A few weeks ago I decided to walk to the nearby country park and was greeted by the never-disappointing sight of early morning mist on the surface of the lake.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.
The house in today’s picture is clearly a former windmill. When it became a residential building, I know not. It looked like a good subject for a picture or two though.
I took a couple of pictures of the house and, while I was doing so, I was observed by a lady looking out from a window in a nearby property who was engaged in a telephone conversation. I smiled at her when I saw her watching, but her face remained resolutely stern and she didn’t return the expression. The first shot I took was with my Nikon F80, a fairly standard looking SLR camera, but I wonder what she thought when I pulled the distinctly old-fashioned-looking Yashicamat 124G TLR from my bag to make the photo below? I did smile at her a second time as I did this, but again to no trace of a similar response. I wonder what was said about me on her phone call that day?
Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.
It’s very rare that I make prints of my photographs. Occasionally, I’ll get a bunch of cheap mini prints of random shots as they can be nice things to put in gifts, and I had a print made of a picture my cousin liked for her to hang on her wall, but rarely do I make a print for myself.
I might get a print of the picture posted here today though. It’s not a perfect image and probably not something anyone would buy commercially, but I like the photo – it’s evocative and also, because I was there when it was made, personal. It’s mine. It would be a nice thing to look at when I’m at work, I think, maybe even moreso when the dark winter days kick in proper.
Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.
This is the Coastwatch building which sits atop the dunes at Mablethorpe’s north shore, tucked away in a corner of the visitor car-park. On the day I visited, it was still a couple of days before the state funeral of the queen and the country was still in the official period of national mourning, so the flag is being flown at half-mast.
I’m quite pleased with how this image turned out. The structure itself makes an interesting focal point, but it’s helped no end by the cloud detail, the light, and the colour rendition of my scan which has rendered the Fuji Pro 160NS very nicely to my eyes.
It’s not the first time I’ve shared pictures of this place on the blog and you can see some earlier images in this post.
Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.
One of three crazy gold courses at Mablethorpe. When I was younger, this was part of the Arnold Palmer chain of courses. The Arnold Palmer course had a hazard in the form of a windmill with ball-blocking rotating blades (which, for all I know, is still present on this new pirate-themed course, but it was closed so I couldn’t take a look). The trick to beating the windmill was to bounce the ball from the sides of the course, bypassing the rotating sails completely, and still allowing for a skillful hole-in-one if you were good enough.
The final hole was a sloping contraption with a single hole in the centre and a set of traps. Missing the hole would result in your ball rolling back into one of the traps and being lost (or, as I suspected, conveyed back to the hut where you payed and collected your club and ball via some sort of underground channel – you could hear the balls rolling back when you were paying for your game). A successful shot however would cause a bell to ring and allow the lucky player to claim a gift and a free pass for another game. I still have a free game pass in my wallet, despite it having being rendered useless decades ago. It’s worth more for the memories than the free game ever was.
Yashicamat 124G & Fujifilm Pro 160NS. Lab developed, home scanned, & converted with Negative Lab Pro.
This singular football goal stands on the north beach at Mablethorpe. I think the sand and blue skies are a nice contrast and make for a nice photo. I decided to use if for my competition entry for the “cloudscapes” theme.
Nikon F80, Nikkor 28-80 f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.
I liked the juxtaposition between the foreground statue and the background building in this scene. The figure looks defiant, as though holding back the looming structure in some way. The low angle makes him look larger than he might otherwise appear.
Brick by brick, stone by stone, build him till he’s fully grown. Fetch more water, fetch more sand, biggest person in the land. Empire State Human – The Human League
It’s in a catherdral, so maybe the former? Most likely just a stairway to the upper gallaries and the clock-tower though.
This picture instantly brings to mind the poem, Antigonish:
Yesterday, upon the stair, I met a man who wasn’t there! He wasn’t there again today, Oh how I wish he’d go away!”
When I came home last night at three, The man was waiting there for me But when I looked around the hall, I couldn’t see him there at all! Go away, go away, don’t you come back any more! Go away, go away, and please don’t slam the door…
Last night I saw upon the stair, A little man who wasn’t there, He wasn’t there again today Oh, how I wish he’d go away…
On my last trip to Birmingham, the train got me to the station with plenty of time to spare before I had to be at my meeting, so I wandered around and took some pictures with my Canon Z135 compact. It’s not the smallest compact I own, but it’s proven that it can produce reliable point-and-shoot results and the images are plenty sharp, although with perhaps a bit of softness right at the edges.
The cathedral (St. Philips) was open, so I popped inside to see if there were some photos to be had and I made the three you can see below. While the cathedral interior wasn’t too dark, the Z135 doesn’t have a particularly fast lens – f/3.5 at its widest – so I was pleased I was still able to make these three pictures handheld with no noticeable signs of camera shake.