35mm · Film photography · Photography

A trip to the vets

I woke up this morning to an unpleasant shock.

Usually, when I go downstairs, I’m greeted by our cat. He’s either on the back garden when I open the blinds, or is waiting inside the utility room. He’s almost always awake and ready for his breakfast. This morning he wasn’t there when I opened the blinds, but as it had been raining I wasn’t surprised, and when I opened the door into the utility room he was laid in his bed, waking at the sound of my entry. At first I wondered about this slightly unusual occurence, but then my eyes alighted on a stain on the edge of his bed and, swiftly after, some blood on his forepaw and a lot of blood around his nose and mouth.

Bending down to get a closer look I could see he’s suffered some sort of injury. My first though was that he’d been in a fight with another cat, or perhaps a bigger animal. Whatever the case, I was alarmed and quickly grabbed my phone to ring the vet’s out-of-hours service. I was able to get an appointment for him to be seen at 10am. While his face, particularly his lower lip, looked to be a mess, he was walking around and not limping. He was very subdued though and showed no interest in being fed.

He was quite vocal in his cat-carrier during the car ride to the vets, which in a way was a relief. He never likes trips in the car like this and the fact he was making is displeasure known was much better than silence. After arriving at the vets – due to Covid restrictions – we had to wait outside and explain to a member of staff what the problem was. Someone then came and collected him from us and told us to wait and that they would call on my wife’s mobile phone when the vet had assessed his condition. After a 15-minute wait, we got the call. The vet was under the belief that he had been struck by a car as he had some damage to his claws and pads which is a common injury in such events. He looked to have taken a knock to his head which raised concern about injuries to his bones -perhaps a fractured jaw – but the vet was confident that this wasn’t the case. He’d not shown too much distress or signs of extreme discomfort when being examined and his reactions, alertness, and vitals were all good. He had a nasty graze on his cheek and lower lip and a bruised tongue however.

The vet advised a dose of pain relief and anti-inflamatory, along with further liquid pain medication for us to administer from the next day – although we were to watch and make sure he was eating and drinking. Because of the discomfort with his tongue and mouth, there is a chance he may need to go back to the vets to be tube-fed is he can’t manage to eat and drink himself. While I’ve not seen him eat anything yet (he’s been asleep most of the day) he did have a decent drink of water from his bowl earlier, which was good to see.

We’ve decided to restrict him to the house this evening (and dug his old litter tray from the garage!) so that we know he’s safe overnight. Fingers crossed he will be on the mend soon. It’s at times like these when you realise just how much these little friends weedle their way into your life and heart.

Not much of a photography post today I suppose, but it is what it is.

Cats can be worries
Attempting to use nine lives
In their adventures

Love cats

Yashica Mat 124G, close-up #1 lens & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 10 January 2020

35mm · Film photography · Photography

Superzoom

When using compact zoom cameras, I rarely shoot them at anything other than their wide end. I’ve found that the zoom either leaves something to be desired in terms of sharpness, and also tends to be severely limited by small minimum aperatures. While shooting the Olympus Superzoom 160 though, I decided to see how it would fare with the final shot on the roll.

It always pays to be careful when using the zoom as, depending on the light available, the camera will fire the flash if you don’t manually disable it using the fiddly little button. Some zoom compacts have a mechanical switch to do this that can be left in the off position unless flash is needed, but most tend to flash automatically with the various flash modes being switched via a small button. It can be easy to forget this and end up with an underexposed shot if you’re not paying attention.

So, being careful to make sure there was enough light, I made the following landscape photo with the camera zoomed in. I can’t remember if it was at the full 160mm setting, but a good way towards it if not. The results are kinda what I expected with a definite softness apparent when compared with photographs made with the camera at it’s wide-angle setting, so I guess my rule of thumb will remain mostly in place.

Don’t zoom in too far
Disapointment may arise
From your photograph

Superzoom

Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.

Taken on 7 August 2021

35mm · Film photography · Photography

A view from Elmton church

A while ago I posted of my adventure crossing an overgrown field to photograph St. Peter’s church at Elmton. Well the field at the lower left of this picture, behind the wall, is the one in question. It looks pretty innocent here, doesn’t it…

Innocent it looks
Though the truth was not so fine
Nettled guardians

Down through Elmton

Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.

Taken on 7 August 2021

35mm · Film photography · Photography

St. Peter’s at Elmton

A few more photographs of St. Peter’s Church in the village of Elmton. I’ve posted other photos of this church here and here.

Apologies for the rather concise posts lately – I’ve been caught up with a few other things that have been taking my time.

Look at the tower
There’s a crucifix up there
Fixed on the window

St. Peter's  at Elmton
St. Peter's  at Elmton
St. Peter's  at Elmton

Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.

Taken on 7 August 2021

35mm · Film photography · Photography

An overgrown barn

This is an old barn in the village of Elmton. I was out shooting the remaining frames of film in an Olympus Sure Shot 160 I got as a freebie along with my XA3 when I made this picture. I wasn’t expecting too much from the camera – it has a pretty slow lens, especially when zoomed, and the last Superzoom model I owned, a 105G, made photos which were a little soft – but it’s surprised me with nice crisp results.

I shall drip-feed further images from the camera over the next few days.

Old barn in a field
Providing shelter for trees
An odd crop I think

Overgrown barn

Olympus Superzoom 160 & Agfa APX 100. Ilfotec DD-X 1+4 12.5mins @ 20°.

Taken on 7 August 2021

35mm · Film photography · Photography

Tramlines Fringe

The Tramlines festival takes place in Sheffield each summer (although it was cancelled in 2020 due to the pandemic). The first event took place in 2009 and was a free-to-attend event for several years, although it has now become corporately run and ticketing is in place for the main festival, which is held in Hillsborough Park. The festival attracts big-name artists and is named after the city’s tram network, SuperTram.

Although a paid ticket is required for the Hillsborough event, there are a number of free entry venues scattered around the city under the moniker of Tramlines Fringe. The photos in today’s post were made at one of these events, held outside the Dorothy Pax bar at Victoria Quays.

Down by the canal
Music and dancing take place
It’s time for Tramlines

Before the band began to play
Concert
Watching the band
And the band begins to play
Tramlines Fringe
Tramlines Fringe
Tramlines Fringe

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Sheaf Quay

I’ve been out all day today at a steam rally and after walking around the place (and the four hours of driving there and back) am pretty tired, so just a couple of quickly published photos in this post.

It’s hard to think of
A haiku when you are tired
I hope this will do

Sheaf Quay
Sheaf Quay

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Artist

This chap was sketching the straddle warehous at Victoria Quays while I walked around with my camera and he allowed me to maje a portrait of him at work.

Sketching with pencils
An image of a building
Bridging a canal

Artist

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021