Only two donkeys out giving rides on the day I took this picture. The guy in charge looks a bit chilly from his stance.
Yashicamat 124G & Kodak Plus-X (expired 2008). Ilfotec DD-X 1+4 6mins @ 20°
Taken on 27 August 2022
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Only two donkeys out giving rides on the day I took this picture. The guy in charge looks a bit chilly from his stance.
Yashicamat 124G & Kodak Plus-X (expired 2008). Ilfotec DD-X 1+4 6mins @ 20°
Taken on 27 August 2022
A couple of people and a couple of dogs walking south down Mablethorpe beach.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.
Taken on 17 September 2022
More scanning tonight, and yet more dust woes. Suffice to say I won’t be using the same place again for my colour developing. I’m frankly quite disheartened at the thought that some probably quite nice pictures are looking not so nice due to this, or will require an undue amount of dust spotting in Photoshop – a mind-numbing task. I tried cleaning the first couple of negatives with some IPA which did remove quite a lot of the dust, but also seems to have added some faint streaks which may, or may not, be permanent. Not good.
I’m going to have to bit the bullet and start developing my own colour film, aren’t I? In the meantime, I’m going to have to find somewhere else and incur postage costs.
The shot below was from the same lab, and while still dusty in comparison with the lab I used to use (which has now closed), it’s nothing like as bad as the roll I’ve started to scan tonight. It still took quite some time to dust spot though.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.
Taken on 17 September 2022
It’s very rare that I make prints of my photographs. Occasionally, I’ll get a bunch of cheap mini prints of random shots as they can be nice things to put in gifts, and I had a print made of a picture my cousin liked for her to hang on her wall, but rarely do I make a print for myself.
I might get a print of the picture posted here today though. It’s not a perfect image and probably not something anyone would buy commercially, but I like the photo – it’s evocative and also, because I was there when it was made, personal. It’s mine. It would be a nice thing to look at when I’m at work, I think, maybe even moreso when the dark winter days kick in proper.
Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.
Taken on 17 September 2022
This singular football goal stands on the north beach at Mablethorpe. I think the sand and blue skies are a nice contrast and make for a nice photo. I decided to use if for my competition entry for the “cloudscapes” theme.
Nikon F80, Nikkor 28-80 f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.
Taken on 17 September 2022
During our recent trip to the Yorkshire coast we decided to walk into Sandsend one evening. Sandsend is a small settlement just to the north of Whitby – If you look closely at the picture below, you can see Whitby harbour wall, some residential buildings, and the ruined abbey maybe a mile to the east.
After some rather dull weather for most of the day, the evening was lovely and we found a nice restaurant called the Fish Cottage where we shared a very tasty seafood pizza topped with smoked salmon, tiger prawns and mussels.
A couple were walking on the beach below the road as we walked past and I thought it made for a nice picture.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 29 July 2022
There was a pleasing zig-zag to this set of steps leading down to the beach at Hornsea. A couple were descending the steps when I reached the spot and I wondered about grabbing a shot quickly while they were in frame, but they were looking straight at me and it would have been one of those slightly unnerving “they see me“-type pictures where I feel like I’ve somehow been caught. I’m not sure why I felt like that – I take lots of candid pictures – but sometimes it just doesn’t feel like it’s the right thing for some photographs.
Olympus 35 RC & Kodak Gold 200. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 20 June 2022
If you look very carefully at this picture (you may need to click on it to see it larger on Flickr), you can just make out some of the footprints in the sand that featured in the picture on my blog a few weeks ago. I can’t remember if I took that picture before, or after the one shown here, but they were taken within fairly quick succession either way.
The building you can see is a pub called The Marine. I took a couple of pictures of the pub but neither one was particularly interesting in retrospect, so I didn’t upload them anywhere.
Olympus 35 RC & Kodak Gold 200. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 20 June 2022
I wonder what this wooden groyne looked like when brand new? And when it actually was brand new? It would be interesting to know how many years of being pounded by waves, pebbles, and sand it took to reduce it to this somewhat broken-toothed appearance.
Yashicamat 124G & Fujifilm Acros. Ilfotec DD-X 1+4 9mins @ 20°.
Taken on 20 June 2022
At Hornsea, where the wooden groynes meet the sea wall, concrete steps have been placed to allow people to bypass the wooden structures. The sun was bright and contrasty by the time I made these pictures and, as I had a roll of Fuji Acros in the camera at this point, I thought that these steps might make for decent subjects.
Yashicamat 124G & Fujifilm Acros. Ilfotec DD-X 1+4 9mins @ 20°.
Taken on 20 June 2022