35mm · Film photography · Photography

Welbeck south lodge and tunnel entrance

The Welbeck estate is quite extensive, taking in famland, woodland, lakes, and various buildings – including the grand country house, Welbeck Abbey. One curiosity about the estate is it’s extensive network of underground tunnels and rooms, built by the reclusive William John Cavendish-Scott-Bentinck, 5th Duke of Portland

East lodge

The duke’s father, expecting an oak shortage, had planted hundreds of trees, which his son later used to build an extensive network of underground rooms and tunnels. These tunnels were reputed to span 15 miles, linking subterranean chambers with buildings above ground. They included a 1,000 yd passage between the house and the riding house, a rougher parallel tunnel for workmen, and a 1.25 mile tunnel from the coach house to the south lodge, said to be wide enough for two carriages. This longer tunnel had domed skylights visible from the surface and was lit by gaslight at night.

East tunnel entrance

All the chambers were painted pink and included a great hall -160 feet by 63 feet – originally intended as a chapel but used as a picture gallery and occasionally as a ballroom. The ballroom reportedly featured a hydraulic lift for 20 guests and a ceiling painted as a giant sunset, though the duke never held dances there. Other underground rooms included a 250 foot library, an observatory with a large glass roof, and a vast billiards room. His prolific tunnelling is thought to have inspired Mr. Badger in The Wind in the Willows.

The first two pictures shown here are the south tunnel lodge and tunnel entrance. I didn’t take a head-on photograph of the entrance as there was a large white van parked there, which I though spoiled the scene a little. The final picture is a cottage across from the tunnel entrance. I’m unsure if this has a formal name (but it had some impressive looking hens in the garden).

Hiding behind the tree

Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.

Taken on 8 February 2026

35mm · Film photography · Photography

Around Whitwell

A mini selection of buildings I found interesting when wandering around Whitwell. The first building contains apartments but was originally a pub named The Boot and Shoe.

Again, the semi-stand development worked well for these shots.

Gwendoline Court
Cottage
Whitwell Community Centre
Homes

Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD & Agfa APX 100. Rodinal 1+100 (+2ml) semi-stand 1 hour @ 20°

Taken on 8 March 2025

35mm · Film photography · Photography

Something good

I was reading an online post today from someone who suffers from anxiety, and how they used journalling as a means to help deal with it. One of the things they found useful was to list a number of good things that had happened during the day, and to also set some goals for the following day.

I suffer from anxiety sometimes. Mostly it’s focused on a particular issue and goes away when that thing has been resolved, but I do tend to worry about things in general too. This doesn’t tend to give me the same physical and mental symptoms as actual anxiety, but is more of a constant low-level awareness of things that might be (but not necessarily, will be) a problem. Sometimes this can lead to catastrophizing and imagining extreme outcomes from often innocuous things, such as someone’s tone of voice, or something I overhear. I’ve gotten better at recognizing these situations, and I can usually talk myself out of this behaviour, knowing that the thoughts are unrealistic and ungrounded.

Knowing this, I’m going to make an effort to look out for the good things each day, and make a note of them when they happen. I think that setting my weird mind looking out for good things will be a much better use of energy than imagining what might be bad. I’ll try to list some of them here each day.

Something good that happened today…

I took down the Christmas decorations. This is something I don’t enjoy very much and which always makes me feel a little bit sad that Christmas is over for another year, so it might seem weird that I’m using it as “something good”. But the fact is that, despite my sadness that I’ve had to take them down (not that I would leave them up indefinitely or anything), I don’t actually feel too bad about it. I think I was more worried about being sad, than actually sad, and I feel fine now.

I also had our two cats helping me which was kind of annoying, but also nice. A balance between the frustration that they were constantly getting in the way, and the delight at seeing them sitting in every single box they could find (usually just as I was about to put something inside it!), which made me smile and laugh.

Today’s pictures are the last of the batch I took when I visited King’s Lynn back at the start of autumn (I know I say this a lot, but time really is flying by quickly as I get older!). This cottage forms part of the border of the grounds of St. Nicholas’ Chapel, a church dating back to the 11th century.

Graveyard cottage
Around the front

Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD & Ilford Delta 100. Ilfotec DD-X 1+4 10 mins 30 secs @ 20°

Taken on 19 September 2024

4x5 Large Format · Film photography · Photography

Beside the River Wye

I photographed this same scene last summer on a much nicer day, that time using my Yashicamat 124G and some Fuji Pro 400H. This version is shot on Ilford FP4+ with my Chamonix 045N-1 large format camera. This one has much more resolution, but the earlier colour pictures look nicer I think.

Riverside living

Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Ilford FP4+. Ilfotec DD-X 1+4 9mins @ 20°

Taken 1 August 2023.

35mm · Film photography · Photography

WordPress & Flickr frustrations

A while back I posted about how I was going to begin uploading images to Flickr at a lower size than I have previously done. This process has been working fine – the JPEG images I upload are still plenty big enough, and I’ve kept the full-resolution original scans on my computer.

However, I’ve noticed today that the majority of my WordPress posts which feature images where I’ve replaced the original files on Flickr are now showing the photo description, rather than the embedded image. The links work fine, taking you to the Flickr version, and if I edit the posts, I can see the images displayed onscreen. But otherwise they are missing as in-line images from the posts, e.g. this post.

At first I wondered if it was a browser caching problem, but the same lack of pictures can be seen in multiple browsers on different devices. I also wondered if the URLs to the Flickr versions might have changes when I replaced the images on there, but they are identical. I’ve even edited the problem posts to remove the original links and replace them, but the same thing still occurs. Oddly, not all posts featuring images that I’ve replaced are affected, so the whole Flickr thing might be a big red herring!

I really dislike issues like this. They happen out of nowhere with no obvious cause and can take lots of meesing around to try to resolve them and I’m not in the mood to do so today. So, if you come across one of my posts that has a link rather than and in-line image, please accept my apologies. All new posts will hopefully be unaflicted, and I hope to fix the others when I get the time to figure out what exactly is going wrong.

Anyway… Here’s a picture of a nice thatched cottage at Sandsend (assuming it embeds into the post!)

Thatch

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022

Film photography · Medium Format · Photography

A-maze-ing

I visited the village of Ashford-on-the-Water last month. It’s a quaint little place full of picturesque cottages, and old church, and attractive scenes where the River Wye flows through. This was the first time I’ve visited the place since a school trip back when I was probably about ten years old (on a residential week at the nearby Thornbridge Hall).

This house caught my attention with it’s maze-like pattern of miniature hedges in the front garden.

A-maze-ing garden

Yashicamat 124G & Fujifilm Pro 400H. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 19 April 2022

Film photography · Medium Format · Photography

The road to Elsecar

I took quite a while to get the composition how I liked it for this photo. Not a long time, but longer than my usual “there’s a photo! click” method. I saw there was a picture to be had but there were distractions / potential interest points at either side of the frame, so I spent a few minutes moving left, right, backwards, and forwards to get just what I wanted into frame – all the while being conscious that I was stood in a road and that cars might be approaching from my rear.

The right of the frame had a parked car which I wanted to avoid in the shot, but the left had some interesting street furniture that might have added to the photo, plus it showed the curve of the road at the side of the house to better effect. Unfortunately, positioning myself to get the stuff at the left in frame also meant that other unwanted things crept into view as well, so in the end I went for this version.

The road to Elsecar

Fujica GW690 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 20 February 2022

Film photography · Medium Format · Photography

North Leverton windmill

I mentioned my photos of North Leverton windmill a couple of days ago, so here are a few of them

North Leverton Windmill

The mill was built in 1813 by a collective of local farmers to grind their corn. It was also agreed that the mill would grind corn from other farmers and “industrious poor persons” for an agreed fee.

Wind power

The windmill is completely without electrical power, relying on the wind to operate – although there are a set of engine stones for use when the wind is too low to turn the sails.

Windmill seeks prevailing wind

The windmill still sources locally grown grain to produce flour and animal feed, using traditional millstones to grind it.

Behind the cottage

I had a couple of cameras with me on the day – my Zeiss Mess-Ikonta 524/16 & my Canon Sure Shot Supreme (plus my phone). Because of the hedges and fences that surround the mill, it was sometimes difficult to frame shots with the fixed focal length lenses of both cameras. Ironically in the next shot, I could have used a longer lens perhaps.

Distant mill

The final shot is of the cottage beside the mill, which had a group of chickens roaming about the place – presumably the source of the eggs in the photo I posted the other day.

Windmill cottage

Zeiss Mess-Ikonta 524/16 & Ilford Delta 400. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 25 July 2020