35mm · Film photography · Photography

A compulsive attraction to power?

Nine days. a whole nine days… That’s how long I managed to go without posting more photos of powerlines. I wonder if there’s a name for this weird attraction to them as photographic subjects? There are definately a number of groups devoted to the subject matter on Flickr – I know this because I post my pictures to them sometimes!

I’m probably over-egging this a bit to be fair – it’s not as though I go out of my way to take pictures of them deliberately. I never plan a day out to travel around photographing pylons or anything like that. It’s just that I find that they have a look to them that appeals.

FILM - Empty fields

Sometimes, as in the case of the photos today, it’s their surroundings – this time following a route across empty autumnal fields in a way the evokes big empty spaces and calls Glen Campbell’s Wichita Lineman to mind. It’s a false evocation – here in the UK you’re rarely more than a few miles from civilisation, or at least evidence of such, but that’s one of the beauties of a photograph – they can tell other stories than their reality.

FILM - Empty fields-2

I did wonder about leaving these as colour images. They were shot on a dull, ovecast day with flat light and of a largely muted colour scheme – the only real colour being a soft yellowy beige of the autumnal cropped grasses in the fields – which did have it’s own faded charm. On the whole though, I prefer the black and white versions.

FILM - Empty fields-3

Canon Sure Shot Telemax & Kodak Colorplus (converted to B&W).

Taken on 9 November 2019

Film photography · Medium Format · Photography

Padley Gorge

Padley Gorge is a steep sided wooded valley situated in the north east of the Peak District national park, not far from nearby Sheffield. The sides of the gorge are packed with interesting twisty trees and the ground is littered by gritstone boulders of all sizes, many of which are covered by moss and lichens. Burbage Brook runs down the middle of the valley, carrying runoff from the moorland above. It really is a beautiful place.

When I visited last weekend we’d had a considerable amount of rainfall over the preceding weeks and the brook was in spate. It’s always nice to see, even when the flow is gentle, but when the water is a torrent it’s very impresive indeed.

Despite the somewhat grim weather meaning I had to keep putting my (non-weather-sealed) cameras back in the bag at frequent intervals, I had a really nice time walking to the bottom of the gorge – where there’s an excellent cafe the does a great job of filling the bellies of passing hikers – and then back up to the top where I’d parked my car.

FILM - Beautiful Padley Gorge

FILM - Burbage on Velvia

FILM - Twisty-turny

Bronica ETRSi, Zenzanon 75mm f/2.8 & Fujifilm Velvia 50.

Taken on 23 October 2019

Film photography · Medium Format · Photography

Mossy topped rock

I shot my first (ever) roll of Velvia last weekend, and today’s picture is the first of them that I’m posting. It’s a fairly simple shot of some autumnal leaves atop a mossy rock.

I underexposed most of the shots as I wanted to try and get nicely saturated colours, and they’re definitely there on the transparencies. Scanning them satisfactorily on my Epson V550 flatbed has taken some work though and they’ve needed quite a bit of Lightroom faffery to get them close to looking like the originals.

I think part of this is down to shooting it in somewhat gloomy conditions – I think I’ll try shooting something in better (or at least sunny) weather next time. I also noticed that a number of photos are a little soft. I have a feeling that this is down to the longer shutter speeds that I needed. Although I was using a tripod, I have a feeling that I ought to have made use of the mirror lock-up switch for these to prevent vibrations.

Oh well, I’ll try that next time.

FILM - Punk rock

Bronica ETRSi, Zenzanon 75mm f/2.8 & Fujifilm Velvia 50.

Taken on 23 October 2019

35mm · Film photography · Photography

Eagle-eyed readers can see this photo yesterday

In yesterday’s blog post I featured a cityscape shot of London depicting the Thames, the South Bank, and – in the distance – various other famous buildings (St. Paul’s Cathedral, the Shard, the office towers in the City of London).

One thing that probably went mostly unnoticed is the staircase that I’m showing today. It’s in there if you look for it.

I took a couple of shots of this – the other has a lady halfway up the second flight – but, while that one is ok, I much prefer this. The positioning of the man, the contrast and sharpness that the good ‘ol OM-1 and Zuiko glass provides, plus a bonus pigeon(!) make this one work better, I think.

FILM - South Bank Centre

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford HP5+.

Taken on 23 October 2019

35mm · Film photography · Photography

The River Thames and London skyline

This was taken from the Golden Jubilee bridge over the Thames. It’s a double pedestrian footbridge with seperate walkways either side of the Hungerford Bridge (which carries rail traffic over the river and into Charing Cross Station).

The bridge that can be seen in the shot is Waterloo Bridge.

FILM - London from the Golden Jubilee bridge

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford HP5+.

Taken on 23 October 2019

35mm · Film photography · Photography

A day at the races

About three weeks ago I visited Doncaster races with my Dad. I’d bought him an experience day voucher for his birthday earlier in the year and, as he’d not found anyone else who wanted to go with him (I’d assumed he’d have gone with one of his pals), I said I’d go. By the time this happened, there was only one event still available before the coucher was due to expire, the Vertem Very Different Stockbrokers Raceday on 25 October. As this was a Friday, I booked a day’s leave.

FILM - Looking for a winner

The voucher gave us access to the County Enclosure at the racecourse. This meant no denim, no trainers or sportswear, and the requirement to wear a collared shirt. It also granted us a £5 voucher each for a drink, as well as a free race programme.

FILM - Bookies

When the day arrived, the weather was pretty atrocious with heavy rain forecast for the whole day. When we arrived there were very few people in the outside areas of the enclosures other than those wishing to place a bet at the trackside bookies, or those armed with umbrellas. Most people seemed to be inside watching proceedings on television screens. This seemed somewhat pointless as, as my dad said, they might have well just gone into a local betting shop to do this rather than pay the entrance fee for the racecourse.

FILM - Equine athletes

We decided to cash in our drink vouchers before doing anything else (first things first, right?). My dad’s beer was covered by his, but the cider I asked for came to more than the allocated £5 and I had to put another 20p to the cost. It wasn’t even a particularly nice cider either. Nonetheless, we found ourselves a table with some free seats and sat down to look at the programme an pick the winners(!). After choosing some likely looking prospects (my dad came armed with a sheet of tips from a bloke he knows) we moved over to the County Enclosure ready for the first race.

FILM - PING

A few minutes before the race was due, we went outside (where it was still raining heavily) to watch the event. Although the bottom tiers of the stands were soaked (see my earlier post for an idea of how wet they were), the higher levels were sheltered enough to have dry seats, so we headed up there.

FILM - Rainy racedays

I think there were seven races scheduled for the day. We didn’t bother with the first, which only had four runners, and we left before the final two races, but the others followed a similar pattern of us watching from the dry section of the stands (where I took a number of photos); retreating indoors to place further bets / take shelter; then repeating the process for the next race.

FILM - By a nose

Although I have little interest in horse-racing, and even less experience in picking winners, I didn’t fare too badly on the day. While I didn’t break even, a couple of good results (including a win!) meant that my losses came to only a few pounds – and I’d written off all my stake money as likely to be lost beforehand anyway, so anything less than a total wipeout was good news. I’m not sure that my dad’s tips played any better than my “stick a pin in it and hope for the best” technique.

FILM - Winner

Overall I enjoyed the day and I’d like to do it again (albeit in better weather).

Olympus OM-1, Zuiko 75-150mm f/4, Zuiko 28mm f/3.5, F.Zuiko 50mm f/1.8 & Ilford HP5+.

Taken on 25 October 2019

35mm · Film photography · Photography

Watching the Thames at low tide

This was a photograph taken very quickly during my walk along the South Bank of the River Thames in London recently. The smart suit, bald head, and posture of this chap made for a nice composition. It was the last shot on the roll and I wasn’t sure it would come out (as a result of this, I loaded another roll and took a second shot of the same guy a minute or two later, albeit from a different position – I’ve not scanned that roll yet, so maybe I’ll share that picture in a future post). Luckily it turned out quite nicely.

FILM - Low water

Olympus OM-1, Zuiko 28mm f/3.5 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

Film photography · Medium Format · Photography

Waterlogged field

After yesterday’s flooded field photo, today I present a field that is merely waterlogged.

The photograph has some similarities to the previous one beyond the water, namely the powerlines marching across the fields into the distance.

See! I told you I had a thing abouth photographing powerlines – this is three days on the trot that they, or similar transmission equipment, has featured.

As it no doubt will again.

FILM - Over yonder way

Holga 120N and Kodak Tmax 400 (expired).

Taken on 9 November 2019