35mm · Film photography · Photography

Equs Altus

I’m not one for Latin, but I think that’s maybe “High Horse” to you and I. The sculpture stands atop a tall metal column in the Trinity Leeds shopping centre.

It represents the pack horses that were used in the wool and textile trades, for which the city of Leeds was a major centre.

Its sculptor, Andy Scot, is perhaps best known for his work The Kelpies, which stand at Grangemouth in Scotland. Equs Altus may not have the same scale, but it’s definitely born of the same (ahem) cloth.

Equs Altus
Horse grid

Nikon F80 and Nikkor 50mm f/1.8 AF-D on Fomapan 400. Rodinal 1+25. 6.5mins @ 20°.

Taken on 13 March 2026

35mm · Film photography · Photography

Expired Provia 100F in the snow

Three more shots here that I took on my walk in the snow (which, somewhat incredibly, was a full two months back now!).

I had my Canon Sure Shot Supreme in my pocket on the day and, while my main camera for the walk was the Bronica ETRSi, I took a handful of pictures with the compact too.

I think they’ve come out remarkably well given the fact that a) the roll of film might have been around twenty-years expired, b) the camera and it’s automatic metering system dates back to the 1980s, and c) snow can be difficult to meter for regardless of the meter, with cameras having a tendency to underexpose the stuff.

So, overall, these look pretty good to my eye. The snow is bright and white, but still retains detail.

Snow horse
Snow day
Snow danger
Of what? Avalanche?

Canon Sure Shot Supreme. Fujichrome Provia 100 (expiry unknown). Lab developed. Home scanned.

Taken 11 March 2023.

Film photography · Medium Format · Photography

Building a horse out of sand

Despite owning a perfectly good bicycle, this man has taken it upon himself to build a horse. As I took this picture I had a brief moment where I wondered what would happen if it had suddenly sprung into life like something from a Harry Potter movie or something. It doesn’t have a saddle, so I expect riding it would have caused a degree of chafing.

Sand horse

Yashicamat 124G & Kodak Plus-X (expired 2008). Ilfotec DD-X 1+4 6mins @ 20°

Taken on 27 August 2022

35mm · Film photography · Photography

Neigh

Another Whitby picture today (and another that I think might have worked better in black and white). This horse is cleearly used to being fed handfuls of grass by passers by and, while I stood beside the wall, it placed its head right next to mine and let out a big, damp snort in my ear.

Following my ankle injury a few weeks ago I’ve been itching to get out and make some fresh photographs, and yesterday I took a trip into town with my wife (I’m not attempting to drive myself just yet – the consultant at the hospital advised waiting four weeks, so that is what I’ll do). It wasn’t a long trip and I didn’t walk very far, but I still managed to shoot a roll of HP5+ through the Yashicamat. I’ve developed the photos today but not yet scanned them. It was nice to take some pictures and even the developing (which is not a task I tend to enjoy) was quite a pleasant experience.

My ankle held up well, which is reassuring. Hopefully I’ll be able to get out more in the coming weeks.

Neigh

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 800. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022.

35mm · Film photography · Photography

A horse of course

I decided to go for a walk on Christmas Eve. I’d received some gifted Pentax (and Pentax mount) cameras a few weeks previously but, sadly, all of them has some fault or other that has dissuaded me from using them so far – The Pentax ME Super looked to be in best condition, but has an annoying issue where the mirror will lock up sometimes, necessitating a firm slap on the base with my hand to get it to return. It also needs new light seals and I haven’ had the inclination to fiddle about cutting and fitting new pieces of foam yet.

The cameras came with a bunch of Pentax K-mount lenses though, so I decided I would try them out on my P30T. On this occasion I took three of them with me: an SMC Pentax 50mm f/1.7; An SMC Pentax 35mm f/3,5, and; a Takumar-F Zoom 70-200mm f/4-5.6.

I shot a number of photos with all three lenses while out (although the zoom probably got more use than the others) and I’ll be posting some of the resulting images here over the next few days. Today though, a couple of frames from the start of the roll where a horse kindly provided its services as a model.

The walk ended on a festive note when a few flakes of snow began to fall. None of them settled, and none fell on Christmas day (although we got a dollop a few days later), but it felt good nontheless.

Before the images though, today’s haiku. Hopefully it speaks for itself as to what I did today…

I need to get fit
My first Couch to Five K run
My knees are aching

And now the horse. 🙂

Horsey
Where they live

Pentax P30T, SMC Pentax 50mm f/1.7 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 December 2020

35mm · Film photography · Medium Format · Photography

A walk on a wet day

About a month agao I went for a walk on a Saturday morning. I planned my route the evening before and checked the weather, which all my apps informed me would be overcast but dry after some early rain. My path would take me from a place about 20 minutes drive away called Lindrick Dale. It’s a place I’ve walked from once before, albeit when I was a teenager – so over thirty years ago now! That particular walk had been somewhat ill-fated…

Myself and two of my friends had decided to catch the bus there and then walk over to the Chesterfield Canal (we were all into fishing at the time and were curious as to what the canal would be like to fish in. Although I never fished it, it was like some sort of angler’s fantasy with countless huge fish visible in the water!). From there, we would follow the towpath to the town of Worksop and then catch the bus home. It was a hot summer’s day and we were not really prepared to do much other than our planned walk so, when we got to Worksop and discovered that the bus service had stopped running, we were in a pickle. None of us had anyone who could drive out and pick us up, so we ended up having to walk home, hungry and thirsty, for the entire 14-mile distance. I remember the blessed relief when we found a shop that was open – a rarity in the UK on a Sunday afternoon in the 1980s – and were able to buy a can of cold pop each. I’m not sure I’ve ever had such a welcome drink (except maybe the one I had when I finally reached home, feet aching and exhausted, later that evening).

On this recent occasion I planned on walking some of the same route again, though with the benefit of knowing I had my car to get me home at the end of the walk. Still, there had to be a degree of ill-fate I suppose, and this time it came in the form of rain. As usual, the 21st century weather forecasting technology let me down. A couple of minutes after leaving the car and beginning to walk, the heavens opened. I continued walking a while longer – I’d worn my waterproof hooded jacket so my top half was nice and dry. Unfortunately my trousers were only water resistant and it soon became apparent that they would get very wet if I didn’t take shelter. So, with a degree of annoyance at the weather forecasters of the world, I hurried back to the car to sit it out.

Eventually the rain eased off and it looked like it might stay that way, so I headed out again. The weather was still gloomy, but there was a pleasant freshness to the air from the heavy rain, laced with the scents of vegetation. Following the narrow road through Lindrick dale led to a footpath that skirts the southern edge of Lindrick golf course and I grabbed a quick photo of one of the greens. I was up a small slope above the green and I might have been better served if I’d gone down to make the photo, but it is what it is.

Four or fore

It’s probably worth noting at this point that most of the photos featured in this post are snaps from my walk taken with my Nikon F80 and 50mm lens. I’m not sure that any of them are great photos, but they serve well enough as illustrations. I also had my Yashica Mat 124G and some of those photos are more, er, artistic (some have been featured on the blog already here and here).

A little further on I stopped to take a photo of the canal feeder stream which winds it’s way through the landscape for a mile or so from the River Ryton until it empties into the Chesterfield canal. I find something interesting about these sorts of man-made waterways – they remind me of some sort of fairground water-ride on a grand scale. I’m not including most of the Yashica photos in this post, but I’ll let this one sneak in as it shows the canal feeder (shot on Fomapan 100 film).

Canal feeder

The path then entered an area of woodland and thankfully it was when I was beneath the shelter of the trees that the rain started again. It absolutely heaved it down and I was forced to loiter in the woods for a good twenty minutes before it stopped enough to venture out again.

The path now took me past an interesting looking farm that I made a mental note of as a possible future photo opportunity (in nicer weather!) and then continued towards a nearby railway line with a pedestian crossing place. Unfortunately, this section of path was bordered by tall grasses which were now saturated with rainwater. It’s remarkable the volume of water that plants can hold on their leaves and stems and my legs were soaked by the time I reached the railway crossing. Thankfully, the other side was an open field leading up to the canal at Turnerwood. There was a nice looking old greenhouse on this section that was also added to the photo-op file of my memory banks.

My plan had been to walk from here to nearby Shireoaks and then back on a long loop around the golf cours. However, my wet trousers forced the decision to take a shorter route back to the car instead. So, from Turnerwood, I walked west along the canal towpath and shortly afterwards made this photo of a moored barge.

Early morning barging

A little further along the path and I saw a curious horse watching me from the other side of the water.

It's that horse again

And, a little further again, some lock gates that were nicely lit by the sun which had peaked through a gap in the cloud.

Lock gates and reflected trees

This section of the canal has a long series of locks and I made a number of photographs with the Yashica Mat. Eventually I reached a bridge over the canal that marked the place where I would lead the towpath and head back towards Lindrick Dale. This involved crossing the railway line once again and then walking up a long, slighty muddy and slippery path through a field of growing crops. Here I took a couple of the photos posted in the blogs linked further up this piece.

A paved farm road at the top of the footpath made for easier walking and I followed it over a railway bridge and past a house stood alone in the countryside. The road dipped downhill and just as it veered right, under a railway bridge, I noticed a field of cows to my left. There was a stream at the foot of the field with a simple wooden bridge. The stream also passed under the railway embankment through a culvert and te next three shots show the scene. The field was laced with cowpats and I was fortunate that my luck held out for once and I didn’t tread in any!

Footbridge from a cow field

An entrance

Another view of the footbridge

Crossing back over the stream and under the railway bridge, I was now on the home stretch back to the car and was soon back on the narrow road through Lindrick Dale. There are some lovely houses here and I expect that they cost a pretty penny.

Past the posh houses

There is some private, manicured land at the bottom of the dale with stretches of lawn, lovely shrubs and trees, and the odd swing set. Colour film, even on this dull day, would have better served me here.

Swings beside the lawn

The final shot of the set, taken just before I got back to my car, is one of the expensive houses perched high on the edge of the dale.

House on the edge

Better conditions might have made for a better walk (and maybe photos too), but it was enjoyable for all its discomforts and I was glad to have taken the time.

Nikon F80, Nikkor 50mm f/1.8 AF-D & Ilford XP2 Plus.

Taken on 6 June 2020