Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
After yesterdays post showing the church at Elmton, here’s a picture of it from the other side.
Round back of the church
People have been laid to rest
Passing the ages
Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.
Taken on 7 August 2021
A few more photographs of St. Peter’s Church in the village of Elmton. I’ve posted other photos of this church here and here.
Apologies for the rather concise posts lately – I’ve been caught up with a few other things that have been taking my time.
Look at the tower
There’s a crucifix up there
Fixed on the window
Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.
Taken on 7 August 2021
This is an old barn in the village of Elmton. I was out shooting the remaining frames of film in an Olympus Sure Shot 160 I got as a freebie along with my XA3 when I made this picture. I wasn’t expecting too much from the camera – it has a pretty slow lens, especially when zoomed, and the last Superzoom model I owned, a 105G, made photos which were a little soft – but it’s surprised me with nice crisp results.
I shall drip-feed further images from the camera over the next few days.
Old barn in a field
Providing shelter for trees
An odd crop I think
Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.
Taken on 7 August 2021
I sometimes wonder at the purpose of these windows placed in the barriers that surround construction projects. Is there a specific purpose for them? Or are they there, as might seem obvious, to allow passers by to have a nosey at what’s taking place on the other side of the fence?
It seems that the obvious reason in this case is the actual reason. The windows are there for public engagement to allow them to see what’s happening on the construction site from behind the safety of a barrier.
I’m not sure that I would want someone to have a little window to peep in on me doing my work whenever they felt like it. Then again, my work is likely far less interesting to the average passer by. Perhaps I should buy an excavator…
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 23 July 2020
It’s still ludicrously hot here today. Well, compared with the normal temperature at least. It’s undoubtedly positively cool in comparison to many places, but we’re not prepared for it. Whereas it would be the norm for people to have air-con units, or buildings designed specifically to keep cool in locations that regularly get heat, we don’t generally have the need for that in the uk – It’s usually cold and rainy. 🙂
Anyway, it’s too hot to type for long and I’m almost finished scanning a strip of negatives and very much looking forward to a cool shower, so another quick post today I’m afraid.
So, somewhat randomly, here’s a big chicken…
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 23 July 2020
It’s too hot to sit at my PC typing this evening, so this will be quick post.
A couple of pieces of street art a stone’s throw from each other – you can see the second piece in the first picture if you look closely.
I’m not sure of the artist of the first, but the second is by Phlegm and decorates the rear of the building that housed the now sadly departed Rare & Racy store. It closed because the building was compulsorily purcheased for re-development, but years have passed and not a sign of this has yet appeared.
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 23 July 2020
This is the entrance to the former Christ Church Central building in Sheffield city centre. The building is no longer used by the church – it appears they’ve moved just across the road to what looks like a bigger location.
I’ve never been in either building but used to work nearby when I was younger and also found it interesting how the church resided in a low-rise building mostly indistinguishable from the other small industrial units that surrounded it.
Now it looks like a group of weeds are awaiting the doors to be opened.
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 23 July 2020
As with yesterday’s post of 35mm photos of Emley Moor, today here are a couple of 35mm shots of Denby Dale (or, more specifcally, the viaduct) taken on the same visit as the medium format pictures I posted here.
Of the two pictures, the first one (above) is my definite favourite. I also have a medium format version of the same scene but, despite it’s increased resolution and detail, I prefer the more gritty look of the 35mm image. It would perhaps have been nice to have a train crossing the bridge, but my time was limited and I didn’t know the running schedule.
The second shot is another variant of one of the medium format pictures I made (which can be seen in the linked post above), but taken from a vantage point a little further up the road.
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 21 July 2020
A few more photographs of Emley Moor transmitter, this time made with my Canon Sure Shot Supreme. I bought five rolls of Agfa APX 100 a few weeks ago to see how it looked in 135 format – I’ve shot it once before, but that was 120 (plus it was an expired roll) – and the first roll I’ve developed has been a little hit and miss.
The whole roll looks slightly over-developed, with overly bright results and, while some frames have little grain, others look like they’ve been shot with agrainy high-asa emulsion. I don’t think that this is an exposure issue as the camera used hasn’t suffered in that way on anything else I’ve shot with it, so it’s either the film and developer combination, or something that has occurred as a result of my scanning and post-processing.
I shall be interested to see the results from the next roll when I shoot it.
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 21 July 2020
It’s one of those horribly humind days here today. I had plans of finishing work for the week and getting on with a few things I wanted to do. But then, literally just as I was about to down tools for the day one of my sons infomed me that his internet wasn’t working. All the other network connected devices in the house were operating as expected. Cue the next 1.5 hours of me faffing around trying to find a solution.
At first I thought it might just be a case of resetting the router, but that failed to resolve things. Then I tried swapping his homeplug for one from a working device. No luck there. I tried deleting his PC from the router so it would reconnect. Nada. Eventually I found out that, for some unknown and annoying reason, the plug socket in which his homeplug was inserted was at fault. Despite it looking like it was fine – the homeplug lit up and flickered as though connected, and it had been working perfectly well for years up until today – for some reason it now wasn’t. Connecting the homeplug to another socket six inches away resolved the issue.
And now, here I am, hot, sweaty and pi**ed off at having to start my weekend in this way.
Here are a coiple of photos of windows on office blocks for no real reason other than I uploaded them both to Flickr today.
Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.
Taken on 11 July 2020
Steel City Snapper photography 