35mm · Film photography · Photography

A man sat below a yellow wall

I guess that today must be “literal blog post title” day or something. In my head, at least.

This is what I assume to be a vacant lot in Barcelona, in the Gothic Quarter. The wall at the rear of the shot certaily has that “not intended for public view”-look about it, all rough concrete and clearly visible lines where the floors once stood.

Someone, however, has decided to paint it a bright yellow. It’s has a mustard tint to it in this Portra 400 photo, although I seem to remember it being more vivid at the time (this could be my brain frazzling out bad memories though). Whatever the case, I thought it was worth a photo, especially with the chap in the chair.

FILM - Below a yellow wall

Canon Sure Shot Z135 & Kodak Portra 400.

Taken on 17 June 2019

35mm · Film photography · Photography

Photography is fun(icular)

Yesterday’s photo had the Grand Hotel in the background and here it is again, albeit much closer this time, providing the brick backdrop to the funicular station.

The funicular railway here was built almost 15 years after the hotel, opening to passengers in 1881, and it still serves residents and visitors to this day. There were originally a total of five funicular railways at the resort, but there are only two still in service today: the one here (the Central Tramway), and another on the south cliffs (aptly named the South Cliff Lift). Another between these two (the Saint Nicholas Cliff Lift, just the other side of the Grand Hotel) is still in place, but the bottom station is now an ice-cream parlour while the two carriages are fixed in place at the top of the incline and make up the Saint Nicholas Cafe.

The other two were in the North Bay area of the town. The North Bay Cliff Lift was closed in 1996 and has been dismantled and placed in storage, while the Queen’s Parade Cliff Lift appears to have had a somewhat ill-fated lifespan, being subject to runaway cars, accidents and mechanical failures until a landslide eventually caused it to close for good in 1887, just nine years after it opened.

There are various meandering pathways to and from the seafront for those who don’t wish to ride in style (or some seriously imposing sets of steps for those of a sturdy disposition!).

FILM - At the top of the funicular

Pentax Espio 140M & Kodak Colorplus.

Taken on 13 July 2019

35mm · Film photography · Photography

Lobster pots

There are heaps of lobster and crab pots on the harbour side at Scarborough (as, no doubt, there are at many fishing towns and villages around the British coast). There are probably a uncountable number of shots to take of these devices on any given day – the geometry of ropes, the rust of the metal, the tangles of seaweed, and the crusts of barnacles mean that there is no shortage of interest there for the inquisitive eye. You do, obviously, have to put up the a strong fishy smell in order to get your shot, but that just enhances the atmosphere (both literally and figuratively) and puts you in a proper frame of mind.

FILM - Lobster pots

Pentax Espio 140M & Fuji Superia 100 (expired 2008).

Taken on 13 July 2019

35mm · Film photography · Photography

Red No. 7

Inside the Maremagnum shopping mall at Barcelona marina were this pair of Ferrari’s. I don’t have a great deal of interest in cars, but they often make for great photographic subject matter and I liked the colour and light so took the picture. It was amusing to see just how many men took selfies or got someone else to take their photo in front of the cars. This included me too, as my wife took a shot of me on her phone. 🙂

FILM - Formula GT

Canon Sure Shot Z135 & Kodak Portra 400.

Taken on 18 June 2019

35mm · Film photography · Photography

The look

This photo captures a girl giving a somewhat scathing look at her colleague. Or at least that’s what you would assume looking at the photograph in isolation.

It’s something that we see regularly in the media – particularly the press and news sites that make use of still images – where an image will be chosen to suit the tone of the article in which it is used: a sneaky look on the face of a politician the paper is opposed to; the beaming faces of parents with their healthy new baby; the triumph or despair on the faces of athletes; the shadowedy, unkempt look of someone charged with criminal offences. Each representing just a fraction of a second in that person’s existence, and each picked as being the right image to match the tone of the story being told. How often would another photograph, taken just an instant before or after the one selected change the whole feel of the image?

In my photo below, it looks very much like a dissaproving glance is being given, but the reality of the situation is that these girls were smiling, laughing and apparently getting on like the best of friends. My single captured instant is just out of context. It’s a fairly innocuous example, but it goes to show that, while a picture may paint a thousand words, the slightest movement in time can result in a whole new story being told.

FILM - Red aprons

Canon Sure Shot Z135 & Kodak Portra 400.

Taken on 17 June 2019

35mm · Film photography · Photography

Yacht

This huge yacht was moored in the marina at Barcelona. The figure stood at the prow gives some sense of scale. There were bigger vessels than this one there too, and what you can’t see from the angle this photo was taken, is the helicopter perched on the back of the boat.

I suggested to my wife that a boat such as this would make a fine birthday gift, but she didn’t seem to be listening…

FILM - Wealth

Canon Sure Shot Z135 & Kodak Portra 400.

Taken on 18 June 2019

35mm · Film photography · Photography

Stars & Stripes

At the eastern end of the Occulus transport hub / shopping mall atrium at the World Trade Center hangs this large US flag. At first I wondered if it was back to front, but on looking it up I learned that this is the correct way for it to be hung in a vertical orientation. My knowledge of the world has expanded a little.

I took many photos in the Occulus, both on film and digital, and it’s a very photogenic place. It is also surprisingly difficult to get pleasing photos of people in the atrium as it’s tricky to get the composition and placement of individuals just how you want them before someone walks in or out of the frame, breaking the harmony of the shot.

FILM - Stars and Stripes

Canon Sure Shot Z135  & Kodak Portra 400.

Taken on 26 May 2019

35mm · Film photography · Photography

New and old

Today’s photo was taken on the day we visited the WTC Memorial Museum. I can’t remember if I took it while we waited in the queue for entry to the museum, or if it was taken later in the day after I’d been to the top of One World Trade Center and we were walking back to the subway. It’s probably the former, or at least earlier in the day as (as I type this) I recall that storm clouds had begun to cover the sky before we left the WTC district. These same clouds resulted in the downpour that trapped us at Grand Central Terminal, during which I took the photo that I posted here on 15 June.

FILM - New and old

Canon Sure Shot Z135  & Kodak Portra 400.

Taken on 26 May 2019