As soon as I pulled this picture’s negative from the developing tank, I knew there was a vignette. It was pretty obvious to see. I’ve cropped in a little and also used some Lightroom wizardy (well, half-assed messing about with sliders) to remove the worst of it, but it’s still plainly apparent in the top corners of the image.

The reason for the vignette is that I used quite a lot of front rise when composing the shot to get the church framed in the centre of the image vertically. My vantage point was from the bottom of the churchyard, which is down a slope, so the front rise allowed me to prevent converging verticals.

Lenses used in 4×5 photogrphy need to have an image circle of 153mm in order to cover the whole sheet of film. As soon as you start to use camera movements, this image circle needs to be larger to accomodate them. My 135mm lens has an image circle of 206mm, which is more than sufficient to cover the film and use a range of movements, but only within certain limits. So, once I use more than around 35mm of front rise (when the front standard where the lens is mounted is raised), the edges of the image circle begin to impinge on the film, leaving an unexposed vignette.

This vignette can be seen on the ground glass, or by other methods, when composing the shot. That is, if you’re paying proper attention. Which I wasn’t.

Another lesson learnt, but the picture isn’t too badly affected, luckily.

Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+9 15 mins 45 secs@ 20°

Taken 3 June 2023.