35mm · Film photography · Photography

A four-day week and other musings

The end of the three-day May Day bank holiday weekend is drawing to a close and I’ll be back at work again tomorrow. A number of businesses in the UK have trialed four-day working weeks recently, in most cases very successfully, but I don’t think my employer has any inclination to offer the same. Perhaps in time, as more places start to provide employees with these types of flexible working options, it will happen, but I’ll probably be on brink of retirement by the time it does.

A four-day week certainly sounds appealing though, even if it means working longer hours on the days I work. I could do a lot with an extra day, and it would expand the time I have for leisure, certainly. It would be like having a bank holiday every week!

I went out for a walk with a camera on Saturday, but nothing particularly focused – I needed some more DD-X developer, so went for a lengthy walk around town, snapping anything that caught my eye, although I only shot ten or eleven frames. I got my DD-X though, plus three rolls of 120 black and white film (I still have a huge stash of film to shoot but very little medium format B&W left, which is something I use quite often, so I got a few rolls to tide me over).

No photography related stuff today (unless I include uploading some new pictures to Flickr and posting here), but I went to see Thunderbolts* with my wife, which was good fun. Back to the 9-to-5 tomorrow.

And here’s a random picture of a building…

Platform

Nikon F80 & Tamron 28-300mm F/3.5-6.3 Di VC PZD. Ilford HP5+ (@800), Ilfotec DD-X 1+4 10mins @ 20°

Taken on 22 February 2025

35mm · Film photography · Photography

Dusty red car

Of the shots from this roll of film that I uploaded to Flickr, this one receive by far the fewest likes. But I like it.

I like the bold red of the car against the graph-paper wall of the building. The red fire alarm that matches the car’s colour. The parking signs. The plant behind the frosted glass window.

Photographs are a subjective topic, aren’t they?

My anxiety persists. It’s causing difficulty with my sleep (not stopping me from falling asleep, but preventing me from going back to sleep when I wake early) It’s leaving me feeling fatigued and I keep catching myself almost nodding off while watching TV in the middle of the day. I need to find some techniques to keep it at bay but, in honesty, I think the only thing that will remove it is resolution or acceptance of the thing that’s causing it.

Red car

Yashica Mat 124G & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 2 February 2025

35mm · Film photography · Photography

Reflected factory

I’ve finished work now for the Easter weekend and the whole of next week, which is nice. Unfortunately, I’m also feeling pretty anxious about some stuff going on in my family. I wish I was better at dealing with anxiety. My wife worries about things too, as does everyone – especially their children’s wellbeing – but is able to avoid the worry consuming her. It’s something I envy.

I tend to be ok through the daytime, but early mornings seem to be worst, where I’ll wake with panicked thoughts that prevent me from getting back to sleep.

It’s perfectly possible that I’m being over-anxious and that I will look back and wonder what I was fussing about, but my brain has a tendency to catastrophise and I really need to find some way of dealing with this.

Sorry for the slightly gloomy post!

in partial reflection

Yashica Mat 124G & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 2 February 2025

35mm · Film photography · Photography

Entrance arch

After the last few days of B&W images shot with my Yashica Mat 124G, I’m moving over to a splash of colour. These we taken on the same outing as the B&W photos.

Sometimes I have to spend some time tinkering with the colours when converting C41 films in Negative Lab Pro (yes, Kodak Gold, I’m mostly talking about you), but others often look great straight off the bat, like these vibrant Lomo CN 400 images that I’m going to share in the coming days.

Arch

Yashica Mat 124G & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 2 February 2025