4x5 Large Format · Digital · Film photography · Photography

The School Room at Elmton

I can’t say that I know very much about this building beyond that it was renovated in recent years for community use and that, in the past, it was almost certainly and actual school building.

It’s an attractive structure though.

Although this picture below was shot on 4×5 sheet film, I have a very similar picture that I shot on a Ricoh GR III back in the summer of 2021. While the large format film photo is sharper and has more detail, there’s not a lot in it considering the GR III is an APS-C crop-sensor camera. This should all be balanced out by the fact that my large format negatives are scanned at home using an Epson V700 flatbed scanner at 2400dpi. It produces scans that meet my needs admirably, but I doubt it really compares to something like a Nikon Coolscan or, at the top end of the scale something like a Flextight or a proper wet-mounted drum scan.

I don’t shoot film for it’s sharpness though. I like nice sharp images, and 4×5 certainly provides that over and above medium format, and certainly 135 format, but it’s really about the experience, how I feel when using and shooting film, and the pleasure I get when I see the results. So, while I like the pictures my GR III makes, and it’s a very convenient camera to carry, it’s not usually the one I reach for when I want to go and make photos.

School Room

Chroma 4×5. Fujinon NW 135mm f/5.6 & Fomapan 100. Ilfotec DD-X 1+9 12 mins @ 20°

Taken 2 April 2023.

And here’s the digital picture:

School Room
Ricoh GR III. August 2021.
4x5 Large Format · Film photography · Photography

Working with the limitations of a prime lens

The picture today is of St. Peter’s church at Elmton. The church (including a similar photo on 35mm film) has featured on the blog before (here, here, here, and here).

On this occasion I had my 4×5 large format camera with me. I only have one lens for this camera at present – a Fujinon 135mm f/5.6. The lens is roughly equivalent to a 40mm focal length on a 35mm or full-frame digital camera. It’s a nice focal length and one I use a lot – many of my compact cameras have focal ranges that are similar, so the field of view it affords is one that I am used to, and I’m a regular proponent of the “zoom with your feet” school of thought.

Sometimes though, a fixed prime lens has it’s downsides – noteably when the ol’ zooming with your feet option doesn’t work. I’ve yet to find a way of zooming backwards through walls, or floating up and over unavoidable obstacles obstructing my field of view. I’d an idea of getting a picture of the church incorporating the low tower, either side on, or from the fron of the building but, alas, the 135mm wasn’t wide enough for this and the church is a little awkwardly positioned in terms of available longer vantagepoints.

And so the composition you see below was the best I could get on the day. I might have gotten something different from the other side of the church, but that would have meant most of the visible part of the building would have been in shadow. I think this composition still works though. You can just see the tower peeping up at the left of the structure, and the rear of the church has plenty of interest, including the weathered gravestones. The angle also means I got some nice contrast and relief shadows that I wouldn’t have had from a side-on view of the church.

St. Peter's Church, Elmton, UK

Chroma 4×5. Fujinon NW 135mm f/5.6 & Fomapan 100. Ilfotec DD-X 1+9 12 mins @ 20°

Taken 2 April 2023.

4x5 Large Format · Film photography · Photography

Half a picture

The weather yesterday was good for once. Paired with the fact that it was a Sunday and I wasn’t at work, I felt almost duty bound to make use of it and go out with a camera.

As I’ve not shot the 4×5 for a few weeks and I’m still in the “getting to know you” phase of figuring out how to use it while still trying to make interesting pictures, I got the kit together and headed out. It was late morning before I had chance to set off as my dad came over for his usual Sunday visit first thing so I decided to stay relatively local and headed out to a couple of villages and other places I’ve photographed previously, albeit not with large format.

I only shot four sheets, although, given how long it takes to shoot 4×5, I was still out for over two hours even though I shot two of the pictures walking distance apart, and the other two were at locations not that far away by car.

I had a chance to develop the photos this lunchtime (the benefits of working from home) and they all looked good apart from the picture featured today – which had a large light leak down the left third of the image. I’m not sure if one of my film holders is a bit tempremental and prone to light leaks, or if I’d not been sufficiently careful when removing or re-inserting the dark slide when taking the photograph.

Luckily for me, the image could be salvaged with a crop. The original frame has all the house in the composition, plus a garage and part of a tree down the left of the property. The crop removes that completely but still manages to leave a pretty nice picture. At least I think it does. The 4×5 format means there’s still an absolute ton of detail in the remaining part of the image too.

The wheelie-bin isn’t the most attractive thing, but cropping that out too unbalanced the picture a bit too much for my taste.

House by a railway

Chroma 4×5. Fujinon NW 135mm f/5.6 & Fomapan 100. Ilfotec DD-X 1+9 12 mins @ 20°

Taken 2 April 2023.

Film photography · Medium Format · Photography

Above then beside

This village sits on a hillside, with the road running through the top part of the community being approximately fifty feet higher than the bottom part. While not a huge difference in elevation, it means that nice views across the rooftops and over the landscape beyond can be had.

The first shot shown here today was taken from the high road (which you can see in the picture posted yesterday) looking down onto the lower part of the village. The second picture shows the house at centre left in the first image but from a lower footpath.

At Hooton Pagnell
Stone-built house

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford Delta 100. Ilfotec DD-X 1+4 10 mins 30 secs @ 20°

Taken 5 February 2023.

Film photography · Medium Format · Photography

Random village scene

A few weeks ago I visited the village of Hooton Pagnel. It’s a place I’ve never visited before and had not even heard of until recently. I “discovered” it after a random news article popped up on my phone talking about South Yorkshires most attractive places where, if I recall correctly, it came in first place.

As it’s not that far from home – about 30 minutes by car – I decided I’d pay a visit and see what I might find in terms of photographs. The weather was a little overcast when I left home but, by the time I arrived, it had changed to broken clouds with some sunshine and the occasional spot of rain.

The photos from the blog over the past few days, and the coming few as well were all made in the village. I shot a couple of rolls with the Bronica ETRSi. The second roll – Ilford Delta 100 – are the better images I think, partly because I like the look, and also because the light had improved by the time I started shooting it.

The village itself was quite small, but with plenty of things of interest. One thing I didn’t photograph was the Grade II listed Hooton Pagnell Hall, mostly because I don’t think it’s open to the public except as a wedding venue. The estate dates back to the 11th century though, with the core of the current hall being built in the 14th century.

The picture today was taken close to the driveway that featured in yesterday’s post – it’s a mere 180° turn from where this photo was shot.

Small village scene

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford Delta 100. Ilfotec DD-X 1+4 10 mins 30 secs @ 20°

Taken 5 February 2023.

Film photography · Medium Format · Photography

At the end of the week

It’s been a long week. I’ve been very busy at work but managed to complete the main task I had yesterday, leaving today feeling somewhat more relaxed and, as a small reward, I’ve treated myself to an earlier finish than usual.

The weather for the coming weekend looks to be mixed. Tomorrow is forecast to have heavy cloud and perhaps rain but Sunday looks brighter with sunny intervals. If the forecast is correct (we’ll see…) then I might try and get out with the 4×5 camera on Sunday afternoon, though I’ve not yet given much thought as to where to go.

Tomorrow will be utilised to develop the roll of film I shot last weekend while visiting Photo North and possibly scanning some E6 positives that should be on their way back to me in the post. I’m also hoping to watch some stuff on TV, do some reading, and maybe continue playing The Legend of Zelda: Breath of the Wild on my recently acquired Nintendo Switch. Does anyone have a four day weekend going spare?

After a long week, here’s a picture of a house with a long driveway (which is also a public right of way).

The house down the avenue

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford Delta 100. Ilfotec DD-X 1+4 10 mins 30 secs @ 20°

Taken 5 February 2023.

Film photography · Medium Format · Photography

Over the hedge and behind the gate

More farm stuff today, this time another silo / tank seen from two vantage points. While I was unsure as to the specific use of the silos and equipment in yesterday’s pictures, the one featured today I feel I can be more certain about.

The silo features the branding of “Yara” which, after a quick search on Google, is a company that specialises in providing fertilizers, including liquid fertilizers (which is what I believe is stored in the tank seen in the pictures today).

I promise more exciting (and incredibly undetailed) farm-storage equipment posts to come, but not for a few days. Don’t get too excited. 🙂

Just behind the hedge
Gate

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°

Taken 5 February 2023.

Film photography · Medium Format · Photography

On a farm

As a city boy I know little detail about farming beyond the basics – the sort of stuff that I imagine most people will know. I pick up additional knowledge from watching TV shows like Countryfile on BBC One (although I don’t watch that nearly as much these days), or Clarkson’s Farm on Amazon Prime Video which, despite it’s host’s tomfoolery, has a surprising amount to say about the challenges facing farmers in the UK today.

The structures in today’s photos then are slightly mysterious. There are silos in both shots, and I expect that these will hold harvested crops or possibly silage or animal feed. But I don’t know for definite.

The second image shows a structure that wouldn’t look out of place in a chemical plant, and is to my ignorant eye, even more mysterious. There are a whole host of pipes and ducts, some connected to the barn, and a huge vent poking out the side. What is this for? I’m guessing that perhaps it treats harvested crops in some way, perhaps drying them, or perhaps helping to ferment grass into animal feed. Againthough, I really don’t know.

What I do know is that they can make for interesting photographs.

Silos
Agricultural buildings

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°

Taken 5 February 2023.

Film photography · Medium Format · Photography

Beyond the field

I was drawing a blank on what to talk about today, so I asked ChatGPT to write a poem about my picture:

Across a small and verdant field,
A farmhouse stands with pride and yield,
With a fence of white tape that’s real,
Where horses roam and sometimes feel.

The fence divides the field in two,
A line that’s clear and pure in hue,
It’s a place where horses gallop through,
With grace and strength they shine anew.

The farmhouse has seen many days,
Where love and life have found their ways,
From spring’s first buds to autumn’s blaze,
The memories linger and never erase.

With windows bright and walls of stone,
The farmhouse feels like home alone,
It’s a place where peace and joy are sown,
And the heart and soul are fully grown.

So let the horses run and play,
In the field with the fence of white tape,
As the farmhouse watches from far away,
A place of beauty, serenity and grace.

A house across the field

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°

Taken 5 February 2023.

Film photography · Medium Format · Photography

Procrastination

I have a task to complete. It has to be done by Friday. I have enought time to complete it, and yet…

I seemingly have an inate ability to sabotage myself via the medium of procrastination. Instead of just knuckling down and getting the job done, my mind wanders, I am distracted by less important things, and the time passes while I put off doing the task at hand. At some point (I’m probably already at this stage now) I will start to feel stressed and anxious at the situation I find myself in, worried that I will not be finished in time.

This happens on many occasions and, while I usually manage to get things done on time, I always worry that maybe this time will be the occasion where I don’t suddenly pull a rabbit out of the hat and end up in some sort of trouble instead.

I have a self-diagnosed (always a great thing, thanks Internet!) suspicion that I might have Attention Defecit Disorder – have always had it probably – but it feels more noticeable to me now. Most of the symptoms are bang on the nail. Whether a symptom of getting older, or perhaps because I have more responsibility, I don’t know.

I’ve made decent progress today. Now to see if I can make the most of the relatively free day I have tomorrow.

A random shed picture follows…

Shedge

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°

Taken 5 February 2023.