35mm · Film photography · Photography

Thorpe Salvin church early one morning

A photograph of the church at Thorpe Salvin which I made early one morning when out for a walk. This is a version scanned on my Plustek with Silverfast which I prefer to the lab scan done on a Noritsu on this occasion. My scan is a little noisier, but the colours and contrast are much punchier and not as warm as the lab scan.

The church at Thorpe Salvin

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF-D & Kodak Gold 200.

Taken on 31 May 2020

35mm · Film photography · Photography

Golden light

One of the effects of midsummer where I live in the UK is the position of the sun in the evening when it sets. In the winter it drops behind a ridge of hills to the west, blocking its light a little earlier than it might if we leved somewhere flat. In the height of summer however it sets to the north-west, descending in such a way as to shine between two houses across the street from us. The downside of this is that the living room (and our eyes) are filled with bright light, meaning we need to shut the blinds if we want to see the TV. The upside is that some beautiful evening light floods into the rooms on that side of the house, sometimes making for a nice photograph or two.

Today’s photo is one such image. The light on this evening filled the kitchen with a stunning golden glow and alighted on our knife block and a glass of orange juice stood beside it. It looks almost like the white balance on the photograph needs to be tweaked, but this was the shade of light that shone that evening.

Golden light

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.

Taken on 19 May 2020 (I think!)

35mm · Film photography · Medium Format · Photography

A walk on a wet day

About a month agao I went for a walk on a Saturday morning. I planned my route the evening before and checked the weather, which all my apps informed me would be overcast but dry after some early rain. My path would take me from a place about 20 minutes drive away called Lindrick Dale. It’s a place I’ve walked from once before, albeit when I was a teenager – so over thirty years ago now! That particular walk had been somewhat ill-fated…

Myself and two of my friends had decided to catch the bus there and then walk over to the Chesterfield Canal (we were all into fishing at the time and were curious as to what the canal would be like to fish in. Although I never fished it, it was like some sort of angler’s fantasy with countless huge fish visible in the water!). From there, we would follow the towpath to the town of Worksop and then catch the bus home. It was a hot summer’s day and we were not really prepared to do much other than our planned walk so, when we got to Worksop and discovered that the bus service had stopped running, we were in a pickle. None of us had anyone who could drive out and pick us up, so we ended up having to walk home, hungry and thirsty, for the entire 14-mile distance. I remember the blessed relief when we found a shop that was open – a rarity in the UK on a Sunday afternoon in the 1980s – and were able to buy a can of cold pop each. I’m not sure I’ve ever had such a welcome drink (except maybe the one I had when I finally reached home, feet aching and exhausted, later that evening).

On this recent occasion I planned on walking some of the same route again, though with the benefit of knowing I had my car to get me home at the end of the walk. Still, there had to be a degree of ill-fate I suppose, and this time it came in the form of rain. As usual, the 21st century weather forecasting technology let me down. A couple of minutes after leaving the car and beginning to walk, the heavens opened. I continued walking a while longer – I’d worn my waterproof hooded jacket so my top half was nice and dry. Unfortunately my trousers were only water resistant and it soon became apparent that they would get very wet if I didn’t take shelter. So, with a degree of annoyance at the weather forecasters of the world, I hurried back to the car to sit it out.

Eventually the rain eased off and it looked like it might stay that way, so I headed out again. The weather was still gloomy, but there was a pleasant freshness to the air from the heavy rain, laced with the scents of vegetation. Following the narrow road through Lindrick dale led to a footpath that skirts the southern edge of Lindrick golf course and I grabbed a quick photo of one of the greens. I was up a small slope above the green and I might have been better served if I’d gone down to make the photo, but it is what it is.

Four or fore

It’s probably worth noting at this point that most of the photos featured in this post are snaps from my walk taken with my Nikon F80 and 50mm lens. I’m not sure that any of them are great photos, but they serve well enough as illustrations. I also had my Yashica Mat 124G and some of those photos are more, er, artistic (some have been featured on the blog already here and here).

A little further on I stopped to take a photo of the canal feeder stream which winds it’s way through the landscape for a mile or so from the River Ryton until it empties into the Chesterfield canal. I find something interesting about these sorts of man-made waterways – they remind me of some sort of fairground water-ride on a grand scale. I’m not including most of the Yashica photos in this post, but I’ll let this one sneak in as it shows the canal feeder (shot on Fomapan 100 film).

Canal feeder

The path then entered an area of woodland and thankfully it was when I was beneath the shelter of the trees that the rain started again. It absolutely heaved it down and I was forced to loiter in the woods for a good twenty minutes before it stopped enough to venture out again.

The path now took me past an interesting looking farm that I made a mental note of as a possible future photo opportunity (in nicer weather!) and then continued towards a nearby railway line with a pedestian crossing place. Unfortunately, this section of path was bordered by tall grasses which were now saturated with rainwater. It’s remarkable the volume of water that plants can hold on their leaves and stems and my legs were soaked by the time I reached the railway crossing. Thankfully, the other side was an open field leading up to the canal at Turnerwood. There was a nice looking old greenhouse on this section that was also added to the photo-op file of my memory banks.

My plan had been to walk from here to nearby Shireoaks and then back on a long loop around the golf cours. However, my wet trousers forced the decision to take a shorter route back to the car instead. So, from Turnerwood, I walked west along the canal towpath and shortly afterwards made this photo of a moored barge.

Early morning barging

A little further along the path and I saw a curious horse watching me from the other side of the water.

It's that horse again

And, a little further again, some lock gates that were nicely lit by the sun which had peaked through a gap in the cloud.

Lock gates and reflected trees

This section of the canal has a long series of locks and I made a number of photographs with the Yashica Mat. Eventually I reached a bridge over the canal that marked the place where I would lead the towpath and head back towards Lindrick Dale. This involved crossing the railway line once again and then walking up a long, slighty muddy and slippery path through a field of growing crops. Here I took a couple of the photos posted in the blogs linked further up this piece.

A paved farm road at the top of the footpath made for easier walking and I followed it over a railway bridge and past a house stood alone in the countryside. The road dipped downhill and just as it veered right, under a railway bridge, I noticed a field of cows to my left. There was a stream at the foot of the field with a simple wooden bridge. The stream also passed under the railway embankment through a culvert and te next three shots show the scene. The field was laced with cowpats and I was fortunate that my luck held out for once and I didn’t tread in any!

Footbridge from a cow field

An entrance

Another view of the footbridge

Crossing back over the stream and under the railway bridge, I was now on the home stretch back to the car and was soon back on the narrow road through Lindrick Dale. There are some lovely houses here and I expect that they cost a pretty penny.

Past the posh houses

There is some private, manicured land at the bottom of the dale with stretches of lawn, lovely shrubs and trees, and the odd swing set. Colour film, even on this dull day, would have better served me here.

Swings beside the lawn

The final shot of the set, taken just before I got back to my car, is one of the expensive houses perched high on the edge of the dale.

House on the edge

Better conditions might have made for a better walk (and maybe photos too), but it was enjoyable for all its discomforts and I was glad to have taken the time.

Nikon F80, Nikkor 50mm f/1.8 AF-D & Ilford XP2 Plus.

Taken on 6 June 2020

35mm · Film photography · Photography

Early walk and late frost (a couple of months ago)

A couple of quick photos today from one of the regular routes I walked back when lockdown was still in full force, perhaps a couple of months ago now (although it doesn’t feel that long). It was a nice morning but there was a chill in the air and the remains of a light frost were still evident in places the sun hadn’t yet found.

I liked this rotted-out fence post in which new life was making its presence known.

New growth in old

And another fencepost, this one surrounded by an average and ordinary selection of grasses and weeds, but which the frost made appealing.

At the bottom of a fence post

Nikon F80, Nikkor 50mm f/1.8 AF-D & Ilford XP2 Plus.

Taken sometime in late April / early May 2020 (I think)

35mm · Film photography · Photography

Snail and cane

On the patio behiand our house stand a number of planters containing various flowers and shrubs. We haven’t re-planted any of them this year and they’re in a slightly sorry state with weeds growing amongst the remnants of the original inhabitants.

One of the pots contains a lily which flowered recently but is now dying back down again. At some point the pot must have had a different occupant though as there’s also a cane sticking out of the soil that would have been used to train and support some other plant.

Halfway up this cane is a small snail shell. I suspect that the snail is no-more. The shell has been afixed there without moving for months now, so is probably glued to the cane by what remains of occupant. It’s now been immortalized in photographic form though.

I’m not honestly sure when I made this photo. Sometime in May is my best guess. When I go out-and-about to a location I can use Google Maps’ history to remind me of the date I visited a place, but shots made at home have little evidence to place them in time.

Small snail-shell on a cane

Nikon F80, Sigma 105mm f/2.8 OS HSM & Ilford XP2 Plus.

Taken sometime in May 2020 (I think)

Film photography · Medium Format · Photography

Sun-dappled monochrome woodland

Making black and white photographs in woodland, or any other place featuring large areas of green foliage, can sometimes be tricky. Without well defined subject matter I find tht such scenes can become a mass of mushy grey textures. Differing shades of green that are easily discernible to the eye merge into less defined shades of varying brightness.

So I think a clearly defined subject is important, either seperated by brightness, contrast or texture, or isolated in some way, such as it’s placement in the composition, or by using a shallow depth of field to add separation.

I think the photo today uses a bit of both techniques. The trunk that is the point of focus is isolated here by the light that falls on it (or rather doesn’t) – there’re splashes of sunlight, but overall it is darker than the background where more light is falling. I also opened the aperture to throw the tree into focus while leaving everything else softer.

I’m happy with how the shot turned out – I have a number of similar photos from other outings that didn’t work as nicely!

in the shady forest

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 22 June 2020

Film photography · Medium Format · Photography

Powerlines, foxgloves & ferns

A couple more photos from my Dale Dyke reservoir hike, both featuring one of my regularly shot subjects: power lines.

These were the third and final shots from the roll respectively. I’m really happy with the first shot – the foxgloves add some nice, distinctive foreground interest.

Foxgloves and the transmission of power

I like the composition of the second image, but the foreground ferns are out of focus. I can’t remember if I’d opened the aperture deliberately to get a shallow depth of field, or if it was an accident – it’s not a shot that really benefits from a narrow depth of field if I’m honest.

Cresting the hill

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 22 June 2020

Film photography · Medium Format · Photography

Crossing the Loxley

This photograph was the first shot from the roll of Fomapan 100 that I posted about yesterday. The scene looked lovely in the morning sun when I arrived at Low Bradfield around 8am, so I plonked the camera on the tripod, framed up the shot, and fired the shutter. When I returned back to the village a few hours later after my circuitous walk there were quite a few people in this area and the shot would have been more difficult as a result.

There are several ducks in the scene. Can you spot them all? 🙂

Crossing the Loxley

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 22 June 2020

Film photography · Medium Format · Photography

Low Bradfield to Dale Dyke reservoir

I had a day off work last week and decided to go for a hike and make some photographs. I took my Yashica Mat 124G loaded with a roll of Fomapan 100 (plus a roll of HP5+ in case I needed more shots), and the Zeiss Mess-Ikonta 524/16 loaded with a roll of 2003 expired Ektachrome E200. I carried the cameras and other bits in a shoulder bag and the tripod in my hand. There aren’t any of the Zeiss shots included here bacause a) I haven’t had the developed negs back yet and, b) they might be rubbish as I suspect I might have overexposed them all!

I decided to drive to Low Bradfield, a village on the northern outskirts of Sheffield. Above (and below) the village are a series of reservoirs – Strines; Dale Dyke; Agden; and Damflask. My walk took me up the valley to Dale Dyke reservoir (famous because it catastrpophically failed in 1864, killing 244 people in what was known as the Great Sheffield Flood), then across the valley bottom below the dam wall. From there I climbed the northern side of the valley and dropped down to Agden reservoir on the other side, following the eastern edge of the water and descending back to my starting point. The total distance is a little under 8km.

All the photos featured here are from the first half of the walk – from Low Bradfield to Dale Dyke. There are others from this sequence that I’ll probably post in future.

This is the second shot on the roll. It’s on the first footpath I took out of Low Bradfield.

Forming part of the wall

A structure close to the edge of the reservoir, possibly some sort of pumping station or water testing facility.

A place in the trees

A view across the spillway bridge and the dam wall with the northern side of the valley in the distance. The spillway bridge is a nicely decorated iron affair and I’ve seen some attractive pictures of it. However, as it wasn’t obvious as to how I would find a suitable vantage point, and as the spillway was dry, I didn’t take any photos of it apart from this one.

At the dam wall

A series of stone steps that descend down to the water at the base of the spillway. I used a wider aperture here to narrow the depth of field (most of the other shots – apart from the last – were shot at f/11 – f/16.

Descending through trees

The next  is of the calm waters a little downstream from the base of the dam wall where low hanging branches dip down towards the water. The result wasn’t quite what I envisioned, but there’s something about those leaves at the top of the frame that I find really attractive.

Branches reflected at water's edge

I’m still getting the “dust” problems with the Fomapan 100 that I mentioned previously  here. This roll used water as a stop-bath which, while making some improvement to the situation, hasn’t resolved it completely, so it still took quite some time to clean up these images in Photoshop. I’ve not had issues with lab-developed Fomapan 100, so I’m wondering if it’s something else in my developing process, or perhaps an iffy batch of film?

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 22 June 2020

35mm · Film photography · Photography

It’s too hot and my PC seemingly hates me.

As Lightroom and Photoshop have decided that this extremely hot and humid day would be the perfect time to test my patience by stealing all my PC resources thus making even the simplest copy-and-paste action into a chore, this will be a short post (it took nearly 40mins to back up the catalog! Why! Why do this to me today!!!). If you don’t see any more for a while it’s because my PC has met with an unfortunate accident and fallen out of the window!

Chairs up

Olympus OM-1, F-Zuiko 50mm f/1.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10 mins @ 20°.

Taken on 14 June 2020