Neither of these ‘selfies’ was the primary intention here, but I got them anyway. 🙂
Nikon F70, Nikkor 50mm f/1.8 AF-D & Fujifilm Acros 100 (cropped).
Taken on 13 September 2017
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Neither of these ‘selfies’ was the primary intention here, but I got them anyway. 🙂
Nikon F70, Nikkor 50mm f/1.8 AF-D & Fujifilm Acros 100 (cropped).
Taken on 13 September 2017
Another trio of photos taken on Mablethorpe beach.
Nikon F70, Nikkor 50mm f/1.8 AF-D & Fujifilm Acros 100.
Taken on 13 September 2017
Well, at the beach to be more specific. Three shots of small waves on Mablethorpe beach during an ebbing tide.
Nikon F70, Nikkor 50mm f/1.8 AF-D & Fujifilm Acros 100.
Taken on 13 September 2017
We had some pretty heavy showers recently (for the UK, at least – I’m not talking hurricane season here), and I took this from the bathroom window both because clouds are ace, but also because I’d received a red filter in the post that day and thought it would be a good shot to try it out with).
Nikon F70, Nikkor 50mm f/1.8 AF-D (with red filter) & Fujifilm Acros 100.
Taken on 15 September 2017
I had a day off work yesterday and took a trip out to the nearby Peak District National Park. On the north-eastern edge of the park, close to Sheffield, lies the Longshaw estate, and that was my destination.
I took the Yashica Mat 124 G loaded with a roll of Ektar, and the Nikon F70 with the remains of a roll of Acros 100. I’m a little disappointed with the Ektar shots – a couple at the start of the roll are spoiled by some sort of defect, and the others lack some of the wow factor I was hoping for.
However, I still got several photos I like and, although Ektar’s strength is in it’s richly saturated colour, I decided to throw that all out of the window after deciding many of the shots had a lot more impact in monochrome. I also cropped the third of these to a 6×7 ratio to remove some distracting highlights from the top of the frame.
So, here are three of them.
Yashica Mat 124 G & Kodak Extar 100 (converted to black and white in Lightroom).
Taken on 20 September 2017
I spotted this deserted climbing frame the other week when I went to photograph the Humber Bridge (it’s next to the car park, and behind a building that seemed to be deserted – or at least was on the day I was there). It looked kinda forlorn on such a gloomy and drizzly day, but made for a nice shot.
Yashica Mat 124 G & Fujifilm Acros 100 (expired 2014)
Taken on 30 August 2017.
I thought I’d break up the flow of recent colour shots with an, erm, older colour shot – the twist here being that it’s Portra 160 converted to B&W because it just looked better that way.
Olympus OM-1, F Zuiko 50mm f/1.8 & Kodak Portra 160.
Taken on 20 February 2017
I quite like this shot. A little slice of life on a gloomy seaside day.
Nikon F70, Nikkor 50mm f.1,8 AF-D & Kodak Colorplus 200.
Taken on 29 August 2017
“they float, Georgie, and when you’re down here with me, you’ll float, too…”
Nikon F70, Nikkor 50mm f.1,8 AF-D & Kodak Colorplus 200.
Taken on 13 September 2017
A couple of photos I took on the walk from St. Pancras to Camden Lock the other week. The weather on the first day of the trip was much nicer than the second, with loads of nice light and blue skies.
Pentax P30T, Rikenon 50mm f/2 & Kodak Portra 160
Taken on 2 September 2017.