Film photography · Medium Format · Photography

An old stick in the mud

This wooden post protrudes from the sand at the northern end of Cleethorpes beach, just beyond a stone breakwater. The water comes right up to the sea defences at this part of the beach, as evidenced by the treacherously slippery concrete I had to navigate, but at low tide a large expanse of sand is exposed. I say ‘sand’, but because Cleethorpes sits at the mouth of the Humber estuary, it’s a brown, silty, almost muddy sand, quite different to the golden grains you normally imagine a beach to be made of.

Further south towards the other end of the resort, the sand becomes “beachier” (if that’s a word), with the high tide not reaching as far, and more conducive to typical seaside beach activities. However, this wooden post doesn’t stand on that part of the beach.

After spotting it from the shore, I decided to walk across the beach to take the picture you see here. This was mostly uneventful – the sand was wet, with waterlogged ripples present, and mostly firm underfoot. However, in a couple of places, it felt somewhat less secure and I felt my foot instantly sink a few inches when I placed it in certain spots. As I’d reached the post I took the picture, but I was regretting having done so. While there were no signs in evidence indicating quicksand, that didn’t mean that there might not be treacherous sections present and, even if I wouldn’t sink completely, the thought of getting stuck in a foot or so of cold muddy sand didn’t appeal, so I quickly (and carefully – following my footsteps) retreated to the safety of the more solid sand closer to the sea defences.

I’m not sure of the purpose of the wooden post – there are no signs affixed, and it doesn’t have the marker atop it in the same way that the posts at the end of wooden groynes do. Maybe it’s to warn idiot photographers away?

Beach post

Fujica GW690 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 28 December 2023

Film photography · Medium Format · Photography

Winter beach attractions

Back at the closing days of December, just before New Year, I decided to take a trip to the seaside. Cleethorpes is the resort that’s easiest to get to as it can mostly be reached by motorway, with the journey taking about eighty / ninety minutes or so.

Attractions at British seaside resorts are largely closed at this time of the year, as can be seen from the picture of the helter-skelter and big wheel (sans seats) that stand on the beach just past the pier. Largely closed doesn’t mean totally closed though, and there were still arcades and cafes open (I even had myself an ice-cream before I left for home!).

I managed to get good weather for most of the time I was there, the cloud cover only arriving (along with rain) as I was heading back to the car at the end of my visit, and I shot four rolls of film through the GW690. Most of them have turned out well and I’ll be publishing them over the coming week, although I did make a complete noob mistake of shooting a couple of frames with the lens cap on – a painful error when you only get eight shots per roll!

Beach fun

Fujica GW690 & Ilford HP5+ . Ilfotec DD-X 1+4 9mins @ 20°

Taken on 28 December 2023

35mm · Film photography · Photography

On the beach

The hotel we stayed in in Malaga was very nice, but it was a city centre place and didn’t have any sort of outdoor relaxation options such as a pool or terrace, not even room balconies, so when we weren’t out, the only place to sit (other than in the bar or reception area) was the room.

City breaks are great, but sometimes it’s nice to just chill with a book or newspaper or something in a relaxing location. As a result, we toyed with the idea of going to the beach one day and hiring a couple of sun loungers and a beach umbrella. Unfortunately, all the umbrellas on the part of the beach nearest to us (and maybe the entire beach for all I know) were fixed into the sand with canopies made of palm fronds (as can be seen in the second picture below). While these are fine to an extent, they are limited by the movement of the sun and also of the position of fellow beach users, both of which will result in times when you’re unable to make use of the shade. As the temperature was in the mid thirties while we were there, and as my skin fries like bacon given half a chance, we decided to forgo the idea.

I still took these couple of pictures of the beach one evening though.

Evening at the beach
Gateway to the sea

Nikon F80, Nikkor 28-80mm f.3.5-5.6 AF-D & Kodak Colorplus . Lab developed. Home scanned and converted with Negative Lab Pro

Taken 19 August 2023.

Film photography · Medium Format · Photography

Blackpool North Pier (in colour)

Blackpool North Pier marked the spot where my roll of black and white film ran out (pictures still to come!), and where I switched to a roll of Kodak Ektar. The three pictures here show stuff on the pier, plus one shot of the view north from the pier. I cropped the third shot as there was quite a lot of uninteresting sky in the image and I felt it looked better without.

The colours are still a little off in these frames, but not too bad, I don’t think.

Eating (and becoming) ice creams
The tower from the pier
End of pier entertainments
Seashore

Yashicamat 124G & Kodak Ektar. Lab developed. Home scanned and converted with negative lab pro.

Taken 1 July 2023.

35mm · Film photography · Photography

Beach and harbour

I was going to move onto a different set of photos from today but I’ve had a strange day where I’ve been feeling tired, listless, and unable to focus on stuff, which is not a particularly nice sensation. So I’ll hopefully find time to post something more meaningful tomorrow.

But here are the last couple of pictures I’ll post from the Bridlington trip.

Bridlington beach and promenade
A place to live for harbour views

Olympus OM-1N, Zuiko Auto-Zoom 75-150mm f/4 & Ilford HP5+. Ilfotec DD-X 1+9 15mins 45secs @ 20°

Taken 17 June 2023.

35mm · Film photography · Photography

Beach folk

A trio of photos of people enjoying the beach at Bridlington. There’s something intrinsically British about people reading a newspaper while sat on a chair on the sand. I’m only surprised they’re not wearing overcoats and hats!

Beside the seaside, beside the sea

I’m not sure if the people in this next picture wrote the words in the sand, or just sat there because they thought it was the best place to get some of Jesus’ love.

Jesus ❤ You This Much

Windbreaks, umbrellas and tents. Everything you need for a day at the British seaside…

Life's a beach

I do love the Brisish seaside, despite my tongue-in-cheek ribbing. 🙂

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+. Ilfotec DD-X 1+9 15mins 45secs @ 20°

Taken 17 June 2023.

35mm · Film photography · Photography

Seaweed

This mop of seaweed across one of the wooden posts to which the groynes are afixed looked like it would make a good picture. So I photographed it.

It was certainly easier to photograph than the things I took pictures of today..

I’ve got a few days off work and, as I should have expected, the weather was not great – lots of thick cloud, although at least with plenty of structure to it, which is better than a grey slab of blank overcast nothingness. It was also pretty windy – something I didn’t realise until I got to the location I was visiting. The wind wasn’t heavy, and for most cameras, would have been no problem at all. But I was shooting 4×5 large format.

I only made four pictures at the planned location – it was just too frustrating trying to keep the dark cloth (an old t-shirt in my case) from flapping about like a sail on ship in a typhoon! In the end I retreated to a second location – one not as exposed to the elements – where I was able to shoot another five sheets of film. I haven’t had chance to develop any of them yet, but hopefully I’ll have something to show soon.

Seaweed

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+. Ilfotec DD-X 1+9 15mins 45secs @ 20°

Taken 17 June 2023.