Film photography · Medium Format · Photography

Emley Moor transmitter

I’ve been meaning to visit the Emley Moor television tower for some time now so, while on a week’s leave from work recently, I decided to take the opportunity.

The transmitter is visible from miles around (although not from where I live, it being fully obscured by all the hills around Sheffield) and can easily be seen from the M1 or A1 roads whenever we’ve driven north. As well as it being an impressive sight, it also provides a pang of nostalgia for my childhood where, on days I was up early before television had started for the day, there would be a bombastic start-up broadcast announcing that “Yorkshire Television was broadcasting from the Emley Moor, Belmont and associated transmitters of the Independent Broadcasting Authority“, accompanied by a stirring orchestral piece that gave the impression that a bunch of Spitfires and Lancaster bombers were fighting off an attacking German force or something, so much like a WWII movie theme it sounded.

 

Although I’ve seen the tower on numerous occasions, this was my first close visit since one time I went to one of my friends’ relatives houses who lived close to it. That would have been the better part of forty years ago! My, how time flies!

It took a little over half-an-hour to drive there (most of the trip being on a fast route up the motorway) and there’s a small car-park beside the road near the transmitter. I’d planned some potential shots in advance from the comfort of my PC by using Google Street View. As the cameras on the Street View cars have super-wide-angle lenses though, it’s difficult to know exactly what your own shots might look like, and unless I moved away a considerable distance from the tower (it’s already quite a distance from the road as-is), it was impossible to fit it into the frame with the 80mm lens on my Yashica Mat 124G, so the first couple of pictures here show only the base of the tower. Well, towers actually – the thin metal mast is a temporary structure that was constructed in 2018 to maintain broadcasts while the main tower undergoes maintenance. The upper sections of the metal mast were lowered into place by helicopter apparently.

 

Emley Moor transmitter

 

The concrete tower is 1,084′ tall and the metal mast 21′ shorter. The concrete tower is the tallest free-standing structure in the United Kingdom and was built in 1969 after the previous mast (the second one built on the site) collapsed due to an accumulation of ice. Although not open to the public, there is a lift that takes people to the equipment area that operates at the top of the tower. It apparently takes seven minutes to reach the top in the lift.

 

Emley Moor transmitter-2

The official name of the structure is The Arquiva Tower, after the company that operates it, but it is commonly known as Emley Moor.

I had to drive further from the tower in order to get the full structure in the frame, and even here I’ve had to correct some very noticeable converging verticals. I like the way it towers over the farmhouse in this shot.

 

Emley Moor transmitter-3

Another wide shot from even further away. I like the cyclist that has just entered the bottom left of the scene. Because of the angle of view, the temporary tower appears to be much taller than the main structure in this picture.

 

Emley Moor transmitter-4

In all it was a nce trip. There isn’t an awful lot to do at the tower given it’s privately operated with no public access, but it’s very impresive to behold from close up.

Yashica Mat 124G & Ilford Delta 400 (@800asa). Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 21 July 2020

Film photography · Medium Format · Photography

Little trophy shop

This small trophy and key-cutting shop was bathed in some nice light on the same evening I made the scarecrow photos I posted yesterday.

While I’m having more success scanning E6 film when using Vuescan instead of EpsonScan, I still find I have to tweak the colours somewhat. I think a purple / magenta cast is a factor of the film emulsion when shooting Provia and Velvia, but it still seems to be somewhat overbearing still in my scans, so I tweak the colours to try and get them as close to the original transparencies as I can. I’m mostly successful I think, but I’ve not quite nailed the reds yet.

Trophies and engraving

Yashica Mat 124G & Fujifilm Provia 100F.

Taken on 12 July 2020

Film photography · Medium Format · Photography

Harthill scarecrows

A few weeks ago we drove through the village of Harthill (the same day I made the photos of the person magnet fishing, the house with the pointed roof, and Shireoaks station) and noticed a whole series of “scarecrows” dotted about the place. I call them scarecrows as it seems a reasonable term, although that wasn’t their purpose. They had been installed as part of the village carnival – held virtually for this year – in celebration of key workers during the Covid-19 pandemic.

I didn’t have any film left in the camera or on me when we encountered them, so I drove back out to the village later that afternoon to photograph some of them before they were removed.

Harthill scarecrows

Harthill scarecrows-2

Harthill scarecrows-3

Harthill scarecrows-4

Harthill scarecrows-5

Harthill scarecrows-6

Harthill scarecrows-7

Harthill scarecrows-8

Harthill scarecrows-9

Yashica Mat 124G & Fujifilm Provia 100F.

Taken on 12 July 2020

Film photography · Medium Format · Photography

At Shireoaks station in the “wrong” light

Four photographs today that I made at Shireoaks railway station a few weeks ago. My wife popped into a nearby shop, so I decided to finish my roll of HP5+ at the nearby empty station.

Shireoaks signal box

It was a hot afternoon and the wrong time to be making photographs. The wrong time if you base everything you do on “rules” that is. It’s generally accepeted that midday is not the best time to make photos. This time of day, particularly in mid-summer, means the sun will be high overhead casting harsh illumination onto scenes. The light will be very bright, with harsh highlights and shadows. But is this always necessarily a bad thing?

At Shireoaks station

It’s all very well seeking out golden hour, when the light can be undoubtedly beautiful, and I’m a great lover of low sunshine and the warm light and long shadows it provides, but sometimes it isn’t possible or desireable to catch these conditions. And what if you want a photograph to depict bright midday conditions?

At Shireoaks station

While these photos are of a mundane scene – a small, modernised, rural railway station devoid of travellers – they record the time I was there perfectly. Maybe there will be better images to be had in different light or circumstances, but these provide a visual record of my memories of the time. and looking of them I can feel the heat of the platform, the smell of warm concrete, the whole sense of a hot day. I’m glad they were taken in the “wrong” light.

At Shireoaks station

Yashica Mat 124G & Ilford HP5+.

Taken on 12 July 2020

Film photography · Medium Format · Photography

A change in sharpness

I scan all my medium format black & white and reversal images using an Epson V550 flatbed, while 35mm is scanned on a Plustek Opticfilm8100. Ive always left unsharp mask on when scanning 120 film as I thought the results were good. Untill a week or so ago when I was testing out Vuescan.

Vuescan allows image sharpening, but it has a simple on/off checkbox rather than the levels of control afforded by Epsonscan and (moreso) Silverfast so I decided to test a few things to see how the various scanning options on each piece of software compared – plus no sharpening of the scan at all with sharpening applied later in Lightroom.

At first it looked like the sharpened images from Epsonscan had better resolution of detail, but after a lot of scanning, re-scanning, and playing around with the sharpening control in Lightroom I decided otherwise. The sharpened images from Epsonscan were displaying a level of noise and “grit” that I decided I didn’t really like, whereas unsharpened scans from the same software processed in Lightroom were much more appealing, showing a much nicer rendition of detail and grain.

It’s striking how, after years of thinking you had something just how you wanted it, you can all of a sudden change your mind.

I think I’ll stick to Epsonscan for my 120 B&W scans. Vuescan is great, and does a much better job on reversal film, but it lacks the tweakable visial histogram that Epsonscan has, and that makes a big difference to my final results. At least until I find a better way… 🙂

Today’s shot was scanned on the V550 and sharpened in Lightroom. If you look at the full size image on Flickr you might find a black cat that was keeping an eye on me. At least I think it’s a cat. It could possibly be two spots of strategically located dust that look like eyes. Or something more sinister… Eek!

The house by the canal

Yashica Mat 124G & Ilford HP5+.

Taken on 12 July 2020

Film photography · Medium Format · Photography

Magnet fishing

My wife and I went for a walk a few weeks ago and, when it turned out we needed to book to enter our original destination, instead took a walk beside the picturesque section of the Chersterfield Canal that joins Shireoaks and Turnerwood.

On the way up to Turnerwood we passed a man swinging some sort of weight on the end of a cord into the canal and then fishing it back out.

After reaching Turnerwood, we turned around and re-traced our path back along the canal. The man was still there, casting his weight into the water of the canal. My curuosity piqued I asked him what it was he was doing.

It turns out he was “magnet fishing”. This practice involves the use of a powerful neodymium magnet to try and grapple metalic items from the bed of the body of water. Looking it up later I saw reports of people “catching” somewhat less-than-desirable items such as live hand-grenades and unexploded bombs that have lain submerged since the 2nd World War.

At my time of asking the man about it, all he’d found was a 3′ length or rebar though.

Magnet fishing

Yashica Mat 124G & Ilford HP5+.

Taken on 12 July 2020

35mm · Film photography · Photography

Norton water tower

Norton water tower (or to give it its official name Oakes water tower) sits to the south-east of Sheffield. While you can’t really say it sits atop a hill, it’s still located at a more elevated position than much of the surrounding area and as such is visible for miles around.

Norton watertower

It’s one of those structures that is much larger than expected when you get close to it. It stands 109 feet tall.

Norton watertower

It was originally built to supply water to homes in the Norton district of the city, including the Gleadless Valley housing estates – around ten-thousand homes at the time. It cost approximately £90,000 to build and was officially opened in July 1961, so 59 years ago as I write this.

Norton watertower

Canon Sure Shot Telemax & Kodak Colorplus.

Taken on 5 July 2020

35mm · Film photography · Photography

Pandemic scenes #13

As the number of people buying face-masks and gloves has increased, so has the number of them I see discarded on the floor.

I try not to be all doom-and-gloom about the human race – we’ve achieved so many amazing things. Sometimes though, it’s hard not to think of ourselves as just a blight on the planet. Consuming that which we don’t need and polluting with what we don’t want.

It really isn’t that difficult to find a bin in most places, and if not, just take the rubbish with you until you do.

Pandemic Scenes - a new type of litter

Canon Sure Shot Telemax & Kodak Colorplus.

Taken on 5 July 2020

35mm · Film photography · Photography

Kodak Colorplus doing the business

A quick post today because it’s approaching midnight and I’ve just realised I’ve not written anything for the blog!

So, just a picture of a church I passed that was nicely lit by sunlight. It’s perhaps a shame about the bin bags, but the scene is otherwise attractive, and maybe the bags add a sense of real-life to the shot or something.

This roll of Kodak Colorplus has been giving me some particularly saturated colours, reminding me of the look I get (and like) from the Lomography Color Negative films.

Hopefield Evangelical Church

Canon Sure Shot Telemax & Kodak Colorplus.

Taken on 5 July 2020

35mm · Film photography · Photography

Woollen Signs

A couple of photos of the old Woollen Signs building in Sheffield. The company was bought out about twelve years ago and the site was permanently closed, having been in business since 1883. Some employees went on to form a new Woollens business trading on their expertise in traditional sign writing.

Woollen Signs (wider)

Woollen Signs

Canon Sure Shot Telemax & Kodak Colorplus.

Taken on 28 June 2020