Film photography · Medium Format · Photography

Brilliance

This metal sculpure names Brilliance resides on Birley Street in Blackpool and was installed as part of the town’s regeneration by light scheme. It takes the theme of “a continuous ribbon spiralling in and out of the ground” and is illuminated at night.

I didn’t see it after dark but it still made a striking enough subject for a photograph in the daylight hours.

Precinct

Yashicamat 124G & JCH Street Pan 400. Ilfotec DD-X 1+4 9mins @ 20°

Taken 1 July 2023.

Film photography · Medium Format · Photography

Roller coasters and Ferris Wheels

Back to the Blackpool photos for a few days, with a couple of types of thrill rides (although I gues the second could be a bit less thrilling unless you don’t like heights).

Typing the title for this post made me wonder – is the structure in the second photo actually a “Ferris Wheel”, or is it a “Big Wheel”? And is there a difference?

A quick search online brought this interesting page from the National Fairground and Circus Archive, which gives a overview of the history and development of such rides and states that the proper name is Ferris Wheel, even though George Washington Gale Ferris wasn’t the originator of such rides. His biggest claim to fame – at least in terms of building Ferris Wheels – probably came with the construction of the wheel that took his name at the 1893 World’s Columbian Exposition in Chicago, a construction that stood 264 feet tall and could carry 160 riders. It was intended to be an equal to the Eifel Tower.

The fairground ferris wheels that are commonly seen at travelling funfairs (as well as permanent fairs) are known as Eli Wheels, named after the Eli Bridge Company which manufactured them.

The Big One
Blackpool Central Pier

Yashicamat 124G & JCH Street Pan 400. Ilfotec DD-X 1+4 9mins @ 20°

Taken 1 July 2023.

4x5 Large Format · Film photography · Photography

Return to North Leverton Windmill

As I wrote about yesterday, I visited North Leverton Windmill back at the start of the month. I shot five frames in total at the location, three of which are posted here today. The other two were both out of focus to some extent, which I put down to a combination of being in a meadow with slightly springy ground, and also because I was using a 90mm lens that I’ve got on loan at present. It’s a nice lens, but it’s huge compared to my 135mm, and the aperture locking switch is a little stiffer than my Fujinon, meaning there’s a risk of me moving the camera when operating it. I’m not sure if that was the cause here, but it’s something I need to take care with.

It was a hot day and there were few clouds in the sky most of the time I was at the site, although a few blobs of fluffy cumulus had started to appear when I took the two pictures of the windmill.

The people who look after the windmill were curious about my old-fashioned looking camera and asked lots of questions. The mill still produces flour, and is apparently the oldest windmill in the country to have seen continuous operation (it was built in 1813). They were even kind enough to set the sails in motion (even though that kinda made it more difficult to get pictures, it was great to see), and also to move the cars from the front of the mill (which you can see in the first shot), which was very nice of them.

Windmill
A house by a windmill
North Leverton windmill

Chamonix 045N-1. Fujinon NW 135mm f/5.6 (second shot: Linhof Super Angulon 5.6/90 on Fomapan 100) & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken 2 September 2023.

4x5 Large Format · Film photography · Photography

St Peter and St Paul’s Church, Sturton-le-Steeple

I took a trip out with the Chamonix 4×5 camera last weekend. I had two reasons for doing so. The first was that I had some free time, the weather was nice (even if the skies were a little too clear this time), and I wanted to go out and take pictures. The second reason was to shoot some pictures without my yellow filter to see if I would still get any out of focus areas without it being used.

The answer to the second was that, no, I didn’t, which is a relief. I did get some out of focus areas, but these were ones that I can explain away to camera operator failure. 🙂

I went out to North Leverton Windmill and took five photos there, some of which I’ll publish here in due course. After photographing the windmill I headed over to Sturton-le-Steeple to shoot my final sheet of film, with the idea of photographing West Burton Power Station which sits a mile ot two away, taking advantage of the nearby River Trent.

I did take a picture of the power station but with the Bronica, which I’d also taken out with me, and which had my 150mm lens, giving a better view of the station (one day, I think I’ll go for a walk around the power station, and try to get some nice atmospheric pictures from closer range – there are a whole bunch of public footpaths surrounding the facility).

In the end, I shot my final sheet of Fomapan in the village itself, with the church as the subject, and it has come out quite well. A functional yellow filter might have added some more “pop” to the skies and, annoyingly, the new box of Fomapan I’ve just received appears to have the same issue with white speckles on the negative that I’ve encountered before, which means I now need to try and get a refund and the messing around that will entail. I think I might stick to Ilford film in future, even though the cost is higher.

St Peter and St Paul's Church, Sturton-le-Steeple

Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°

Taken 2 September 2023.

Film photography · Medium Format · Photography

A hot day?

When this is published, I will be on my way home from a day-trip to London to see an Evelyn Hofer exhibition at The Photographer’s Gallery (and, if I’ve had time, a nosey around The National Portrait Gallery).

At the time I’m writing this (Friday evening) I must confess that the 32°C temperature that has been forecast for London on the day is not filling me with glee!

Anyway, apropos of nothing, here’s a random picture from back in 2016 that I took with the first Medium Format camera I owned – a Lubitel 166 Universal TLR. It wasn’t the best camera to use, but it could produce nice pictures nontheless.

FILM - My first roll of medium format-10

Lubitel 166 Universal & Ilford HP5+. Lab developed.

Taken 2016.

4x5 Large Format · Film photography · Photography

Beached

My final shot taken while using the knackered yellow filter. As with the other pictures shot with this filter, there are unusual out of focus areas on the image – in this one, it’s the trees (and part of the bridge suspension cables) beyond the front of the boat. The filter is now in the bin.

Otherwise, I’m pleased with this shot.

Beached

Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken 28 August 2023.

Film photography · Medium Format · Photography

Monochrome Ektar

The colours on these two Kodak Ektar pictures were very strange and I couldn’t get them to look right no matter what I did in Negative Lab Pro, Lightroom, or Photoshop. So, in the end I decided to convert them to B&W, which has worked quite well, I think.

Tiddly-om-pom-pom
Tower

Yashicamat 124G & Kodak Ektar. Lab developed. Home scanned and converted to black and white in Lightroom.

Taken 1 July 2023.

Film photography · Medium Format · Photography

Coral Island

Another Ekatar shot with slightly odd colours. There’s something off with the purples and greens in the shadows and midtones and, for some reason, the foreground road and pavement looks almost monochrome. It’s a shame as I like Ektar as a film and it normally scans just fine, but this roll has taken much more effort to get looking closer to normal.

Coral Island

Yashicamat 124G & Kodak Ektar. Lab developed. Home scanned and converted with negative lab pro.

Taken 1 July 2023.