35mm · Film photography · Photography

The loss of a lab

I received the sad news yesterday that my local film lab appears to have closed down. I last used them about a month ago to process the roll of Portra 800 which I’ve been sharing photos from the past few days and had planned to drop another roll of C41 off in the next week. I took a look at their website the other evening and noticed that it appeared to be offline, just displaying a blank page with no content, but assumed a temporary problem. But then, yesterday, someone else mentioned that there were posts on Twitter about it having been closed when it was visited in person and that the nearby businesses reported no-one has been seen for over a week. Some people on Twitter are concerned because they have posted film to be developed and now have no idea what has happened to their rolls.

I don’t know the precise cause of the closure, but it would appear to have been quite sudden.

I’m sad about this happening. They were a good lab with friendly and helpful staff (to whom I send my thoughts that they are ok). I stopped using them quite as much during and following the pandemic as, when they had to close for a few months as part of the lockdown, I taught myself how to develop black and white film at home, but I still regularly took all my C41 and E6 films there. It looks like I will now have to start using my local camera store for film developing services. While it’s still relatively convenient, being just on the edge of the city centre, it won’t be the same as the short walk I’ve been able to take advantage of these past few years.

I’m not sure if anything will happen to the lab – whether it is closed permanently, or might be rescued in some fashion – but it’s disappointing news for sure.

Today’s picture is from the first roll of film I had developed at the lab back in 2016.

FILM - Photo Walk-

Olympus Trip 35 & Kentmere 400 film.

Taken: 9 August 2016

35mm · Film photography · Photography

Do things have to be in focus?

I took this picture almost without thinking. I didn’t have time to accurately focus, just frame the shot and try to get it as close as I could. This being the one of the first times I’ve used the Olympus 35 RC in quite a while, I did my best to rapidly twist the focus ring to get the man in close focus. Unfortunately I twisted it the wrong way, towards infinity.

But I still like the photo. Would I have preferred the man in focus and background sofly blurred? Probably. But This still looks nice. The lack of focus on the figure adds a bit of mystery, I think.

It’s a technique used often by street and documentary photographer, Martin Parr, although I suspect he does it deliberately rather than through not remembering how his camera works!

Tapas Bar

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Living in Tetris

This interesting looking residential building is in Manchester’s Northern Quarter and it reminded me a little of Tetris. It might be the bright, sunny conditions, but it also reminded me of the sort of scene you might see in a European city, perhaps in Spain or somewhere like that.

Anyone for Tetris?

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Lemurs

This image, and the other Olympus 35 RC / Portra 800 shots I’m posting at present, were all shot on the fateful day that I broke my ankle back in August. The ankle is almost fully healed now – it still aches a little in the morning but otherwise gives me little or no discomfort whatsoever, and I’ve been able to walk around on it just fine for a couple of weeks or more. It did prevent me from going out and taking photographs for a while though.

Luckily for me, I had shot three rolls of film not long before on the trip to the Yorkshire coast my wife and I had taken, so was able to keep images flowing on the blog, but I had concerns that I would start to run out if I didn’t get back on my feet quickly. I also had the roll of film that I’d been shooting while in Manchester on the day I had my accident. I’d shot the majority of the frames by the time my ankle went snap and shot the remaining few images while limping back to the station and the final two frames outside the hospital back in Sheffield while waiting for my wife to pick me up. I’m fortunate that many of the pictures on this roll are ones I like and am happy to publish. I’m also happy about this because it might give me enough photos to populate a zine for the zine-swap I’m due to take part in soon.

I’ve since managed to shoot another couple of rolls of film, one which I’ve delveloped today, so the blog still has a reasonable supply to choose from, which is nice.

The picture below is one of the photos I was really pleased with from the roll. The colours are great, I think it’s an interesting image, and there’s quite a bit of detain to nosey around at if you’re so inclined.

Lemurs

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

A new king and a brasserie

The proclamation of King Charles III took place today. Despite my usually staying away from televised royal events for the most part I thought I would take the time to watch this as it was a truly historic occasion. Not only the first time it has taken place in seventy years, but also the first time that certain sections have been broadcast live in this way. It was interesting to see, particularly as the showed the official proclamation of Queen Elizabeth II beforehand and so it was facinating to hear the same words (almost) being read seven decades apart. Elizabeth’s was only broadcast in part however, with the only the proclamation from the balcony of St. James’ Palace being shown. Today we were able to witness the events preceding this, with The King’s first privy council and personal declaration being shown live on television. I expect there were far fewer women present during Elizabeth’s, and certainly not two female Prime Ministers.

It still feels somewhat surreal that the UK now has The King instead of The Queen but I expect that, for most people, it will make little material difference to their lives once the hustle and bustle has diminished.

I don’t have a picture that references a king in my archive (I don’t think Burger King counts…), so instead here’s a random picture of the doorway of a brasserie, which bears no relation to the subject matter above whatsoever.

Brasserie Abode

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

The queen is dead

Strange times are upon us. Queen Elizabeth II, monarch of the United Kingdom for the last seven decades, passed away yesterday afternoon. It’s a truly historic moment, I think. Not only has she been our longest serving monarch but, because of the length of her reign, she has been a fixture in the lives of so many people for their entire existence, her face on our coins, banknotes, stamps and countless souvenirs and items of popular culture. The Queen’s Speech has been a Christmas Day fixture on the television (and before it, the radio) for what seems forever. Yes, there will be those who remember the years before she became queen, but I expect that for the majority she has always been queen.

I’m not a monarchist particularly, but I’m not a hardcore republican either. I’ve generally avoided any sort of fascination or fixation on the lives of The Queen and other members of the royal family except where it became unavoidable, whether due to scandal, tragedy, royal occasions such as births and weddings, jubilee’s and, of course, deaths. Nontheless, despite my relative uninterest, her death has still left me with a feeling of sadness. I think it’s the way it demonstrates the passing of time, that nothing lasts forever, and – despite the monumentous impact of this occasion – that as the years pass, so even this will become just another section in the history books. It reminds me of my own mortality, the loss of my own loved ones, and the fact that one day I will no longer be here either.

It’s something that happens whenever someone who has had an impact on my life passes away – musicians, authors and actors are probably the obvious examples – a sad knowlege that they are gone and that they won’t be making or doing any of those things you like any more. All you’ll have is what is already there and the memories you made. In those cases though, outside of fan circles, the news tends to die down and – for those who didn’t share a connection – may go unnoticed altogether. There is little chance of escaping the death of The Queen though. All the main TV channels and radio stations are broadcasting almost nothing but the ongoing news of the situation. Radio has become sombre in it’s choice of music. Even the commercial and smaller channels are paying their respects is a variety of ways, with pictures and messages of condolence in abundance. Even outside there are signs and reminders. Electronic billboards – the sort that normally advertise movies, or McDonalds burgers – are now all showing a picture of The Queen. I passed four in close succession today. As each passed, so another would appear in the distance.

And now Queen Elizabeth II is no more, we have a king again in the shape of Charles III. It will be interesting to see how this next era of our history unfolds, although, as before, I will likely view it from a distance and, given current events, it may well be overshadowed by greater concerns. What is certain however, is that he will not reign for anything like as long as his mother did.

I searched through my archive for a relevant picture, but all I could find was the photo below featuring a bobblehead Queen (and Mr Bean).

FILM - Bean and queen

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Ilford HP5+.

Taken on 10 August 2022

35mm · Film photography · Photography

Building something new and unfamiliar

There always seems to be construction taking place in Sheffield, much of it seemingly either extensions to the university, or accommodation for the students. I don’t know what the subject of today’s photograph will be (and it might not be anything to do with the university at all), but it wll change the skyline and feel of the place in some new and previously un-experinced way.

Yesterday, when returning to my car after a rail journey, I looked down one road only to realise that another new building had now changed the look of the street completely. Where once the road curved away with low-rise buildings and a view of the sky, now these low-rises have a much larger and taller building rearing up behind them. I think it will make for an interesting picture, especially in its current partially-constructed state, so I will try and get down there with my camera soon,

This same feeling of change, where much travelled routes now feel strangely unfamilliar, is becoming much more commonplace. I wonder if this is just because of the pace of change, or perhaps the fact thatt I’m getting older and the new is becoming overlaid upon my memories of the old?

Whatever the case, this sunny day picture shot on Portra 800 (over-exposed a stop to 400asa) looks rather nice. The bright sunny conditions could have something (probably a lot) to do with this, but I much prefer how the film looks in these conditions than how it performed shot at box speed on an overcast day.

There's always something going up

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Two cobbled streets

A quick post as I’ll be out all day and probably won’t have time to post anything when I get home.

Here are pictures of a couple of cobbled streets on overcast days, the first in Whitby, the other in Staithes.

Empty cobbled street
Whitby.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 800. Lab developed. Home scanned and converted with Negative Lab Pro.
Cobbled Staithes
Staithes.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 28 & 29 July 2022

35mm · Film photography · Photography

Staithes harbour

On the third day of our trip to the Yorkshire coast we visited Staithes, a picturesque and quaint fishing village up the coast from Whitby. While there are more modern areas of housing in the village, these sit at the top of the area. The older buildings down by the harbour are reached via steep roads on either side of Staithes Beck. Coming down the hill isn’t too much of a difficulty. Getting back up requires some air in your lungs!

This wasn’t the route we took, but it gives an indication of the gradient required to descend / ascend to and from the harbour area.

As with much of this trip, the weather was mostly overcast (in fact it rained heavily when we first arrived). The tide was also out at the time of our visit, leaving many of the small boats in the harbour beached. I’ll have more pictures from Staithes to post here in the coming days.

Harbour office
Awaiting high tide
Staithes at low tide

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022