As well as being a nice place to visit, the Hepworth Gallery is a nicely photogenic subject in and of itself too.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Arista Edu 200.
Taken on 30 March 2019
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
As well as being a nice place to visit, the Hepworth Gallery is a nicely photogenic subject in and of itself too.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Arista Edu 200.
Taken on 30 March 2019
These blocks of flats in Wakefield are visible from far-and-wide and, up-close on a sunny day, made for an interesting composition. I passed them while heading to the Hepworth Gallery to visit the Modern Nature photography exhibition.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Arista Edu 200.
Taken on 30 March 2019
Taken on the way back to Manchester Piccadilly railway station the other week.
Olympus 35 RC & Fomapan 400.
Taken on 15 February 2019
A lone airliner makes its way to destinations unknown.
Olympus 35 RC & JCH Streetpan.
Taken on 15 February 2019
Two photos today, both shot with the Canon AF35M II on expired Superia 100.
The first is a section of Park Hill Flats in Sheffield. The section depicted here has undergone re-development into modern apartments and business facilities and is a far-cry from the state of the place thirty years ago, when the development and area was in a state of decline. The flats were originally built back in the 1960s to replace the tenement buildings that were demolished due to being unfit for habitation and high levels of crime (the area being dubbed “Little Chicago” in the 1930s), and was designed so that every floor except the top would have at least one entrance at ground level – something facilitated by the hilly nature of Sheffield and the location of the buildings. The flats were all accessed by wide walkways that were dubbed “streets in the sky” and were wide enough to accommodate milk-floats. The flats are in the brutalism style that was fashionable at the time but which is often despised these days. Being a strong example of this type of architecture, the development was granted grade II listed building status in the 1990s.
The second shot is of the Co-Operative Funeral Care building, also in Sheffield and not a million miles from Park Hill Flats (hence the reason both shots are only a handful of frames apart on the negatives 🙂 ). I’m not sure when this building was constructed, but I would again expect the 1960s. I used to pass it on the bus when visiting my nan’s house and was always drawn to the colourful glass panes beneath the apex of the roof. They catch the sun in the daytime and would be illuminated from within after dark fell.
Canon Sure Shot AF35M II and Fujifilm Superia 100 (expired 2008).
Taken on 9 February 2019
From a walk around the City of London before a Christmas get-together with colleagues. Although dusk was settling (it was a gloomy, rainy day) when I took this, the P3200 has rendered everything nice and bright.
Nikon F70, Nikkor 28-80mm f/3.5-5.6 D & Kodak Tmax P3200.
Taken on 18 December 2018
A few of the buildings clustered around St. Paul’s Square in Sheffield city centre, including the distinctive “Cheesegrater” car-park..
Olympus 35 RC & Kodak Tri-X.
Taken on 29 October 2017
The building depicted here was formerly a branch of Yorkshire Bank, but is now a Cafe Nero.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X.
Taken on 29 November 2017
This imposing looking structure stands in Hull city centre, and features the Hull City Mosaic, which was commissioned by the Co-Op back in 1963. The building appears to be empty at present, presumably since BHS went out of business in 2016 (from what I can see online, BHS looks to have been the previous tenant).
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X.
Taken on 29 November 2017
I went to Hull (and back!) the other day to visit a photo exhibition at the HIP gallery. The weather was pretty cold and consisted of sunshine and showers, so I didn’t take as many photos as I might have done otherwise. I still got a few nice shots though (on the roll I’ve had processed – I still have an almost complete roll of 135 HP5+ to finish off and get developed too) from the trusty little Zeiss Mess-Ikonta. This is the Maritime Museum.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X.
Taken on 29 November 2017