex and housed one of the hotel’s a la carte restaurants on its ground floor (which is a floor below what you can see here!). The hotel reception is below the swimming pool.
This was shot on our first day at the hotel. We had a couple of days where it became quite overcast in the afternoon, although even on otherwise sunny days, the mountain tops would usually be lost to cloud come mid-afternoon.
Ricoh GRIII
Taken on 22 June 2026
I don’t know why I didn’t post this as part of yesterday’s post – it’s literally the same place from a different angle. I’m going to blame the cold I have which is making me feel poorly.
Nikon F80 and Nikkor 28-80mm f/3.5-5.6 AF-D on Ilford Type-517. Ilfotec DD-X 1+4 14.5mins @ 20°.
Taken on 14 March 2026
Nikon F80 and Nikkor 28-80mm f/3.5-5.6 AF-D on Ilford Type-517. Ilfotec DD-X 1+4 14.5mins @ 20°.
Taken on 14 March 2026
This sculpture, situated on the seafront of Scarborough’s north bay, is titled Freddie Gilroy and the Belsen Stragglers. It was created by sculptor Ray Lonsdale and depicts Freddie Gilroy, an old soldier who helped liberate the Bergen‑Belsen concentration camp during the second world war. Lonsdale created it as a tribute to Gilroy, who was his friend, and as a broader reflection on war and the Holocaust.
It was only meant to be displayed in Scarborough for four weeks in 2011 but a local resident stepped in to buy it so it could stay in the town.
What isn’t apparent from my picture is the scale of the figure, which is twice life size, and dwarfs people as they pass by.
Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
This Morgan was parked in front of a big white hotel atop the cliffs of Scarborough’s north bay. I’m not sure what vintage the car is – they were made from the 50s to the turn of the century, with a new version being released more recently.
Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Adox Rodinal 1+50 13mins @ 20°
Taken on 19 September 2024
