35mm · Film photography · Photography

After the parade has gone

An impromptu image for today’s post. A few weeks ago when the local signalbox was being demolished, my wife and I walked down to see what was going on – it would have been the last day the box was standing and I wanted to get some farewell photos in case I wasn’t able to withness its removal the following day. On the way there I glanced upwards and saw this forlorn strand of bunting hanging from some lights, probably left over from the last local community fun-day which takes place in the summer (but which didn’t happen last year due to Covid, and which similarly won’t take place this year either). I liked the way it looked against the blue sky and high-altitude clouds.

Dangling from above
Lone triangle of colour
A Fun-day remnant

After the parade

Canon Sure Shot Supreme & Kodak Colorplus.

Taken on 13 March 2021

35mm · Film photography · Photography

Freedom part deux

The insect screen that hangs over the back door catches the wind pretty easily, and so it did while I sat on the back garden one day back in April. I liked the way the fluttering tassles looked against the blue sky so decided to take a photo. Obviously, as soon as I got my camera in hand this meant the wind dropped and I had to stand in place for five minutes before they blew into the air again.

This shot isn’t perfect – it has a significant vignette for some reason, and very few sections of the tassles are in focus, but I like the summery feel it has.

Blowing

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 11 April 2020

Film photography · Medium Format · Photography

Faceless man

But not from Bravos…

I’m very impressed with the way the Fuji Provia has captured this scene. While there might be a slight loss of shadow detail between the leaves, the colours and tones in this are pretty impressive to my eye. So far I’ve been very pleased with the results I’ve had from Provia, especially given they’ve all been based on readings from my little Sekonic L-208 analog meter. It’s an accurate, but somewhat basic meter, so coupled with the meterless Zeiss Mess-Ikonta and it’s completely manual (and click-free) shutter-speed and aperture dials, there’s almost certainly some drift from the true settings taking place, but the film handles it with aplomb.

FILM - Faceless

Zeiss Mess-Ikonta 524/16 & Fujifilm Provia 100.

Taken on 26 August 2019