A window in this clothes shop had been broken and then reinforced with plastic film prior to replacement. It made for a cool photo opportunity…
Olympus Trip 35 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°
Taken 15 June 2024.
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
A window in this clothes shop had been broken and then reinforced with plastic film prior to replacement. It made for a cool photo opportunity…
Olympus Trip 35 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°
Taken 15 June 2024.
One of the effects of midsummer where I live in the UK is the position of the sun in the evening when it sets. In the winter it drops behind a ridge of hills to the west, blocking its light a little earlier than it might if we leved somewhere flat. In the height of summer however it sets to the north-west, descending in such a way as to shine between two houses across the street from us. The downside of this is that the living room (and our eyes) are filled with bright light, meaning we need to shut the blinds if we want to see the TV. The upside is that some beautiful evening light floods into the rooms on that side of the house, sometimes making for a nice photograph or two.
Today’s photo is one such image. The light on this evening filled the kitchen with a stunning golden glow and alighted on our knife block and a glass of orange juice stood beside it. It looks almost like the white balance on the photograph needs to be tweaked, but this was the shade of light that shone that evening.
Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.
Taken on 19 May 2020 (I think!)
Do you ever have those times where the creative urge just strikes? Times where you need to make a photograph even though you can’t go out and there’s nothing much to photograph indoors but your eye catches something and you just think “Yeah, that’s a picture.“? Well, today’s photograph is from one of those times.
I’m not sure whether I was just in a trigger happy creative flush, but something made me get the shot. The subject is a half-full glass of (flat) cola sat on the cabinet where my printer sits (and which has some books and other gubbins perched atop it too). The glass has been through the dishwasher on multiple occasions, and it shows. What was once clear is now permanently etched by the washing process, leaving a finery of scratches across its surface. I think it was these bright marks highlighted against the darkness of the beverage that made me think there was a photograph waiting to come out.
The Bronica and the 75mm Zenzanon have made for a sharp image and the Fomapan 100 (this is the first roll of this emulsion I’ve home developed in the DD-X I use) has produced lovely tones. It’s probably not a photo that anyone would ever want on their wall, but I’m quite struck by it for some reason. Mundane for the win once again.
Bronica ETRSi, Zenzanon 75mm f/2.8 & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.
Taken on 27 April 2020
Although not my original intention, I like the way that this shot implies that the firing of the camera has shattered the glass.
Canon Sure Shot Telemax & Kodak Tri-X.
Taken on 22 February 2018
Hull Minster reflected in a modern glass-fronted building.
Canon Sure Shot Telemax & Kodak Tri-X.
Taken on 29 November 2017