Film photography · Medium Format · Photography

Not the best end to the week

I decided to go into the office today, rather than working from home as I usually do. This afternoon I received a phone-call from my son asking if I was at home as he’d left work early and not taken his key. After explaining that I was out but that his mum was at the local shops, I asked him why he was home early, to which he said he’d tell me later.

A short while after, my wife called me. It turns out that he’s been told that he will not be kept on when his apprenticeship ends next month. He’s been there for over two years and done good work, making friends and getting on well with his colleagues, and achieving a Distinction pass for his apprenticeship course work. There was no indication that his contract would not be made permanent. Apparently the business has decided that they want someone with a higher level of experience to fill the role.

He’s obviously pretty upset about this. Not only does he now have to start looking for a new job, he’s also sad that he will be leaving the friends he has made. While there is some possibility of him finding another role at the same company, I’m not sure if this will happen or not, or if any vacancies there will suit his skills or be what he wants to do. I feel aggrieved and angry that someone has upset him in this way.

I feel absolutely heartbroken for him. I remember how happy he was when he first found out he’d been successful interviewing for the apprentice role. This was just after covid, and he was pretty anxious about things. He was also anxious when he first started in the role – unsure about what it would be like, or the people he would be working with – but he soon settled in and we were very pleased and happy for him that he had landed a good position. Now he will have to start the process again.

Of course, he now has two years of proper work experience under his belt, both in terms of the specialist area he’s been working in, and also his general on the job experience and skills building – something which is very valuable – so I do think he’ll be able to find another job without too much difficulty. He has also been promised help and support from his manager and colleagues (who are not responsible for the decision to not employ him in his current role). I just wish he didn’t have to go through the stress of this.

No matter how old or independent your kids are, you never stop being a parent. You just want to hug them and kiss them and make everything all right.

Apropos of nothing, a picture of a car.

Beneath the bonnet

Fujica GW690 & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 August 2024

Film photography · Medium Format · Photography

1948 GMC 100 pickup

I spoke to the owner of this truck and asked if the rusty patina was a deliberate choice (as I suspected) and he confirmed it was. Apparently he treats the scuffs with Linseed oil as it forms a barrier to prevent further corrosion, while allowing the weathered look to be maintained.

1948 GMC 100 pickup

Fujica GW690 & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 August 2024

Film photography · Medium Format · Photography

Classic bus

One of the old vehicles lovingly maintained by the South Yorkshire Transport Museum (or two, if you count the one partially out of frame at the right).

I remember riding on this model of bus – a Leyland Atlantean – when I was younger. It doesn’t look all that dated in style to my eyes, but these were first introduced into service in Sheffield in 1968, before I was even born!

Old Sheffield bus

Fujica GW690 & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 August 2024

Film photography · Medium Format · Photography

Three more classics on The Moor

Three more classic cars photographed at this year’s Classics on The Moor event. This marks the last of the shots I took on Kodak Ektar, but I’ve got pictures from a roll of Lomography Color Negative 400 AND a roll of expired Kodak Plus-X still to come…

Morris Minor 1000
Austin A30-2
Austin A90 Six Westminster

Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 August 2024

Film photography · Medium Format · Photography

Ford Cortina

Following yesterday’s photos of Ford Capri’s, here are a couple of shots of it’s stablemate, the Cortina. If the Capri was the British equivalent of a US fastback, then the Cortina was probably it’s muscle-car brother – most particularly, I think, in the Mk III version.

The one shown here is a Mk II, which while still a nice looking car, lacks the sculpted shape of it’s descendant.

Ford Cortina Mk II
Ford Cortina Mk II interior

Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 August 2024

Film photography · Medium Format · Photography

Ford Capri

If there was one car that most teenage boys yearned for when I was such an age, it was the Ford Capri – Britain’s version of the fastback coupes and saloons from across the pond. It was obviously smaller than it’s transatlantic cousins, and was supposedly a bit of a pig to drive – stories abound of having to put a bag of cement in the boot to improve the handling – but it looked cool and Bodie, from the popular TV show The Professionals drove one.

Ford recently brought back the Capri name in a new model, but it really doesn’t have the same appeal, being a boxy, squashed-looking design nothing akin to the sleekly desirable air of the original versions.

Here are a few old Capri’s at this year’s Classics on the Moor event in Sheffield.

Capri
Capris

Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 August 2024

Film photography · Medium Format · Photography

Tucked around the back of the church

I’ve photographed St Peter’s church at Elmton on a number of occasions before, and posted the results on the blog here, here, and here.

I decided to drive past again to finish off this roll of film, with a plan to shoot the church building with its low, squat tower, from a different angle. Ala, it wasn’t to be – the light wasn’t great and the fixed prime lens on the GW690 introduced limitations on how I could frame a shot, essentially meaning I’d have had excessive converging verticals, or the tips of gravestones poking into the bottom of the frame. In the end, I decided to take a picture of this small outhouse affixed to the rear of the building. The weathered door, and caretaker’s paraphernalia served to add a little interest.

Around the back of a church

Fujica GW690 on Ilford HP5+. Ilfotec DD-X 1+4 @ 20° 9mins.

Taken on 17 August 2024

Film photography · Medium Format · Photography

The end of the road

I thought I’d treat myself to one of those clickbait titles similar to the ones I see on YouTube from time to time. You know the ones, where the person titles their video “My final post” or “That’s it. I’m finished.” or something else that gives the impression that their video making days are at an end but, upon viewing, it turns out that it’s “My final post… of November!” or “That’s it. I’m finished… Putting together this year’s calendar which you can buy from my SquareSpace site.“.

So in the spirit of that annoying tradition, today’s post is just about what I found at the end of the road I drove down in Whitwell, Nottinghamshire one day. In this case it was Whitwell railway station. The station today is a pretty simple affair – a couple of platforms, a footbridge, and some shelters for passengers. There used to be a selection of buildings at the station, but these were removed when the line was closed to passenger traffic sixty years ago (although passenger services would resume in the 1990s). The buildings were not lost however and were rebuilt at Butterley on the Midland Railway – Butterley heritage line as they were almost identical to the buildings that had originally stood there.

As to why I drove to the end of the road, it was mostly to see if there was a good composition of the chimney at the nearby Steetley Dolomite works (you can see it just above the Whitwell railway sign to the right of the first picture). I think a longer lens might have led to a more dramatic photograph but, alas, a long lens the GW690 does not have. Instead it’s a shot of loads of things poking up into the sky. A bit mundane, but I kinda like it anyway.

Street furniture at Whitwell station

The second picture was another reason I drove down here. The lamps on this footbridge are just about visible peeping over the bridge crossing the railway tracks that I’ve driven across on a number of occasions, and I’d wondered if there was a picture to be had of them. This was the picture I got, although I think there may be better ones to be found if I revisit the place, possibly (again) with a different focal length at my disposal.

Footbridge ramp

Fujica GW690 on Ilford HP5+. Ilfotec DD-X 1+4 @ 20° 9mins.

Taken on 17 August 2024

Film photography · Medium Format · Photography

Dolomite works

The chimney of this dolomite works is visible from a long way away. I’ve driven past on a couple of occasions and taken photographs of the buildings, which are impressive and crusted with white dolomite deposits, although I’ve not attempted to see if the actual quarry workings are visible from the roadside.

The road and verge is also covered in a faint white sugaring of dust from the works’ activity.

Workings and chimney
Hiding behind a tree

Fujica GW690 on Ilford HP5+. Ilfotec DD-X 1+4 @ 20° 9mins.

Taken on 17 August 2024