Looking straight down onto a small frozen puddle/
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Looking straight down onto a small frozen puddle/
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
Power lines cross a field, it’s crops just beginning to show, before passing a lone farmhouse. In the distance the buildings and chimney-stack of Steetley dolomite works are visible. This chimney can be seen from miles around in this part of the countryside.
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
The Welbeck estate is quite extensive, taking in famland, woodland, lakes, and various buildings – including the grand country house, Welbeck Abbey. One curiosity about the estate is it’s extensive network of underground tunnels and rooms, built by the reclusive William John Cavendish-Scott-Bentinck, 5th Duke of Portland
The duke’s father, expecting an oak shortage, had planted hundreds of trees, which his son later used to build an extensive network of underground rooms and tunnels. These tunnels were reputed to span 15 miles, linking subterranean chambers with buildings above ground. They included a 1,000 yd passage between the house and the riding house, a rougher parallel tunnel for workmen, and a 1.25 mile tunnel from the coach house to the south lodge, said to be wide enough for two carriages. This longer tunnel had domed skylights visible from the surface and was lit by gaslight at night.
All the chambers were painted pink and included a great hall -160 feet by 63 feet – originally intended as a chapel but used as a picture gallery and occasionally as a ballroom. The ballroom reportedly featured a hydraulic lift for 20 guests and a ceiling painted as a giant sunset, though the duke never held dances there. Other underground rooms included a 250 foot library, an observatory with a large glass roof, and a vast billiards room. His prolific tunnelling is thought to have inspired Mr. Badger in The Wind in the Willows.
The first two pictures shown here are the south tunnel lodge and tunnel entrance. I didn’t take a head-on photograph of the entrance as there was a large white van parked there, which I though spoiled the scene a little. The final picture is a cottage across from the tunnel entrance. I’m unsure if this has a formal name (but it had some impressive looking hens in the garden).
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
This was taken shortly before the picture of the hawk on the power lines that I posted a few days back (that field was the next one over, beyond the hedge and tree that can be seen in the image below.
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
At the bottom right of this shot you can just make out a side-track that joins this road. Let me assure you that, despite appearances, and in spite of the frosty and icy ground, it was very muddy!
Worth it to get this picture, I think, although there was more mud to come later in the hike…
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
Ah, one of my old favourite subjects; power-lines marching across the landscape to destinations unknown. This one enhanced, I think, by the compression given by the telephoto lens and, most of all, by the hawk perched upon the wires.
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026
We’ve not had any frost (at least not that I’ve been up early enough to witness!) for a few weeks now. This was shot six weeks ago.
It’s not the best ever picture of a frosty leaf (I’ve taken better ones myself), but it was a decent test of the 70-200mm lens on close-up subjects. Parts of the leaf have fallen out of focus due to the the closeness of the subject from the lens.
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
Taken on 8 February 2026