Painting a picture in front of the National Gallery

January 2, 2023 fishyfisharcade2 Comments

An artist begins work on their picture while stood just in front of the National Gallery in London (which is offf to the right in this viewpoint).

I went out today and shot the remaining frames on a roll of HP5+ that has been in my Olympus Trip 35 for a while. I’m not sure if this was a good idea given I have a cold at the moment (although the general concensus is that light to moderate exercise can be beneficial as long as it isn’t a chest infection – which I don’t think mine is. At this stage at least). Whatever the case, I shot the ten-or-so remaining images and can now get the roll developed sometime this week. I’m getting close to running out of fresh images for the blog and, even though I have loads of unpublished stuff from older rolls I can use, I always feel the compulsion to keep the fresh stuff coming. Hopefully this 36exposure roll will keep the lights on for a while. 🙂

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Year five

January 1, 2023January 1, 2023 fishyfisharcade8 Comments

Here I am again, beginning a fifth year of daily posting on my blog. This will be the one thousand, four-hundred and sixty second consecutive post (I now fearfully await someone telling me I missed a day somewhere. Eek!). I don’t have any real plans to switch things up from the current format – a mixture of stuff about making photos, to random, usually brief, journal posts of my life and experiences – but who knows what this year will bring?

I’ve got a new camera to post about soon, but I need to figure it out and – importantly – take and develop some photographs with it first. Hopefully something to come on that in the next week or two.

For my first post of the year, here’s a picture from the Photographer’s Gallery in London. The gallery is split across a number of floors and the usual route it to take the lift to the top floor and then work your way back down to the bottom. The quickest way to do this is via the stairwell and, between two of the floors, there is a window that opens into a small offshot of one of the galleries where photobooks and other documentation about the current exhibition is available to be viewed by visitors. When I visited, the work of British photographer Chris Killip was being exhibited and my photo depicts two people perusing books of his work.

The exhibition was excellent, by the way.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Medium Format · Photography

Twelve favourite photos from 2022

December 31, 2022December 31, 2022 fishyfisharcade2 Comments

Another year is about to come to an end, and it’s time for the annual look back at my favourite photographs. It’s a slightly curtailed post this year (although there are still twelve images featured – one for each month) for two reasons. Firstly, I’ve done my usual trick and procrastinted leaving me insufficient time to do a proper job and, secondly, because I’ve come down with a cold and don’t feel very well. A sensible person would learn from this and take measures to ensure this doesn’t happen again next year. But I can’t find a sensible person willing to write this thing, unfortunately.

So, here are my favourite shots from each month of 2022. As always, this is subjective and could change if I were to revisit the piece again. Some months were difficult to pick images for because I had more than one that I liked. Other months had quite slim pickings due to me not making as many photographs (when I broke my ankle in July, or in December where I’ve only finished one roll of images taken during the month).

I’ve wondered a few times about slowing down my daily output but I expect I’ll be here again tomorrow (and the day after that, and the day after that (you get the idea…)), starting a fifth full year of daily posts.

I wish you all a Happy New Year and a good 2023!

January

Windows — Bronica ETRSi
Zenzanon 75mm f/2.8 PE
Ilford FP4+
Ilfotec DD-X 1+4 10mins @ 20°

February

Under the iron bridge — Olympus XA3
Ilford HP5+
Ilfotec DD-X 1+4 9mins @ 20°

March

Springflower — Bronica ETRSi
Zenzanon 50mm f/2.8 MC
Ilford Pan F Plus
Ilfotec DD-X 1+4 7mins @ 20°

April

Corner into blue — Yashicamat 124G
Lomography Color Negative 100

May

Window seats — Olympus 35RC
Ilford HP5+
Ilfotec DD-X 1+4 9mins @ 20°

June

Frenchie — Yashicamat 124G
Kodak Ektar (lab developed. Home scanned and converted with Negative Lab Pro)

July

Grand and central — Olympus Trip 35
Kodak Colorplus

August

Lemurs — Olympus 35 RC
Kodak Portra 800 (@400)

September

Corringham Windmill — Nikon F80
Nikkor 28-80mm f/3.5-5.6 D
Kodak Portra 160 (Lab developed. Home scanned and converted with Negative Lab Pro)

October

AMRC — Fujica GW690
Kodak Portra 400
Lab Developed.
Home scanned and converted with Negative Lab Pro.

November

Bushes and buildings — Yashica Mat 124G
Ilford HP5+ (@800asa)
Ilfotec DD-X 1+4 10mins @ 20°

December

A road to power — Yashica Mat 124G
Ilford HP5+
Ilfotec DD-X 1+4 9mins @ 20°

35mm · Film photography · Photography

Atop the fourth plinth

December 30, 2022December 30, 2022 fishyfisharcade1 Comment

The north-western plinth in Trafalgar Square, London was originaly intended to be topped by a statue of William IV on horseback but, due to insufficient funds, the piece was not completed. The plinth then remained empty while its use was debated for the next 150 years until, in 1998, three temporary sculptures were commissioned by Royal Society for the encouragement of Arts, Manufactures and Commerce. Shortly after this, consultations were carried out to decide the future use of the plinth. It was decided that a rolling programme of artworks would continue to make use of the plinth, and this has been the case since.

To date there have been fourteen artworks displayed atop the plinth since 1998. The latest is called Antelope by Samson Kambalu. It depicts Baptist preacher and pan-Africanist John Chilembwe and European missionary John Chorley. Chilembwe wears a hat in an act of defiance, as this was illegal at the time. The statue of Chilembwe is larger than that of Chorley to elevate his act of defiance.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Still inside a gallery

December 29, 2022 fishyfisharcadeLeave a comment

Following yesterday’s post, here are three more gallery photographs from the Tate Modern. All three here were taken in the Turbine Hall, a huge space named after it’s previous use when the building was the home of Bankside power station. It really is an impresive venue and can be viewed from several different levels. Looking down upong the other visitors gave views of scatterings of tiny, Lowry-like figures below moving this way and that.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

HMS Belfast and The City

December 28, 2022 fishyfisharcade4 Comments

HMS Belfast is a Tow class light cruiser that was built and launched just prior to Britain entering the Second World War. Shortly afer her launch she was struck by a magnetic mine resulting in severe damage (although, thankfully, relatively few casualties – very sadly, one crewman Painter 2nd Class Henry Stanton, died later from the injuries he sustained). The vessel did not return to active service until 1942 but went on to take part in various campaigns (including the Korean War) and was eventually retired in 1963.

In 1971 the ship was opened as a floating museum managed by the HMS Belfast Trust, situated on the River Thames in London just above Tower Bridge. In 1978 the trust and ship ship became part of the Imperial War Museum.

In this photograph, the ship can be seen from the South Bank of the Thames with the towers of the City of London in the background. It was pointed out to me that the ship’s camouflage is still doing a sterling job.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Inside a gallery (again)

December 27, 2022 fishyfisharcade2 Comments

I’ve posted photographs shot inside galleries her on the blog on a number of occasions before (e.g. here, here, here, and here). They are not always the easiest places to make pictures as they can be quite dimly lit, necessitating slow shutter speeds, wide apertures, and the chance of motion blur and camera shake becoming present in the photos. They are, nonetheless, quite appealing locations, I find.

The photos today were shot in the Tate Modern gallery in London.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Tree roots

December 26, 2022 fishyfisharcadeLeave a comment

When I took this picture it was the reflection that attracted me. It was only later, when I scanned the photo, that I realised it looked like a window into the world beneath the ground where the tree’s roots spread otherwise unseen.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Merry Christmas!

December 25, 2022December 24, 2022 fishyfisharcadeLeave a comment

I generally try to find a Christmassy photo to publish on the big day. The only recent picture I have that fits the bill is this one of the Christmas Tree being erected in Trafalgar Square in London. It didn’t have any lights or decorations affixed when I took the shot.

Each year a tree is gifted to the people of Britain by Norway in thanks for British support during the Second World War. The tree would feature in the British childrens television programme Blue Peter quite frequently at Christmas, when the presenters would assist in it’s felling and transportation from Norway, and it’s erection in Trafalgar Square. Blue Peter is still being shown – it first aired in 1958 – and is the longest running TV show in the world. In 2008 presenter Andy Akinwolere presented the feature on the Christmas Tree and accidentally dropped the star when attempting to fit it to the top of the tree.

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Misty Shard

December 24, 2022 fishyfisharcade2 Comments

The Shard was, at the time of its construction, the tallest building in Europe, standing at 308.5 metres in height. It has since been surpassed by a number of buildings, including the Mercury City Tower in Moscow, Russia, and the Varso Tower in Warsaw, Poland. It remains the second tallest structure in the United Kindom although the tallest – the Emley Moor television transmitter – is not a habited building.

On the day I took this picture, The Shard’s pinnacle was lost in a shroud of fog. There’s a viewing gallery up at the top, though it probably represented a lesser experience on this date (unless you really like being in a cloud).