35mm · Film photography · Photography

Some sort of thingumajig

It’ll be another short(er) post today I’m afraid. I had a long day at work and then decided to scan some more of my home-devved negatives. Now I’m tired and don’t want to type anything too lengthy. I did make a start on my home-developing blog-post this lunchtime though, so that will be posted sometime this week and (in terms of length, at least) will more than make up for this short post!

The UK COVID-19 daily death toll fell again for the third day in a row today. That’s obviously good news, but I’m somewhat wary of the figures. I think I’ll be much more relieved when it’s continued to fall for at least a week. While I’m hoping for the best, the things I’ve read from trustworthy sources all seem to indicate that we’re not yet at the peak of things and that it will be some time before the lock-down has a noticable impact on the figures. As I say though, I hope these sources are wrong.

Today’s phot is of a small sculpture in The Hepworth gallery. I neglected to make a note of the name of the piece of the artist who created it. For that I apologise.

Apple of my eye

Minolta SRT 101b, Rokkor 50mm f/1.7 & Ilford HP5+ (@800).

Taken on 14 March 2020

35mm · Film photography · Photography

Tiring developments

Today’s post will be shorter than those from the last week or so, mostly because I’ve had a busy day and want to kick back and put my feet up for a bit. When I say busy, it’s not that I’ve been doing any heavy lifting or anything, but today was my first attempt at developing lack and white film at home, and it’s been kinda mentally tiring as I’ve tried to get everything right and not mess the whole thing up.

The good news is that I have some negatives that (from first glance) look ok. They’re currently hung in the shower drying (there’s an irony in that statement, surely…) so the proof will be when I come to scan them.

I’ll post the results and an account of my experience in a forthcoming post, but suffice to say that not everything went to plan…

Until next time, here’s someone admiring a nude in The Hepworth.

FILM - In front of a nude

Minolta SRT 101b, Rokkor 50mm f/1.7 & Ilford HP5+ (@800).

Taken on 14 March 2020

35mm · Film photography · Photography

Distraction

Despite the lock-down, today has been quite a full day so far.

After breakfast, I decided to take a walk – as I’m not at work today I decided on a longer outing so I could get a bit more of a workout (insomuch as brisk walking counts as “working out”). I chose a route that took me through the industrial estate before cutting back across to the Trans-Pennine Trail and then back home. As usual, I took a camera in case I saw any shots I could get while out. One of the things I photographed was a notice affixed to one of the businesses stating that visitors should ring the bell and wait to be admitted due to the coronavirus pandemic. I’ve been taking photographs of coronavirus related sights that I see when out and might post about them when I have a few developed, but want to capture them for a record of the times whatever the case.

Taking the photo today led to a car pulling up beside me and the two men inside asking what I was doing. They’d seen me taking the photo and I think they were suspicious that I might have been casing the building for nefarious purposes or something. When I explained why I’d taken the shot they seemed satisfied and drove off. The 1975 35mm film SLR I was using to take the photo was probably not an efficient tool for mischief even if I had been inclined that way. πŸ™‚

When I got to the Trans-Pennine Trail it was busier with people jogging, cycling and walking dogs. Certainly not crowded in any sense of the term, and it was easy to keep a wide berth from others, but I think I’ll avoid it in future at weekends (unless I go out especially early). I took a few photos while walking and finished the roll in the camera, so tomorrow might be the day I have my first attempt at home developing. Eek!

Once back home, the rest of the morning was taken up by washing the cars and then giving the garden a once-over. The grass is now cut (and so begins another summer of regular mowing duties…), the weeds pulled, and some general tidying-up. There’s quite a lot of garden waste left over and, given the normal outlets for disposal are closed, I will probably have to burn it later in the garden incinerator.

The result of this is that I’ve mostly been distracted from whatever today’s news is regarding the pandemic. I’m happy to keep it that way if I’m honest. Plenty of time to catch up on that stuff later.

Today’s photo is of someone else apparently distracted…

Distraction

Minolta SRT 101b, Rokkor 50mm f/1.7 & Ilford HP5+ (@800).

Taken on 14 March 2020

Film photography · Medium Format · Photography

Single file traffic

The road-sign depicted in today’s photo feels pretty apt at present. As the news of the coronavirus pandemic hit and became widespread last month there was an upsurge in panic buying in the shops. Some of these things seemed logical – hand-sanitiser, for instance, is a useful substance to help keep you safe from inadvertently contracted viruses on your hands. Soap and water is similarly effective, but I guess not as convenient for carrying in your pocket or in your car. Paracetamol was another item that soon found itself in short supply and, again has a logical basis for being so – namely it’s use in reducing temperature during a fever. And while I can undestand the benefits of having dried pasta given it’s long shelf-life, the quantities that some people were buying was over-the-top – unless your family eats pasta every meal of every day, you don’t need that much.

Other items seemed less logical (or at least to a degree). The number one thing here was toilet-paper. I’m not quite sure where this particular panic originated, but I first saw it mentioned by my nephew. He lives in Australia and he posted an image of empty shelves where the toilet-paper once sat in the supermarket. Before long the phenomena had reached the UK and spread around the world – panic buying of toilet-paper seemingly has a faster and more effective transmission rate than the COVID-19 virus! While I can understand how no-one wants to be left short of toilet-paper, again the volumes that some individuals were buying were ridiculous, some people buying dozens of rolls at a time. It’s not even as though a primary symptom of the virus is diarrhea or anything, in which case I might have understood.

The result of this panic buying was that stocks that should have met the needs of all instead became scarce, with some unable to source any at all. It even began to generate black-market activities (reports of stores being broken into and their stocks of toilet-paper stolen), and price-gouging as unscrupulous traders hiked the cost of in-demand items.

The result here in the UK has been a complete change in the way that people have been allowed to shop, firstly by stores limiting the quantitiy of items shoppers have been allowed to purchase, but also, because of the lock-down, implementing strict people-control measures to limit the number of shoppers in stores at any one time. This has led to large queues in the car-parks outside supermarkets as people wait for their turn to enter. In some parts of the country these have been boisterous (and, significantly, meant lots of people lining up in close proximity). Thankfully, in the stores close to us, the queuing has been orderly and well spaced and these measures have resulted in better access to produce as well as a losening of the restrictions on quantities (though some items are still excepted).

We’reΒ  into spring, and will be coming up to summer soon, so queuing outside is probably not that much of a hardship. That said, here in the UK the weather can be somewhat “changeable” to say the least, so it will be interesting to see how people fare in queues if the weather takes a turn for the worst.

FILM - Village roadworks

Bronica ETRSi, Zenzanon 75mm f/2.8 & Kodak Tmax 400.

Taken on 29 January 2020

35mm · Film photography · Photography

People and shadows in a gallery

It’s now been a week-and-a-half since the COVID-19 lock-down measures were put into place here in the UK. So far, things are ok – as a full-time home-based worker, I’m used to not leaving the house to commute to work, and social-distancing from my colleagues is the normal state of things anyway apart from when we have face-to-face meetings (which are all stopped now in any case). As a result, the lock-down measures are not inducing any sort of cabin-fever at this stage.

I must confess however, that I’m missing being able to go out where I want. I’m taking walks most days to get some exercise and fresh air, but even places that would be just a short drive away are starting to feel like slightly exotic destinations. The thoughts of driving out into the countryside (or even just into the city centre) are tantalizing given the “so near, yet so far” forced remoteness of even relatively mundane destinations. I’m estimating that the current lock-down will last through to the end of May at the earliest, so a good eight more weeks of this yet.

Still, things could be worse – returning home from my walk this lunchtime one of our neigbours, who has two young children, was out on his drive cleaning the paving. I said “Hi” (from a safe distance) and enquired as to how they were all doing. “I’m sick to death of watching Frozen” was one of his responses…

Another photo from The Hepworth today. I didn’t have high hopes when I took this picture as it was very dimly lit in this part of the gallery (to protect the prints and other artwork on display), so I had to shoot it wide open at f/1.7 at 1/30sec. I was expecting camera shake, but it’s nice and sharp, even if the shallow depth-of-field has rendered the man slightly out of focus.

Gallery shadows

Minolta SRT 101b, Rokkor 50mm f/1.7 & Ilford HP5+ (@800).

Taken on 14 March 2020

35mm · Film photography · Photography

Back to black (and white)

After a week or two of posting colour images, today marks a return to black and white. I still have a number of colour images from the two recently shot rolls that I haven’t posted here though, so maybe they’ll get an airing if I feel a splash of colour is required.

Today’s image is of the stairwell in The Hepworth gallery in Wakefield. I visited the gallery back in the middle of the month before social distancing rules were introduced, and then enforced by the nationwide lock-down. The gallery, along with other such venues around the country, has now closed until further notice, so I was lucky to get to attend when I did.

The reason for my visit was an exhibition about the relationship between the photographer Bill Brandt, and the artist and sculptor Henry Moore, who had met during the second world war when they were both documenting the plight of people sheltering from air-raids in London’s Underground stations. Their relationship continued with an interest in a number of shared themes throughout their careers, including the human body, the landscape, industry and others.

While I was predominantly interested in Brandt’s photography over Moore’s artworks, the latter’s sculptures are wonderful to see in person and made for a number of interesting photographic opportunities, some of which I’ll be posting over the coming days.

For now though, here’s a more mundane subject, but one which I think has made for a nicely satisfying picture – namely the mid-level landing in the gallery’s stairwell. I liked the shapes, textures, tones and symmetry (although it’s not really symmetrical).

Hepworth stairwell

Minolta SRT 101b, Rokkor 50mm f/1.7 & Ilford HP5+ (@800).

Taken on 14 March 2020

35mm · Film photography · Photography

Not thinking things through

I was paid today, so decided to combine my exercise with a trip to the cash machine at the local shopping mall. Knowing that cash machines are a pretty high-risk vector for transmitable viruses like COVID-19, I decided to protect myself by wearing a plastic glove. I bought the gloves recently as a means of avoiding physical contact on surfaces that others are likely to have touched – they’re just the thin plastic type that you sometimes find at petrol-stations to avoid getting fuel on your hands, or in sandwich-shops to allow the person preparing the food to avoid touching the ingredients. I would have felt uncomfortable buying surgical-style gloves (even had I been able to find any) given the recent shortages in PPE that have been encountered by frontline healthcare staff.

Sadly, I didn’t think through the process of withdrawing the money in a contactless fashion, and it quickly became apparent that next time some greater consideration of the process will be required.

I decided to wear a single glove, thinking that I’d only be touching the buttons with a single hand, and removed my card from my wallet, entered it in the machine, and then replaced my wallet in my right pocket (as I had nowhere else to put it). I could then enter my pin, select the amount I wanted to withdraw, and remove the cash with the gloved hand. All good so far.

However, I now realised that I would have to reach over into my right pocket with my left hand to get my wallet back out. I also realised that I couldn’t open my wallet with just my left hand and insert the cash without risking scattering it all over the floor. Also, and possibly key – I was holding the cash in the gloved hand that had touched the potentially compromised buttons on the machine, thus transferring any contamination onto the money I had to put in my wallet anyway! In the end I touched the outside of my wallet with the “gloved hand of contamination” in order to complete the task too.

Short of (literally!) laundering the money to clean it of anything harmful, I’m kinda stuck with the situation. Thankfully I can avoid touching the money again (at least until any pesky viruses might have been rendered harmless) and will certainly refrain from rubbing it all over my face or anything, so I think I’ll be ok (plus it’s probably absolutely fine and uncontaminated anyway).

Given that many places are dictating card-only transactions at present, it might have been better left in the account…

Unrelated to all this, here’s todays picture, a bingo hall in Sheffield city centre – somewhere else (along with the cinemas, theatres, gigs, bars, retaurants etc.) that’s likely to remain dormant for the next few months.

Bingo

Canon Sure Shot Supreme & Lomography Color Negative 400.

Taken on 1 March 2020

35mm · Film photography · Photography

Luggage

Taken back at the start of the month, it’s hard to think how quickly the scene portrayed here would change. It’s now very unlikely that you will see people trundling luggage through the streets given the large scale reduction in public and private transportation. only today, Easyjet, a UK-based budget airline, announced that it would be grounding its entire fleet until further notice.

While the curtailment of my own photography due to the pandemic continues, I did take several photographs in the house today. A few weeks before this whole situation unfolded I bought a small, cheap, but effective collapsible mini-studio. While it’s quite small, it will be useful for taking macro shots of items. Today, however, I used my Minolta SRT 101b and 50mm f/1.7. Getting as close as the camera would allow, I was able to take photographs of some fruit and vegetables. While I don’t think I’ll be troubling the works of Edward Weston any time soon, it’ll be interesting to see how they turn out nonetheless. Also, each photo I take gets me a little closer to the point where I can have my first bash at home development, which (although still making me slightly nervous) I’m eager to try now I have most of the necessary equipment.

Luggage

Canon Sure Shot Supreme & Lomography Color Negative 400.

Taken on 1 March 2020

35mm · Film photography · Photography

Stan’s little escapade

I’ve been talking about the current pandemic over the last few days but I don’t really have anything to say about it today – I’ve avoided the news for the most part, and the only things that have really brought it to mind have been the things I saw while out for a walk before lunch (nothing very extraordinary, but maybe I’ll cover them in a future blog when I have the photos I took developed).

Instead I’ll tell a short tale of Stan, our cat, and what happened to him yesterday…

Stan lets himself in and out of the house when he chooses through a cat-flap and, while he goes out a lot, he’s usually making his presence known throughout the day (generally folloing us into the kitchen and begging for treats or, if it’s meal-time, nipping at my feet for attention). Yesterday afternoon howerver he was nowhere to be seen. Even after his usual mealtime there was no sign of him and, as it began to get dark, I had pangs of worry. Shouting him and shaking his treat box didn’t elicit a response.

My thoughts were that he’d either seen something interesting (maybe a mouse or an insect or something) and was now waiting patiently somewhere for his opportunity to snare it. Another alternative was that he’d gotten himself trapped somewhere. There is always the additional concern that he might be struck by a car when he’s out but, to my knowledge, his territory doesn’t reach across the road beside our house and, if it did, the current coronavirus situation means that traffic is very much reduced anyway.

Thinking he could be trapped, my first idea was to check the garage. He enjoys going in there – I think he knows he’s not supposed to and so will dart in as the door is opened if the opportunity presents itself. It was possible he’d slipped in unnoticed and gotten himself locked in. However, there was no sign when I checked.

After about another hour of him not appearing, I racked my memory to think when I’d last seen him and remembered that it was when I’d returned home after my supermarket trip – he’d been sat on the doorstep as I unloaded the bags and then, after not coming in when I’d finished, I closed the door, shutting him outside.

And then another thing struck me. About five minutes after unpacking the groceries, my wife had told me I’d left the hatch-back open on the car, so I went outside and closed it,

Could it be that he’d poked his inquisitive little nose into the car while it was opened and then gotten locked in? Why yes. Yes it could!

I went back outside and opened the boot whereupon he instantly leapt, gazelle-like, out of his prison, eliciting a loud bark of relieved laughter from me. Thankfully he wasn’t any the worse for wear (and, equally importantly, hadn’t needed the toilet while trapped!).

It’s always a worry when a cat doesn’t come home when expected, and always a big relief when they turn up safely. I will add a boot-check in future when we unload the shopping.

I maybe also need to take some more photos of him that I can easily post on the blog if required – apart from loads of Instax pictures, I think this is the only film shot I have of him (and it was the end of the roll!).

FILM - Sofa cat

Olympus 35 RC & Eastman Double-X.

Taken on 13 September 2019

35mm · Film photography · Photography

Eleven flights

As I briefly mentioned the other day, the skies are currently almost empty of aircraft, something noticeable on clear days. Today not so much as it’s mostly cloudy (and considerably chillier!) so the sight has been lessened somewhat. To mark the lack of flights, today I post a picture of eleven flights.

Of stairs.

As I type this I’ve not checked the news for today’s pandemic updates. I’m not planning on burying my head in the sand over the situation, but dwelling on a constant 24-hour news-cycle of reports on the pandemic are probably not great for mental health, so I’m going to try and get on with things as normally as possible, dipping into the news only when appropriate.

Today’s previously mundane, but now suddenly “interesting” activity was to go to the local supermarket for some things we needed. I only posted the other day about only going to get provisions once a week, and that seems to have fallen through straight away as my wife was unable to get all the things we needed yesterday. So, this morning, I drove to the local Sainsbury’s to get the things we were missing.

The branch of Sainsburys is attached to a shopping-mall close to where we live and there were plenty of car-parking spaces as most of the other shops in the mall are closed at present. The supermarket has implemented a queueing system that allows twenty people in the store at a time, which requires people to stand in the car-park outside in a zig-zag queue. The parking spaces make handy markers for keeping apart, and the was a gap of three or four metres between each person (or family). Everyone was behaving and, despite it being colder today, seemed in good spirits – chatting with their fellow shoppers and sharing news of what was open, where the treasured items (pasta and toilet rolls) might be acquired, and being generally good-natured. Despite the queue seeming quite long, I got into the store in the third block of people.

Stock on the shelves was pretty plentiful apart than a few items I noticed (pasta and dried rice), and I was able to get the things we needed, plus a few other items that we were running short on.

Eleven flights

Canon Sure Shot Supreme & Lomography Color Negative 400.

Taken on 1 March 2020