35mm · Film photography · Photography

Cleaning up some mess

I mentioned recently that my local film processing lab has gone out of business and that I’ve had to find somewhere else to carry out my C41 and E6 development. I’ve had a couple of rolls of C41 developed last week by my local camera store (they do E6 as well, but this is sub-contracted to another lab with a slightly lengthy turnaround, so I sent my roll of Velvia to another place fot quicker results).

The camera shop cut and sleeve 35mm in film into strips of four frames, as opposed to the strips of six that the old lab provided (and to which I cut my home-developed B&W negatives) so I opted to receive the developed film uncut and sleeve it myself at home. The roll of 35mm they developed was tucked into a 35mm film canister, as was the roll of 120 film, the main difference being that the width of the 120 roll meant the cannister was uncapped with the film poking out the end. I think this was the cause of the significant amount of dust on the 120 negatives when I scanned them. While imperceptible to my naked eye, once imported into Lightroom there was an entire galaxy of small white spots apparent on the resulting scans!

So this afternoon has been spent painstakingly cloning out the spots in Photoshop. I’d estimate it took a good 20-25 minutes to deal with each of the ten frames that are worth processing further. I really hope that the 35mm roll is not similarly afflicted!

Here’s a photograph that feels apt in the circumstances.

Hardware

Canon Sure Shot Z135 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 3 September 2022

35mm · Film photography · Photography

Squashes

I always wonder if “squashes” is the correct terminoligy for this type of vegetable? There are pumpkins in there too, plus some marrows, and some weird swan-like things that I don’t know what they are, but I guess they are all types of squash? Please correct me if I am wrong about this important subject. 🙂

The flash fired on my first attempt at photographing this scene so I took a second picture. The version with flash looks much better though.

Squashes

Canon Sure Shot Z135 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 3 September 2022

35mm · Film photography · Photography

Whitely Woods

Whitely Woods is an area of woodland alongside the River Porter in Sheffield. I have a vague but fond memory of walking here with my nan when I was young. She bought me a small fishing net on a cane and I caught small fish – probably minnows, or perhaps baby fish of some species, but all given the group name ot “tiddlers” – in the dams further downstream in Endcliffe Park.

Beside a millpond
This is the millpond that feeds the waterwheel at Shepherd’s Wheel museum.

It’s not an area I’ve ventured back to all that many times – most of them have been in the lasrt few years as somewhere to go with a camera. On this occasion I’d taken a walk with my wife – mainly because I was testing out my ankle after my fracture, but also because it was a pleasant way to pass an hour or two (with the benefit of finding somewhere nice to get a bite to eat).

Turn that frown upside-down
I took this one because the tree looked like it had a frowning face. An Ent, perhaps?

All three pictures here were made during the part of the walk in Whitely woods on the way to and from Shepherds Wheel.

In the park
Close to the bottom of Whitely Woods. At the end of the path before you reach the houses there is a road. The path through Endcliffe Park continues the journey towards town.

Canon Sure Shot Z135 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 3 September 2022

35mm · Film photography · Photography

Antique pots and pans at Shepherd Wheel

Shepherd Wheel is a working museum in the Porter Valley in Sheffield. It’s one of the earliest surviving water-powered grinding workshops in the area. The earliest reference to the wheel is from the 14th century.

The wheel still powers a variety of machinery in the workshop where caraftspeople can be seen putting them to use. It’s fascinating to see the ingenuity of the design, with numerous pieces of machinery powered by a complex series of shafts, cogs, gears, and belts.

I had my Sure Shot Z135 on me when we ventured inside and while this is a capable point-and-shoot (with a flash), I wanted to try and get a picture in natural light. The actual machinery was probably going to be a step to far for the f/3.5 maximum aperture of the camera, but I was able to take this image of some old pots and pans in the light of a window. I’m quite pleased that it came out nice and sharp, and that the film has captured detail in both the highlights and shadows.

Remnants

Canon Sure Shot Z135 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°

Taken on 3 September 2022

35mm · Film photography · Photography

A royal funeral and some street art

I’ve spent the entire day watching the funeral of the Queen today (well, apart from watching the latest episode of House of the Dragon while eating my breakfast. I guess that was about a queen too, although tonally, it was somewhat darker…).

As I spoke about a few days ago, I’m far from a royal watcher, but I felt that this was a truly historic event and one I ought to watch for that reason even if for no other. There were two funeral services broadcast – the state funeral at Wesminster Abbey, attended by heads of state and other guests, and the smaller (but only by comparison) service at Windsor Castle where, among other things, the Queen’s crown, along with the orb and sceptre, were formally taken from her to be presented to King Charles when his coronation takes place. While there will be a final private service for family this evening, where the Queen will be buried beside her late husband, it maked the final public appearance of her coffin and felt like the final closure of the past week-or-so’s events.

The funeral marks the end of this period of official national mourning and means that things should begin to return to normality again from tomorrow, although I expect that it will be a fading out rather than a sudden halt to all the discussion about the events.

Today’s picture has nothing whatsoever to do with the funeral of the Queen, but I always post a picture, so this is a completely unrelated image of a man walking past some attractive street art in Manchester.

Esco

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Last shots

An ominously final sounding title for my blog today but, fear not, it’s just referring to the two pictures posted here today specifically. As I’ve posted about a few times, I broke my ankle about six weeks ago while on a day trip to Manchester. The two pictures here are related to the incident.

This first image is the last shot I took before the accident. It was made while I walked down the road towards the art gallery where, not too long after, I would fracture my fibula as I exited the building.

Yo

The second picture was taken later, after my journey home, and after several hours in the accident and emergency department of the local hopital, After finally leaving the building I sat on a bench outside and waited for my wife to collect me in the car. The sun had set and blue hour had kicked in. Hospital buildings such as these were not my first choice for subject matter for this roll of film but I had little other option given my injury would allow small chance of going out to shoot more for a while. So it seemed worthwhile to finish the roll so I could at least get it developed.

After the break

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Station music

Today was my annual visit to the seaside town of Mablethorpe. It’s been a long day, I’ve only just got home, and I’m tired, so this will be a short post. The pictures I took at Mablethorpe will appear in due course once they’ve been developed and scanned (and I’ve worked through my backlog of other shots).

So, for today, here’s another picture of another of those upright pianos that can be found at railway stations around the country.

Another station piano

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Street scenes

A couple of photos from Manchester’s Northern Quarter. Just street scenes, but I thought they made for interesting subjects with plenty to look at. It would have been nice if I hadn’t broken my ankle on this day – not just because of the pain and incapacitation it caused, but also because I think I could have easily shot another roll of film had I had the rest of the day and, as I’m very happy with the way this single roll turned out, I expect I might have been similarly pleased with any more I might have made.

Maker's this Sunday
Love Boutique

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

Going out is the new staying in

After a considerable period of “staying in” while I recovered from my broken ankle, I’ve now returned to “going out” once more. Not to bars, but out with my camera and, in the mornings, for a walk as I gradually build back up to running again, so today’s picture felt slightly apt.

I’ve had a stressful few days as I prepared to interview for a job today. It’s a similar role to the one I do already but at a more senior grade. While I already carry out a number of the tasks that it will involve, I will also have to pick up additional responsibilities and new challenges if I am successful. While I know I have the ability to do the jog – indeed I’m very confident I do – I’m less confident of my abilities when it comes to interviews. While I don’t think it went too badly, you never can tell with these things, so I’ve spent a lot of the day re-playing things over in my head, second-guessing what I said, and berating myself for all the times I used the word “we” instead of “I”. I now have to wait for the outcome . Fingers crossed that the things I did well have outshone any where I might have slipped up.

Going out is the new staying in

Olympus 35 RC & Kodak Portra 800 (shot at 400asa). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 10 August 2022

35mm · Film photography · Photography

The loss of a lab

I received the sad news yesterday that my local film lab appears to have closed down. I last used them about a month ago to process the roll of Portra 800 which I’ve been sharing photos from the past few days and had planned to drop another roll of C41 off in the next week. I took a look at their website the other evening and noticed that it appeared to be offline, just displaying a blank page with no content, but assumed a temporary problem. But then, yesterday, someone else mentioned that there were posts on Twitter about it having been closed when it was visited in person and that the nearby businesses reported no-one has been seen for over a week. Some people on Twitter are concerned because they have posted film to be developed and now have no idea what has happened to their rolls.

I don’t know the precise cause of the closure, but it would appear to have been quite sudden.

I’m sad about this happening. They were a good lab with friendly and helpful staff (to whom I send my thoughts that they are ok). I stopped using them quite as much during and following the pandemic as, when they had to close for a few months as part of the lockdown, I taught myself how to develop black and white film at home, but I still regularly took all my C41 and E6 films there. It looks like I will now have to start using my local camera store for film developing services. While it’s still relatively convenient, being just on the edge of the city centre, it won’t be the same as the short walk I’ve been able to take advantage of these past few years.

I’m not sure if anything will happen to the lab – whether it is closed permanently, or might be rescued in some fashion – but it’s disappointing news for sure.

Today’s picture is from the first roll of film I had developed at the lab back in 2016.

FILM - Photo Walk-

Olympus Trip 35 & Kentmere 400 film.

Taken: 9 August 2016