35mm · Film photography · Photography

Lone tree

This is a photo that came out much nicer than I expected it might, which is always a nice thing to happen. Taken a short while after yesterday’s image of the church at Thorpe Salvin, this was maybe a quarter mile away. Luckily I’d brought my Sigma 105mm lens with me which gave me just enough reach to make the picture. I don’t think it would have worked with the 28-80mm as the tree would have been too small in the photo and other distractions would have crept in at the sides.

I like the minimalism and the colours (although they’re probably a little warmer than they were in reality – I tried a re-scan of this shot on my Plustek too, but it looked much worse than the lab’s Nortisu scan).

Another day

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.

Taken on 31 May 2020

Film photography · Medium Format · Photography

Uninspired

I had the day off work today and had planned a trip out into the countryside. Alas, the weather had other plans and the day was one of those with a solid sheet of blank grey sky. To make matters worse it also kept raining. Not proper, people-with-umbrellas rain though, but the fine, almost mist-like, rain that just hangs about in the air and gets onto every surface – especially cameras and the front elements of lenses!

So I changed my plans and drove into town instead. Today would be my first trip into the city centre since the non-essential retailers were allowed to open their stores last Monday (and only the second time since lockdown began in March!). Although early, I’d expected more people and traffic that there was – having seen pictures of crowded streets and shops in the media, I thought there might be something similar afoot – but there were very few people about. More than my previous, pre-shops-re-opening visit, but still not many – not even many people travelling into work. The largest groups of workers I saw were construction workers, of whom there were a significant number apparent around town.

Today’s trip was different to the last though in one simple way – I was uninspired. Whereas on my previous visit last weekend I saw photographs everywhere, today I saw few, and the ones I made (I shot around half a 36 exposure roll of HP5+) felt for the sake of it rather than anything I expect to be good when they are developed. Usually, shooting a full roll of film is no problems, but today I left defeated.

It was the first outing for my newly acquired Olympus OM-2 too and perhaps getting to grips with the slightly different fuctionality when compared to my familiar OM-1, had an impact on my photograph making. I’m hoping I might get to finish the roll over the weekend (and I have an extra day off on Monday too) and that the next outing will see me in better spirits.

Today’s photographs are from the dust-spotted Fomapan roll of doom that I’ve spoken about in recent posts. It took me ages to get rid of all the speckles, so I hope someone likes them. 🙂

A gap in the crops

Rainy day lane

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 6 June 2020

Film photography · Medium Format · Photography

Cottage by a meadow

It’s Friday evening again and I have to say that I’m very thankful for that fact. I’ve had a very busy week at work once again and am really looking forward to relaxing a little over the weekend. Hopefully I might get out to make some photographs – I have around six frames of 135 Ilford XP2 sat in my F70 that I want to shoot, certainly, which can then be sent off for developing along with a roll of Kodak Gold I finished a couple of weeks ago.

The weather doesn’t look particularly great on either day this weekend, but I can live with that – although boring flat grey skies or torrential downpours might put me off. I shall wait and see I suppose. If all else fails I’ve got a huge pile of photobooks to catch up on.

Today’s picture completes a hattrick of consecuitive shots from the same roll of Shanghai GP3 that I’ve posted photos from the past couple of days, this one being the last one on the roll. The backing paper had bled through on this one (and a couple of others), most notably in the sky,  so I’ve fixed it in Photoshop (although it was a bit of a quick’n’dirty job if I’m honest).

At the bottom of the meadow

Yashica Mat 124G & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24°.

Taken on 23 May 2020

Film photography · Medium Format · Photography

Over the fields

Have I posted a photo of some power-lines recently? I’m pretty sure I must have – because I post pictures of them all the time!

Well here’s another one – this is the FINAL pre-lockdown photo I took, the last frame on the roll.

It’s the same field where I took the shots I posted here, back in November of last year.

Over the fields

Yashica Mat 124G & Kodak Plus-X (expired 2008).

Taken on 22 March 2020

Film photography · Medium Format · Photography

Flooded field

I mentioned in yesterday’s post about my trip out to photograph the saturated fields that have resulted from the recent period of heavy rainfall, and here’s a picture of one of them. I have a number of others that I hope to post soon, but as my job has involved a trip across the country, I’m tired, so it’ll be a somewhat truncated piece today.

FILM - Floodlands

Holga 120N and Kodak Tmax 400 (expired).

Taken on 9 November 2019

Film photography · Medium Format · Photography

A path through the barley

When thinking of a title for the picture shown today, I was forced to find the answer to that age-old question that has puzzled our species for so long: Is it wheat, or is it barley?

Turns out it’s barley. The main visual differentiator, so I’ve learned today, is that barley has a long beard (the bristles that protect the kernels). So there you have it.

Anyway, here’s a photo of some wheat barley.

FILM - A path through the barley

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Ilford HP5+.

Taken on 20 July 2019

35mm · Film photography · Photography

Leading lines and power lines

Or is it “lead-in” lines? Or does it matter, both seem to be correct anyway?

This was taken while out on a walk about a year ago and has just been re-scanned on my Plustek 8100. The colours look far better and much more natural now, as does the sharpness of the image (albeit the focus is more on the barley than the distant pylons).

Anyway, it’s quite a nice image, I think.

FILM - Pylon fields

Canon Sure Shot Telemax & Agfa Vista Plus 200.

Taken in April 2018 (I think!)