Tag: canal boat

35mm · Film photography · Photography

Well, why not… Photographing the same scene over and over

fishyfisharcade4 Comments

I often put my car in a car-park beside Victoria Quays when I go for a walk around town. It’s slightly inconvenient for the town centre, being further away from the shops etc., but has the considerable benefit of being much cheaper than the car-parks that are more central.

One of the exits from the car-park takes you right to the canal-basin and remaining wharf buildings (now all home to modern offices and other businesses) and there is always a fleet of canal boats moored there, many of which make for nice pictures. Likewise, the straddle wharf and other warehouses are also nicely photogenic. As a result I’ve taken many pictures at this location, often of the same subjects (especially the aforementioned straddle wharf).

Two canal boats

It’s not the only location that receives this regular photographic attention. The Kelham Island area of Sheffield has featured on the blog on numerous occasions, and constant readers will know that I take a trip to my favourite seaside town, Mablethorpe, every autumn.

Rosie

While I enjoy visiting and photographing these places, I do tend to notice that I photograph the same things over and over again, even though there are undoubtedly countless other subjects and compositions to be had. I wonder if people see these pictures and think, “Oh, it’s that thing again…”?

But conditions can change and shine a whole new light (both figuratively and literally) on these subjects. Different times of day, different weather, different seasons, all can make for new ways of seeing things, I feel, and so I’ll no doubt be here with yet more pictures of the Straddle Wharf, the Mablethorpe Rock shop, and the chimney-stack at Kelham Island heritage museum.

At the wharf

Olympus OM-10, Zuiko Auto-S 35mm f/2.8 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 3 May 2025

35mm · Film photography · Photography

Canals and railways

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A couple of pictures taken on the Leeds and Liverpool Canal. These are very close to the canal’s eastern end where it joins the River Aire in Leeds city centre just below the railway station.

The canal was originally conceived in the 18th century, with construction beginning in 1770 and being completed forty-six years later (although it was subsequently extended in 1822). It runs for 127 miles and has 91 locks on it’s main line.

The second photo shows westbound rail tracks crossing the canal just after they leave Leeds railway station.

Elsa
On a towpath

Olympus OM-1N, G-Zuiko AUTO-W 28mm f/3.5 & Ilford FP4+. Ilfotec DD-X 1+4 @ 20° 10mins.

Taken 14 October 2023.

Film photography · Medium Format · Photography

Canal boat with a new lens

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I bought myself a new (used) lens for my Bronica ETRSi in July – the Zenzanon 150mm f/3.5 MC. While I had 75mm and 50mm lenses for the camera, I was missing something that gives a bit more reach. The 150mm is around a 90mm full-frame equivalent I think, so a short telephoto and probably decent for portraits (should I ever make any!).

I was slightly wary about the MC designation, which places it as an earlier model, the same as my 50mm f/2.8. The 50mm is decent, but doesn’t feel as sharp as my 75mm, and I wondered if the 150mm would be similar. However, online reviews suggested this was no the case, and the few pictures I’ve made with it certainly look sharp enough. I got quite a good deal on the lens which, although the aperture ring is a little stiff, is otherwise in really nice condition.

The picture today was one of the first I shot with the lens (I had hoped it would have arrived in time for my trip to Ingoldmells and Skegness, but it came on the same day while I was out).

Red and blue on the canal

Bronica ETRSi, Zenzanon 150mm f/3.5 MC, and Kodak Portra 400. Lab developed. Home scanned and converted with Negative Lab Pro

Taken 6 August 2023.

4x5 Large Format · Film photography · Photography

Rushing it

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After yesterday’s post where I spoke about missing the focus slightly on a 4×5 large format photo, despite not rushing, here is a picture where I did exxactly the same thing, although this time I was rushing.

When I say rushing, that’s relative. You can’t really rush a picture with a field camera in the same way you can with 35mm or medium format (or, I guess, large format press cameras to an extent). There is still a lot of setting up to do before you get to the nitty gritty of finessing the focus etc.

At the time I took this picture there was no-one in the frame and my intent was to photograph the building, with the canoes and the front of tha canal boat. However, I was concious that there was a sizeable group of young people along with an instructor who was prepping them for going in the canoes. As I was setting up the shot, I heard him say something along the lines of “Right, follow me.” and the group headed towards my field of view.

I didn’t really want a big crowd of kids in the shot, so took this picture quickly when just two people were in the frame (one obscured by the other) and, because I was rushing, I didn’t check focus properly. The centre of the frame (horizontally) is fine, but the sharpness drop steadily towards the top of the building. Again, had this been reversed so that the lower part of the frame was softer, it wouldn’t have mattered because that’s just water and distorted reflections.

To make matters worse, the group of people then proceeded to walk right through the frame, exiting to the right, meaning I could have waited and got a better shot anyway!

Sheaf Quay

Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+9 15mins 45secs @ 20°

Taken 8 July 2023.

35mm · Film photography · Photography

Nevermind

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Although I don’t think it would suit everything, the vignetting caused by using this crop-sensor lens on a 35mm film camera works very nicely on B&W inages I think. It adds a definite mood to the images.

This shot is one of my favourites from the roll. I think it would have worked ok with just the building, but the front of the canal boat really gives it a bit of oomph.

So this lens vignettes
Adding mood and grit to shots
Centering the eye

Nevermind

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Preparing to cast off?

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This fella was pottering about on the edge of this canal boat and tinkering with the ropes. I have no idea about boats so don’t really know what he was doing – he could have been tidying for all I know.

I used my APS-C 35mm for most of the roll that this picture was taken from. Although designed for a crop-sensor, it has a large enough image circle to work on a full-frame / 35mm camera, albeit with vignetting. The vignetting becomes pronounced as the lens is stopped down, but at wide apertures it’s acceptable (well, to me anyway). The autofocus seemed exceptionally slow on the F80 with this lens though.

Fast lens, slow focus
It’s not meant for a camera
That shoots 135

Preparing to cast off?

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021