Yashica Mat 124G and Kodak Portra 400. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 11 October 2025
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Yashica Mat 124G and Kodak Portra 400. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 11 October 2025
Fernlea garden centre has been doing business in the village of Maltby-le-Marsh near Mablethorpe for as a long as I can remember. I have a vague memory of my grandparents buying some plants from there one time when I was a kid – the caravan site where their caravan was berthed was in the same village (and still is, although considerably changed from how it was when I used to visit).
Each year when I visit Mablethorpe I drive through the village and see the garden centre. Unlike the caravan site, it seems remarkably unchanged (in my memory at least) from all those years ago, and whenever I go past I have a slight worry that it will no longer be there and another little piece of my life’s history will have gone. It hasn’t happened yet, thankfully, but this year when I drove past I decided to stop and take a couple of pictures so that, in the event that it ever disappears, I’ll still have a picture to remember it.
Yashica Mat 124G and Kodak Portra 400. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 11 October 2025
These pictures are from the same roll of Fuji Pro 400H as this pictures I posted yesterday. Unlike those, the light leaks on these were unrecoverable (by my level of skill, at least, although I suspect anyone else’s too).
I think the problem was caused by keeping the roll of film in the camera for two long. I shot a single frame when I visited Hull back in August but, because the film advance wheel fell off thew camera after that shot, it meant that I wasn’t able to shoot any more frames that day and only got around to shooting more in September, before finishing the final four frames in October when I went on my annual day-trip to Mablethorpe.
I shot all those during the journey, three in Gainsborough, and the final picture in Legbourne, and it’s the first of the Gainsborough pictures, and the Legbourne picture shown below.
It was after taking the picture in Lebourne and removing the roll of film from the camera that I became aware that I had a “fat” roll, the film and backing paper wrapped much more loosely around the spindle than required, meaning that light was able to get to the film when I opened the camera back. I put the roll somewhere dark as quickly as possible but not matter how fast I might move, it’s still slower than the speed of light, so the damage was done.
It’s a shame these two photos were damaged in this way as I think they would have been good pictures (I’ve since returned to Gainsborough and re-taken the first, but the weather conditions were different and the plume of steam wasn’t there, so I don’t think it will be as good). Still, despite the obvious issues, I still liked the results enough to post them on my Flickr account. I think the first one could make a pretty decent album cover!
Zeiss Mess-Ikonta 524/16 & Fujifilm Pro 400H. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 11 October 2025
I posted some pictures the museum and bandstand a few weeks back, but those shots were in black and white and shot on my Fujica STX-1. But I also took some medium format colour pictures of the same scenes (though different compositions) with my 1950s Zeiss folder. So here they are.
Zeiss Mess-Ikonta 524/16 & Fujifilm Pro 400H. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 6 September 2025
A couple more shots of the canal today. Despite the slightly industrial quality of some of the bridges, it’s actually quite scenic down there.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 7 April 2024
A couple of photos of the Sheffield & Tinsley Canal in Sheffield.
I publish this while listening to excited chatter on the TV news about a July General Election. About time!
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 7 April 2024
It seems that, whenever a new building is being built in Sheffield, that there’s a good chance that it it will belong to the university (or one of the universities, I should say, as there are two). This part of the formerly industrial district of Attercliffe has not escaped, and there are several new buildings in place, some new development underway, as well as a host of sports facilities (which is perhaps as it should be, as the area used to be the home of the now demolished Don Valley Stadium that was originally erected for the World Student Games that was held in the city in 1991.
The building in the background in the above picture is the English Institute for Sport. Below is another view. I wasn’t sure if the masts are a structural feature, or there for show, but a quick online search reveals that they support the building’s roof.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 7 April 2024
Last month I took my Zeiss Mess-Ikonta 524/16 folding camera for it’s first outing in quite some time – about two years, in fact!
It’s quite a nice camera, if a little slow to operate due to its uncoupled rangefinder design which requires focus to be achieved by means of a dial on top of the camera that operates the rangefinder, and then manually transferring the distance on the dial to the lens itself. The lens is quite nice though and gives good results if you set it correctly. Plus, of course, the folding design means it can be slipped into a pocket (ok, a big-ish pocket).
Transferring the focus distance is straightforward enough but, if you’re not paying attention (or haven’t used the camera in a while!) it can be easy to make mistakes where some of the distances have half marks. This is what happened on this outing, and I only realised after I’d taken four or five pictures. I hoped that my use of small apertures might have reduced any focus issues, but on looking at the scans, a few frames are noticeably soft.
The two shots shared here are ok though, as are some others that I’ll share over the next few days. Hopefully I’ll pay closer attention next time I shoot with the camera.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 7 April 2024
Another view of Monsal Dale (these will come to an end in a day or two, in case you’re fed up of seeing the place). It’s from almost the same vantage point as the colour version I posted a few days ago but this one was made after I’d walked down to the valley floor, across the bridge you can see middle-right in the picture, followed the river beneath Headstone Viaduct, past the weir, and then up a deceptively long and, in parts, steep footpath back up the other side to my starting point.
If you click the image and zoom in, you can make out a person stood in the courtyard between the two houses you can see at the bottom of the dale.
Zeiss Mess-Ikonta 524/16 & Ilford Delta 400. Ilfotec DD-X 1+4 8mins @ 20°.
Taken on 19 April 2022
Another bridge picture today, this one crosses the River Wye not far upstream from the Headstone Viaduct but is of a much smaller scale.
I shot another roll of my expired film this morning so I’ll hopefully (if the film gods smile down upon me) be able to post some results from that before too long.
Zeiss Mess-Ikonta 524/16 & Ilford Delta 400. Ilfotec DD-X 1+4 8mins @ 20°.
Taken on 19 April 2022