4x5 Large Format · Film photography · Photography

George Vancouver (and a dash of Rodinal)

Back in September I decided to visit the town of King’s Lynn, in Norfolk. I did this for no other reason than I had never visited the place before and that I thought it might be an interesting place to take some photographs. It was, and I’ll be posting some of the results over the next week or so.

I didn’t get the best weather on the day – it being largely overcast through the morning – although it did brighten up in the afternoon, so the light was a little low for the first part of the day. This didn’t really harm the Tri-X I had loaded, although I was effectively shooting it at 200asa because I had a yellow filter fitted to the camera, but I did wonder how the roll of Delta 100 in the other camera I took would fare. More on that in another post though.

This roll of Tri-X was also the first I’ve ever developed using Rodinal. I’d previously shied away from using this developer with faster films, having heard tales of “golfball”-size grain but, having read some posts by Andy on his S.H.O.U.T photography blog about his experiences with Rodinal, I decided to see how I would get on.

I think the results are, on the whole, pretty good. There’s more grain that I would have seen had I developed it in my usual Ilfotec DDX, but nothing outrageous, and the tonality of the negatives is good.

I’m not sure I would rush to develop 135 Tri-X in Rodinal, but I’m not averse to using it for Tri-X (or perhaps HP5+) again in future. It’s certainly a more cost effective option.

Anyway, the photo today is of a statue of King’s Lynn born George Vancouver (22 June 1757 – 10 May 1798) a British Royal Navy officer best known for his exploration of the American north-west coast. The city of Vancouver, Vancouver Island, and Mount Vancouver are all named after the man, as is another Mount Vancouver in New Zealand! He also named a number of other locations after his friends, colleagus and fellow officers, including Mount St. Helens, Puget Sound, and Mount Rainier.

That’s the top of the custom’s house behind his head, and not some sort of fancy hat he’s wearing.

George Vancouver

Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Adox Rodinal 1+50 13mins @ 20°

Taken on 19 September 2024

35mm · 4x5 Large Format · Film photography · Medium Format · Photography

Taking stock of my film stash

A few years ago I took an inventory of all the film I had and created an Excel spreadsheet so I would know how much film I had, of what type, and how old it was. Over time the data began to slip when I forgot to update the inventory upon shooting a rol or acquiring more. I’ve been meaning to update it for a while now, and today was the day.

It turns out I have a lot of film. One hundred and sixty eight rolls (or, in the case of 4×5, boxes) to be exact. And I have fifteen more rolls heading my way next week! This has been acquired since I started predominantly shooting film again around 2016. I bought a bit here, a bit there, but clearly at a greater rate than I manage to use it.

The breakdown is as follows:

  • 45 rolls / boxes of black and white film
  • 88 rolls / boxes of colour negative film
  • 35 rolls of colour reversal film

The breakdown by format is:

  • 35mm – 86 rolls
  • Medium format – 78 rolls
  • 4×5 – 4 boxes – apart from one these are not full ( a couple of them only have 6 sheets remaining)

The majority of the film in the stash is also expired. a few rolls are several decades old, but most is quite recently expired and, as it’s been refrigerated or frozen, should be perfectly fine to use still, although I am conscious of the fact that it ain’t getting any fresher either!

The breakdown of expiry by decade is:

  • 1970s – 2 rolls
  • 1980s – 5 rolls
  • 1990s – 9 rolls
  • 2000s – 24 rolls
  • 2010s – 19 rolls
  • 2020s – 76 rolls
  • Unknown expiry – 7 rolls
  • In date – 26 rolls

What this exercise tells me, is that I ought to stop buying any more film and shoot what I have. To be fair on myself, this is what I’ve been doing but, unless I start using a motor drive, it’s a slow process and likely to be curtailed sometimes when I need to buy film that I use often (such as 400asa black and white like HP5+ or Tri-X) or, thankfully less frequently, when I see a deal on film that is worth taking advantage of (as is the case with the 15 rolls I have coming soon).

But the stuff I already have, well I need to start making a better effort to go and shoot it, particularly in the case of the much older stuff (some more Expiriment posts, perhaps?), but also with the stuff that I perhaps hold onto because I see it as precious, maybe because it is no longer in production, or perhaps because it is expensive. I have a tendency to hold onto this film while I wait for the perfect conditions to shoot it, conditions which rarely occur. While I don’t want to waste film on throwaway photography, I do need to be less prescriptive on where and when I will shoot film that is getting longer and longer in the tooth.

I’m fortunate to have acquired such a stash – I could shoot a roll a week for over three years and not run out – but I really want to see it reduce somewhat. Maybe I’ll gift a few rolls as Christmas presents, but what I really need to do is get out and shoot some of it!

This is just the stuff in the fridge. I also have an entire drawer in the freezer (which I suspect my wife would like to be able to store food in…)!

4x5 Large Format · Film photography · Photography

St. Winifred’s Church, Holbeck

The third of the large-format church photographs I shot a week ago. This is probably the worst of the three for two reasons.

Firstly, it’s not in proper focus for some reason. It probably looks fine at lower resolutions but once you zoom in, it becomes a bit soft – especially around the doorway with the two watering cans.

Secondly. because I’m out of practice at large format photography, I spent so much time getting things in focus (Ha! Right!) that I forgot to pay attention to the verticals. If I were shooting a smaller format then there would be little I could do about this, but with the camera movements available on my Chamonix, these can be corrected quite easily. But I forgot, so this one looks a bit wonky.

I might try and make another large format outing this weekend if the weather is good. Let’s see if I’ve learnt any lessons…

Amusingly, when I arrived at the church there were a couple of men already there who turned out to be a vicar and an organist. When I said I was there to take photographs they asked if I was the wedding photographer! It turned out that a wedding was due to take place that afternoon. While a few more guests turned up while I was there, I left before the happy couple arrived. 🙂

St. Winifred's Church, Holbeck

Chamonix 045n-1, Scneider-Kreuznach Super-Angulon 5.6/90 & Ilford Delta 100. Ilfotec DD-X 1+4 10mins @ 20°

Taken on 10 August 2024

4x5 Large Format · Film photography · Photography

St. Martin’s Church, Firbeck

Another of my recent large format church photos. The figure in the distance is not some sot of spooky monk’s ghost, but a scarecrow – one of many that were placed around this village on the day I visited as part of a scarecrow-trail.

St. Martin's Church, Firbeck

Chamonix 045n-1, Scneider-Kreuznach Super-Angulon 5.6/90 & Ilford Delta 100. Ilfotec DD-X 1+4 10mins @ 20°

Taken on 10 August 2024

4x5 Large Format · Film photography · Photography

St. Peter’s Church, Letwell

Churches seem to be my most photographed subject when it comes to 4×5 large format. They don’t make up a majority, but no other subject type has featured as much (although bridges are not too far behind). As there are a lot of churches here in the UK, and as you don’t have to travel very far to find an interesting example, they make quite an obvious choice of subject matter.

This is my second photograph of this church, St. Peter’s in the small village of Letwell. The other shot was taken with the Fujica GW690 a couple of weeks earlier, but I haven’t uploaded that one yet. It will likely appear on the blog at some point though.

St. Peter's Church, Letwell

Chamonix 045n-1, Scneider-Kreuznach Super-Angulon 5.6/90 & Ilford Delta 100. Ilfotec DD-X 1+4 10mins @ 20°

Taken on 10 August 2024

4x5 Large Format · Film photography · Photography

Taking the big camera down a country lane

It’s been some time since I shot any large format photographs. This is mostly down to a lack of time rather than desire – each shot takes so much time to set up, that an outing with the Chamonix rarely returns more than four images. On the date I took the picture below, the number was one!

I had intended to take more but, due to the aforementioned complexity of setting up a shot, by the time I’d taken this one a large cloud had passed in front of the sun, blocking the light. It also brought a drifting veil of rain that I hoped might pass by without affecting the location I was at, but my luck was out and I was soon hurriedly packing everything away as the shower arrived.

The shot below is certainly not the best I’ve taken, and it’s not the first time I’ve photographed this particular scene (see here for a less leafy variant). That said, at least everything is in focus!

It is great to see the sheer level of detail that large format film can capture, though. Click through to the full-size version on Flickr.

The lane past the copse

Chamonix 045n-1, Fujinon NW 135mm f/5.6 & Ilford Delta 100. Ilfotec DD-X 1+4 10mins @ 20°

Taken on 7 July 2024

35mm · 4x5 Large Format · Film photography · Medium Format · Photography

Twelve favourite photos from 2023

As another year comes to a close it’s time for my annual selection of favourite pictures, one from each month. As is always the case with these things, the list is based on my thoughts in the moment and the selection could easily change if I were to pick them yesterday or tomorrow.

Looking back through the year I was curious as to which camera has been used most for my photography. I thought there might be two or three contenders for the prize but, in actuality, there was a clear lead in the shape of my Bronica ETRSi, which has been used to shoot sixteen rolls of film in 2023. In distant second place was my Yashicamat 124G with six rolls (including one I developed today and have yet to scan), and then a tie for bronze between the Olympus Trip 35, and the Fujica GW690. I wonder which camera will be most used in 2024? Tune in this time next year!

January

Crossing the Moss
Fujica GW690
Kodak Gold
Converted to B&W in Lightroom

I struggled to get colours I was happy with using Negative Lab Pro for this roll. It usually works very well, but this roll was having none of it, so I resorted to a monochrome conversion.

February

Motorway
Bronica ETRSi
Zenzanon 75mm f/2.8 PE
Ilford HP5+
8sec exposure @ f/22
Ilfotec DD-X 1+4 9mins @ 20°

March

Going about their business
Yashicamat 124G
Ilford HP5+
Ilfotec DD-X 1+4 9mins @ 20°

April

St. Peter's Church, Elmton, UK
Chroma 4×5
Fujinon NW 135mm f/5.6
Fomapan 100
Ilfotec DD-X 1+9 12 mins @ 20°
1/30sec @ f/32

May

Venetian scene
Olympus Trip 35
Kodak Colorplus
Lab developed. Home scanned and converted with Negative Lab Pro.

June

Past the lifeguard flag
Olympus OM-1N
G-Zuiko Auto-W 35mm f/2.8
Ilford HP5+
Ilfotec DD-X 1+9 @ 20° 15mins 45secs

July

Skegness lifeguards
Bronica ETRSi
Zenzanon 75mm f/2.8 PE
Kodak Portra 400
Lab developed. Home scanned and converted with Negative Lab Pro

August

Watching the world go by
Bronica ETRSi
Zenzanon 150mm f/3.5 MC
Ilford HP5+
Ilfotec DD-X 1+4 @ 20° 9mins

September

St Peter and St Paul's Church, Sturton-le-Steeple
Chamonix 045N-1
Fujinon NW 135mm f/5.6
Fomapan 100
Ilfotec DD-X 1+4 8mins @ 20°

October

This year's autumn
Fujica GW690
Kodak Portra 400 NC (expired 2007)
Lab Developed.
Home scanned and converted with Negative Lab Pro.

November

Rother Valley sunrise
Canon Sure Shot Z135
Kodak Gold
Lab developed. Home scanned and converted with Negative Lab Pro.

December

Garden shed
Yashicamat 124G
Ilfotec DD-X 1+4 @ 20° 10mins

I expect that December’s picture might be changed as I still have a bunch of other stuff to develop and scan, and there may be shots amongst those that I prefer.

So that’s another year’s round-up. Now onto 2024! Have a happy New Year everyone.

4x5 Large Format · Film photography · Photography

Eggs

A couple of pictures I made on Saturday with my Chamonix 4×5 camera. The closing date for the photo contest I enter each month is tomorrow and I needed something to fit October’s theme, which is Culinary.

In the end, I chose the second picture as my entry, although I was really torn between the two. The second shot fits the theme better, I think, but artistically I probably prefer the first. I’ve probably made the wrong choice.

I usually do.

Eggs
Unscrambled eggs

Chamonix 045N-1, Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken 28 October 2023.

4x5 Large Format · Film photography · Photography

Return to North Leverton Windmill

As I wrote about yesterday, I visited North Leverton Windmill back at the start of the month. I shot five frames in total at the location, three of which are posted here today. The other two were both out of focus to some extent, which I put down to a combination of being in a meadow with slightly springy ground, and also because I was using a 90mm lens that I’ve got on loan at present. It’s a nice lens, but it’s huge compared to my 135mm, and the aperture locking switch is a little stiffer than my Fujinon, meaning there’s a risk of me moving the camera when operating it. I’m not sure if that was the cause here, but it’s something I need to take care with.

It was a hot day and there were few clouds in the sky most of the time I was at the site, although a few blobs of fluffy cumulus had started to appear when I took the two pictures of the windmill.

The people who look after the windmill were curious about my old-fashioned looking camera and asked lots of questions. The mill still produces flour, and is apparently the oldest windmill in the country to have seen continuous operation (it was built in 1813). They were even kind enough to set the sails in motion (even though that kinda made it more difficult to get pictures, it was great to see), and also to move the cars from the front of the mill (which you can see in the first shot), which was very nice of them.

Windmill
A house by a windmill
North Leverton windmill

Chamonix 045N-1. Fujinon NW 135mm f/5.6 (second shot: Linhof Super Angulon 5.6/90 on Fomapan 100) & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken 2 September 2023.

4x5 Large Format · Film photography · Photography

St Peter and St Paul’s Church, Sturton-le-Steeple

I took a trip out with the Chamonix 4×5 camera last weekend. I had two reasons for doing so. The first was that I had some free time, the weather was nice (even if the skies were a little too clear this time), and I wanted to go out and take pictures. The second reason was to shoot some pictures without my yellow filter to see if I would still get any out of focus areas without it being used.

The answer to the second was that, no, I didn’t, which is a relief. I did get some out of focus areas, but these were ones that I can explain away to camera operator failure. 🙂

I went out to North Leverton Windmill and took five photos there, some of which I’ll publish here in due course. After photographing the windmill I headed over to Sturton-le-Steeple to shoot my final sheet of film, with the idea of photographing West Burton Power Station which sits a mile ot two away, taking advantage of the nearby River Trent.

I did take a picture of the power station but with the Bronica, which I’d also taken out with me, and which had my 150mm lens, giving a better view of the station (one day, I think I’ll go for a walk around the power station, and try to get some nice atmospheric pictures from closer range – there are a whole bunch of public footpaths surrounding the facility).

In the end, I shot my final sheet of Fomapan in the village itself, with the church as the subject, and it has come out quite well. A functional yellow filter might have added some more “pop” to the skies and, annoyingly, the new box of Fomapan I’ve just received appears to have the same issue with white speckles on the negative that I’ve encountered before, which means I now need to try and get a refund and the messing around that will entail. I think I might stick to Ilford film in future, even though the cost is higher.

St Peter and St Paul's Church, Sturton-le-Steeple

Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°

Taken 2 September 2023.