Following the barn and schoolhouse pictures that I posted a few days back, here’s another subject that’s featured on the blog on multiple occasions (possibly because it stands right next to said schoolhouse and barn…). In fact, one of the pictures I’ve posted before is very similar to the lat one in today’s set. But, again, what the heck. It’s a nice subject, so who wouldn’t photograph it again? 🙂
My son had another job interview today, this one a little less impromptu and with support from his job coach. I don’t know what the outcome will be (apparently one of the other people being interviewed – for a job in a clothes store – was a marine biologist!), but he looked very smart and even if it doesn’t work out, every interview is more experience for him to draw upon.
In the early days of the new year, before I returned to work, I had a day free to do some photography. The world was my oyster (well, maybe not the world) and I was beset by the angst of choice paralysis – lots of places I might go, but a major struggle deciding on which one to choose. Quite often in these situations I just end up going to the same places I’ve been before – often into Sheffield city centre, or Kelham Island, or somewhere else close but familiar. However I was able to grasp the mettle and make a decision, and pulled Saltaire out of the, er, air.
Saltaire is somewhere I’ve never visited before. It sits to the north west of Bradford which, while not too far away, is still about an hour’s journey in the car. The village (although it’s now kinda merged into the wider Bradford conurbation), was built and named after Titus Salt to house workers employed at his mill, aptly named Salt’s Mill. The streets in the village are named after Salt’s children and other family members.
The mill and village sit beside the River Aire and the Leeds to Liverpool canal and the buildings are built in an Italianate style, which is very photogenic. As well as the mill and the houses, there are a number of other civic buildings, including a church, hospital, school, and others. The village was granted UNESCO World Heritage status in 2001.
The mill contains art galleries, shops, and a restaurant, and was a very nice place to wander around.
It’s a place I think I may revisit at some point as there is much I didn’t see, and lots to photograph.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 for 8 minutes @ 20°
A few weeks back I shot a roll of Agfa APX 100 during a trip to Lincoln. It was only as I went to rewind the roll of film after shooting all 36 frames that I realised I hadn’t set the ISO dial when I loaded the camera, and that the meter had been set to 400asa for every shot.
If I had been shooting Ilford HP5+ of something, I would have just push procesed the film -something I have done with good success in the past – and, indeed, I thought this would be my plan for the APX 100 too. Unfortunately, there is much less data available on push processing this particular film stock, at least beyond a one stop push to 200asa.
Asking around for advice resulted in a number of recommendations for stand or semi-stand development and, after looking into this further, I decided the semi-stand approach might be the best approach. However, as this would be the first time I’d ever attempted this method of developing film, and as I had an idea there would be some shots from my Lincoln trip that would be worth keeping, I decided that I would have a trial run on another roll of film first.
So, a week after visiting Lincoln, I took a shorter trip to the village of Whitwell and shot another roll of APX 100 at 400asa so I could test out semi-stand developing.
I have two developers to hand at present – Ilford DD-X, and Agfa Rodinal. As there was far more information available on performing semi-stand development with Rodinal, I opted for that. It also has the advantage of being much cheaper than DD-X. My research suggested that a 1+100 solution would be the best option, with a couple of extra millilitres of developer added to compensate for the push processing , so I made up a mixture of 500ml water, with 7ml of Rodinal (again, based on research online). This is more developer than I would need for a single roll of 35mm film, but I wasn’t sure how much extra developer to add to 300ml to compensate for the push as the online advice had stated a 500ml volume of water.
I’d also read that a pre-wash would be a good idea for semi-stand, so before adding the developer I gave it a soak in 20° water for 5 minutes, agitating it for a couple of minutes. I’m not sure if the agitation was necessary at all, but I didn’t think it would hurt.
After emptying the pre-wash water, I added the developer and agitated the developing tank with inversions for 1 minute. I then gave it a tap on the counter and left it to stand undisturbed for the next 30 minutes. After this first half an hour I gave it another single firm inversion, another firm tap on the counter to remove any air bubbles, and then let it stand for a further 30 minutes.
At the end of the hour I emptied the developer, used 20° water as a stop bath for 1 minute, and then a further 5 minutes in the fixer. After this I washed the negatives in tap water using the Ilford method, soaked them for a couple of minutes in a wetting agent solution, spun the reel in a salad spinner to remove most of the water, and then hung them to dry for 3 hours.
I was very happy to see nice looking negatives as I removed the film from the reels. They maybe looked slightly thin, but nothing to cause great concern and I was able to get results I was happy with when scanning and post processing the photographs.
The final results are pretty good, I think. There’s maybe a little more grain than there would have been had I shot and developed the film at 100asa, but it’s nothing I’m concerned about, and the images are sharp, have good contrast, and the highlights and shadows contain plenty of detail.
I don’t think I’ll use semi-stand development all the time, but I will certainly use it again in some situations. I’m already curious about shooting a single roll of film at different exposure settings, for instance, and I have a roll of Fompan 400 that I plan on shooting with my Holga sometime soon which I might develop as semi-stand.
Sagrada FamÃlia, or to give its full name: BasÃlica i Temple Expiatori de la Sagrada FamÃlia is the largest unfinished Catholic church in the world. Designed by fames Spanish architect, Antoni Gaudi, work began on consrtuction one-hundred-and-forty-three years ago, on 19 March 1882. Gaudi himself died in 1926 and was buried in the church’s crypt when just twenty-five percent of the building was complete. Work is currently expected to complete in 2026, marking the anniversary of Gaudi’s death.
I’ve visited the church on two occasions now, and on both was unable to go inside. On the first occasion I didn’t want to wait for an entrance slot – visitors must book tickets to enter – and on the second visit there were no tickets available whatsoever on the day. Had I planned in advance, I’m sure I’d have been ok but, if I’m honest, I don’t think I was really that concerned. While I’m sure the church interiors are breathtaking, the thought of being in there with hundreds of other tourists isn’t something that appeals, and ideally it’s the sort of place the deserves time to experience all it has to offer – something I wouldn’t have had as my wife had little interest in going inside, and I would have felt guilty leaving her sat outside while I took my time to explore.
Maybe one day I’ll visit properly, but I’m not going to hold my breath.
Olympus OM-10, E-Zuiko 35mm f/2.8 & Kodak Ultramax. Lab developed, home scanned and converted with Negative Lab Pro.
Muriel is the title of the piece of street art seen painted on the gable-end of the building in today’s photo. It’s by local artist, Pete McKee and had been there since 2018. Sadly though, someone has seen fit to stain Muriel’s coat.
Something good that happened today…
I’ve been backing files up onto an external hard drive for a while now, but was conscious of the fact that I probably wasn’t doing it very efficiently. Today I’ve rectified that and now have a much improved, simpler, and mostly hands-off method, so I’m happy about that.
I had a chilled couple of hours lying on the bed watching episodes of QI while the cats snoozed beside me. It’s really nice to relax like this (especially as my legs were aching a little from yesterday’s hike) and it’s something I don’t do often enough, always being busy with other stuff that can probably wait a little while.
St. Peter’s church stands in Trusthorpe, a village that sits between Mablethorpe and Sutton-on-Sea. The village just merges into the two other locations though with no countryside in between. Much of the land just behind the sea defences is now the home of a large caravan park, which can be seen in the bottom two pictures. If you look very closely at the second caravans photo, you can just see the tower of St. Peter’s poking up out of the treeline.
Something good that happened today…
I had a Jamaican salt fish patty for my lunch today. Never had one before and it was pretty nice.
St. Joseph’s Roman Catholic church in Mablethorpe.
I often end up photographing the same subjects on my annual trips to Mablethorpe, and this church is no exception. Here’s an earlier post about it from a few year’s ago.
This year I did something different, and walked to neighbouring Sutton-on-Sea, but I still photographed a few familiar sights in Mablethorpe nonetheless. I think I might attempt to walk around some of the parts of the town I’ve not explored on my next visit. I’m sure there are lots of interesting things to be found.
Something good that happened today…
Quite mundane, but I vegged out on the sofa most of the afternoon catching up on episodes of Silo that I’d not watched. Still got a couple more to catch up before the season finale this Friday, but it felt like I achieved something. I think the volume of things to entertain us that are available nowadays is both a blessing and a curse. I remember as a child being bored because I had nothing to do (mostly on rainy days when I couldn’t go out). Now I have more things that I will ever have time to watch, read, listen to, or participate in, which can feel overwhelming sometimes, especially when the hand of FOMO falls upon my shoulder.
Fujica GW690 & Kodak Plus-X (expired January 2008 and shot at 100asa). Adox Rodinal 1+50 13mins @ 20°
A quartet of pictures that I took while inside King’ Lyn Minster. While I don’t think the photos themselves are particularly outstanding, I am extremely impressed by the vibration control on the Tamron lens.
It was pretty dim inside the minster, as such places often tend to be, and I was shooting Ilford Delta 100 film, hardly the best choice for handheld photography in such conditions. The available light meant that I was getting shutter speeds of 1/10 sec to 1/20 sec, even with the lens as wide open as I could get it (f/3.5 is the widest it will go, but that drops down if you start to use even a small amount of zoom). I did brace myself against walls and columns where I could but, even so, those are impressively slow shutter speeds for handheld pictures.
The fact that these pictures are sharp (although with a little drop-off in focus because of the aperture) is a big confidence boost for my trust in this lens’s capabilities.
Steel City Snapper photography 