The rear of Eyam church is where the more recent graves appear to be located, and they rest in orderly rows overlooked by a number of tall trees.
Yashica Mat 124 G & Kodak Tri-X.
Taken on 2 February 2019
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
The rear of Eyam church is where the more recent graves appear to be located, and they rest in orderly rows overlooked by a number of tall trees.
Yashica Mat 124 G & Kodak Tri-X.
Taken on 2 February 2019
I really like the way this quaint village scene came out (it’s in Eyam). It has a nice contrast and crispness about it. It has a somewhat nostalgic air, or a least it does until you notice the modern cars in the background and the fact that the phone box has now been modified to house a defibrillator instead of a payphone. Hopefully no-one will attempt to make a call with it! 🙂
Yashica Mat 124 G & Kodak Tri-X.
Taken on 2 February 2019
Another photo from my outing in the Peak District the other week. I took a few shots of this area of silver birch with my DSLR, but grabbed a shot with the Yashica Mat too. Unfortunately, it seems the batch of film I was using was one that had faults and so the print from the backing paper has shown up on a number of pictures – especially in low detail areas such as the sky. I think I’ve manged to remove it reasonably well in Photoshop though.
Yashica Mat 124 G & Kodak Tri-X.
Taken on 2 February 2019
I got up early and went out to catch the sunrise in the Peak District last weekend. The place was blanketed with a thin layer of snow and it was a crisp and cold morning(-1.5C). I shot several colour photos on digital, but took the Yashica Mat out with me and shot a roll-and-a-half of black and white too, including this one.
Yashica Mat 124 G & Ilford HP5+.
Taken on 2 February 2019
My initial plan for this photo was just of an empty scene with the track curving around to White Edge Lodge in the middle-right of the frame but, upon seeing this couple and their dog approaching, I held the composition until they were close and had a separation between them. They probably wondered what I was doing, standing still with a weird-looking old-fashioned camera as they walked by, although both responded to my greeting of “good morning” in a friendly way. 🙂
Yashica Mat 124 G & Kodak Tri-X.
Taken on 20 January 2019
I trudged across the snowy moorland to get a shot of this interesting looking tree.
Yashica Mat 124 G & Kodak Tri-X.
Taken on 20 January 2019
Well, this isn’t the One-Hundred Acre Wood, but who knows. Maybe Pooh has started expanding with all his movie royalties, or maybe there are multiple Pooh’s?
Yashica Mat 124 G & Kodak Tri-X.
Taken on 20 January 2019
Despite the bleak and empty look of the scene, this tree is actually bang next to a busy road (see, there I go, ruining the atmosphere…). I think it’s a location that I’ll pay further visits to in different conditions. I think it will be a pretty nice all-weather subject.
Yashica Mat 124 G & Kodak Tri-X.
Taken on 20 January 2019
I’m digging this one out of the archive (it was taken 13-months ago). A fairly mundane subject, but the mundane stuff is often what I like, and the low December sun illuminating this sandwich shop caught my eye on the day and was worth the shot I think.
Zeiss Mess-Ikonta 524/16 & Fomapan 400.
Taken on 21 December 2017
This huge hare-headed woman is at the Yorkshire Sculpture Park (not far from a circle of beautifully crafted animal head sculptures – albeit them being on a much smaller scale). They’re impressive to see but, like some of the other sculpted figured dotted around the park, can be oddly unnerving.
Yashica Mat 124 G & Fujifilm Pro 400H (converted to B&W in Lightroom).
Taken on 29 September 2018