35mm · Film photography · Photography

A winding fence on a misty morning

The day that this picture was made left me a little disappointed when I awoke. We’d had some bright days with sunshine and clouds in abundance just prior to this but, as usual, I was otherwise engaged and unable to fo make photographs. So, when I say the grey, murky skies I almost took the decision to stay indoors and find something else to do. In the end though, I have myself a gentle mental kicking, pulled on my walking boots, and headed out the house. As it turned out, the flat skies also held some mist – not thick by any means, but enough to add a nice, soft layer of atmosphere to the surroundings.

While the lockdown has restricted me from travelling very far, I decided to make the effort to take a long walk to Shirebrook Valley, which is maybe 2-3 miles from home as the crow flies, but longer when following the routes that us ground-dwellers need to tread. The valley is a wooded area with a brook running through the bottom. While I’ve passed it close-by on countless occasions – the bypsss that leads to the city centre skirts its edge – I’ve only visited on foot once in recent times, and walked across it from one side to the other on occasions when I was a lot younger – it was part of the route if we ever walked to or from my grandparent’s house instead of travelling by car.

This lack of previous exploration meant that I was pleasantly surprised by what I found, with some interesting photgraphic opportunities presenting themselves – particularly a whole series of fallen trees down beside the brook in one area – and definitely a place I plan on revisiting when chance and – particularly – conditions favour it.

The image featured today looks down towards the southern edge of the woodland. Although not really apparent, the busy bypass I mentioned is hidden amongst the misty trees at the top of this shot.

Just a feint light mist
Adding mystery to things
And pleasing the eye

Follow the fence down into the mist

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 3 March 2021

Film photography · Medium Format · Photography

Just to be contrary

I know that some people do “fence Friday” where they publish pictures of fences on, as you might have guessed, Fridays. It’s not something I’ve really felt inclined to do, although I think I was member of a couple of Flickr groups for such themes in the past. Anyway, limited to my blog, and probably for today only, it’s “fence Saturday”. 🙂

The fence in the picture is atop the bridge that I shared a photo of yesterday. It’s a fairly new fence that I think was installed not long before the COVID-19 pandemic hit and I’ve wondered if there were plans to expand the network of footpaths in this area, with the top of the brige included. I suppose it could just be a health-and-safety thing though.

Wooden fence atop
A brick-built bridge from times past
Perhaps a new route?

Arching

Yashica Mat 124G & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 21 January 2021

Film photography · Medium Format · Photography

Finding photos where you can

The current COVID-19 lockdown has once again restricted movement considerably. While I believe that short car journeys for the purpose of exercise are permitted (or at least tolerated – given the large number of cars I see parked close to the entrances of the nearby country park), I’ve been sticking to going only to places I can reach on foot. Given enough time, I could venture to a good number of places withing walking distance, although time isn’t always in ready supply due to work and other commitments, so I’ve mostly been staying within a mile or two of home.

The aforementioned country park and the surrounding areas still provide quite a lot of ground to cover though, and while exercise is the primary reason for going out, I’m still carrying a camera with me on these outings – well, with the exception of when I run as part of my C25K plan as, at this stage at least, I have neither the time not desire to make photos while attempting to jog! On days where I just go for a walk though, there is greater opportunity to grab photos.

I tend to find my local area quite uninspiring where photography is concerned, partly due to overfamiliarity, and also because the country park iteself feels a little bland and man-made in a way that open countryside doesn’t (even that land used for various other human activities such as farming or forrestry). However, in these times, “needs-must” takes the forefront and I will have to make do with what I can find. And what I’ve found is that some parts of my over-familiar local area are a lot less familiar than I previously thought, and a walk a few days ago opened up some locations that are full of potential due to my not having fully explored them before.

Even the places I’ve trod many times previously have promise though, and today’s shot is of nothing more extravagant than a tree-trunk stood beside the Trans-Pennine Trail. The section of the trail in question is oft-travelled by walkers, runners, cyclists and dog-walkers, especially at the weekend or in nice weather. Busy locations such as this tend to make me uncomfortable when making photos – I prefer solitude so I can take my time without getting in anyone’s way – but. again, “needs-must” and I shot most of a roll of film while out walking for an hour.

As with many of the photos I make taken in this former coal-mining area, there are signs of industry in one form or another, and in the case of today’s image, it’s the metal fence behind the tree, which prevents access to the railway line ten or fifteen yards beyond. I quite like the fence here though, despite it’s metal utilitarianism. It sets the scene of the place.

Upright spikes of steel
Stand guard against trespass
On train-tracks beyond

Tree near a railway line

Yashica Mat 124G & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 10 January 2021

Film photography · Medium Format · Photography

Endless fence

I hope nobody is getting bored of mist yet? There are still more to come – some of them in colour! 🙂

I think the lone tussock of grass in this helps the shot a lot. It would still have had a pleasant abstract nature without, but it being there in the foreground anchors the image.

Apologies for the somewhat short posts this week. I’ve had some other things to keep me occupied so not enough time unfortunately.

Onwards

Bronica ETRSi, Zenzanon 50mm f/2.8 MC & Ilford HP5+ (@1600). Ilfotec DD-X 1+4 13mins @ 20°.

Taken on 7 November 2020

Film photography · Medium Format · Photography

Fencepost nourishment

Back to the black and white stuff (at least for a roll). While taking a walk on the wetlands beside the River Rother not far from home (luckily, Sheffield is a very hilly city, so we’re in no danger of flooding where our house is) I spotted this lone can of Nourishment left atop a fencepost close to the road where I’d parked. I’ve never drank the stuff myself, but I believe it’s some sort of sugary milkshake thing – not sure just how nourishing it is exactly…

I liked how the lone can looked though and made my first shot of the roll.

Nourishment

Yashica Mat 124G & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 10 October 2020

35mm · Film photography · Photography

Cobwebs and light leaks

I’ve shot several rolls of film through my Olympus OM-2n now and, overall, I’ve been very happy with the results. I have noticed though, on a number of frames, what appears to be a light leak. It normally appears as a slightly brighter column of light at the right side of the frame, although it only appears on an occasional basis. I’ve also only noticed it when shooting black and white film. It’s possible, I suppose, that the leak is minor and it’s the greater sensitivity of the 400asa film that is allowing it to manifest – it hasn’t, as far as I can see, appeared at all on the rolls of 100asa and 200asa colour film that I’ve shot with the camera.

I’ve looked at the camera and it has seals fitted in the slots where the back closes into the body, but there was a mssing seal where the hinge is, so I’ve replaced that (and also added a little extra bit of seal into the slots in a place where it looked a little thin). I’ve yet to shoot another roll since doing this but hopefully it will resolve the problem.

Today’s photo is possibly affected by the same issue, albeit to a much larger degree than the others. There’s noticeable flaring at the top of the frame, perhaps enhanced by the leak – although much of it is probably down to the bright sunshine that was burning through the morning mist – I had to shoot towards the light to get the illumination on the cobweb. Whatever the fact, in this case I think it makes for a better photograph.

Web

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020

35mm · Film photography · Photography

Three more windmill photos

These three shots will probably mark the end of my North Leverton windmill photos for now. I still have a few more, but they’re quite similar to what I’ve already shown, so will probably stay in the archive for now.

I think these three are pretty nice pictures though (despite the over-developing problems) and the last of the trio is maybe my favourite of all the photographs I made at the location.

Looming

Mill behind the cottage

Windmill and fence

Canon Sure Shot Supreme & Ilford HP5+. Ilfotec DD-X 1+4 7 mins 45 secs @ 22.5°.

Taken on 25 July 2020

35mm · Film photography · Photography

A window on work

I sometimes wonder at the purpose of these windows placed in the barriers that surround construction projects. Is there a specific purpose for them? Or are they there, as might seem obvious, to allow passers by to have a nosey at what’s taking place on the other side of the fence?

It seems that the obvious reason in this case is the actual reason. The windows are there for public engagement to allow them to see what’s happening on the construction site from behind the safety of a barrier.

I’m not sure that I would want someone to have a little window to peep in on me doing my work whenever they felt like it. Then again, my work is likely far less interesting to the average passer by. Perhaps I should buy an excavator…

A window on work

Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.

Taken on 23 July 2020

35mm · Film photography · Photography

Fence in the lake

I’ve often wondered what the purpose is (if any) of this short section of fence that extends a few feet into the lake. There’s a gap on the shore (with the remains of a latch where a gate presumably once stood) so it serves no purpose in preventing passage. I guess it could be a holdover from before the lake was there (when it used to be a quarry) and was never removed when it was filled with water and the country park developed.

Whatever the case, it makes a nice subject for the occasional photograph.

Water's edge

Pentax P30T, Rikenon 50mm f/2 & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°.

Taken on 2 May 2020

Film photography · Medium Format · Photography

Monochrome wildflowers

Back to work today after four days off. No photography stuff today other than a bit of scanning.

The coronavirus situation in the country continues to apall with the shameless incompetence and double-standards at play in our so-called government. Apologies for mistakes are not a sign of weakness, they are a sign of strength. Respect is earned by those who accept and learn from their errors, not by those who obfuscate and pass the blame, no matter whether I support their broader views or not.

I wonder how long deceit, failure to accept responsibility and lack of accountability can last until something has to give? Sadly, I suspect a long time. There’s a tribalism in politics that has grown in recent years where groups of people hitch their allegiance to one wagon or another and refuse to get off, no matter the road it takes. It’s a terrible “us and them” situation that fosters the worst in people. I despair of it.

Anyway, this is a photography blog, not some political rant, so here’re some flowers.

Wildflowers

Bronica ETRSi, Zenzanon 75mm f/2.8 & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 7 May 2020