35mm · Film photography · Photography

A day at the races

About three weeks ago I visited Doncaster races with my Dad. I’d bought him an experience day voucher for his birthday earlier in the year and, as he’d not found anyone else who wanted to go with him (I’d assumed he’d have gone with one of his pals), I said I’d go. By the time this happened, there was only one event still available before the coucher was due to expire, the Vertem Very Different Stockbrokers Raceday on 25 October. As this was a Friday, I booked a day’s leave.

FILM - Looking for a winner

The voucher gave us access to the County Enclosure at the racecourse. This meant no denim, no trainers or sportswear, and the requirement to wear a collared shirt. It also granted us a £5 voucher each for a drink, as well as a free race programme.

FILM - Bookies

When the day arrived, the weather was pretty atrocious with heavy rain forecast for the whole day. When we arrived there were very few people in the outside areas of the enclosures other than those wishing to place a bet at the trackside bookies, or those armed with umbrellas. Most people seemed to be inside watching proceedings on television screens. This seemed somewhat pointless as, as my dad said, they might have well just gone into a local betting shop to do this rather than pay the entrance fee for the racecourse.

FILM - Equine athletes

We decided to cash in our drink vouchers before doing anything else (first things first, right?). My dad’s beer was covered by his, but the cider I asked for came to more than the allocated £5 and I had to put another 20p to the cost. It wasn’t even a particularly nice cider either. Nonetheless, we found ourselves a table with some free seats and sat down to look at the programme an pick the winners(!). After choosing some likely looking prospects (my dad came armed with a sheet of tips from a bloke he knows) we moved over to the County Enclosure ready for the first race.

FILM - PING

A few minutes before the race was due, we went outside (where it was still raining heavily) to watch the event. Although the bottom tiers of the stands were soaked (see my earlier post for an idea of how wet they were), the higher levels were sheltered enough to have dry seats, so we headed up there.

FILM - Rainy racedays

I think there were seven races scheduled for the day. We didn’t bother with the first, which only had four runners, and we left before the final two races, but the others followed a similar pattern of us watching from the dry section of the stands (where I took a number of photos); retreating indoors to place further bets / take shelter; then repeating the process for the next race.

FILM - By a nose

Although I have little interest in horse-racing, and even less experience in picking winners, I didn’t fare too badly on the day. While I didn’t break even, a couple of good results (including a win!) meant that my losses came to only a few pounds – and I’d written off all my stake money as likely to be lost beforehand anyway, so anything less than a total wipeout was good news. I’m not sure that my dad’s tips played any better than my “stick a pin in it and hope for the best” technique.

FILM - Winner

Overall I enjoyed the day and I’d like to do it again (albeit in better weather).

Olympus OM-1, Zuiko 75-150mm f/4, Zuiko 28mm f/3.5, F.Zuiko 50mm f/1.8 & Ilford HP5+.

Taken on 25 October 2019

35mm · Film photography · Photography

Watching the Thames at low tide

This was a photograph taken very quickly during my walk along the South Bank of the River Thames in London recently. The smart suit, bald head, and posture of this chap made for a nice composition. It was the last shot on the roll and I wasn’t sure it would come out (as a result of this, I loaded another roll and took a second shot of the same guy a minute or two later, albeit from a different position – I’ve not scanned that roll yet, so maybe I’ll share that picture in a future post). Luckily it turned out quite nicely.

FILM - Low water

Olympus OM-1, Zuiko 28mm f/3.5 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

35mm · Film photography · Photography

St. Paul’s Cathedral from Millennium Bridge

Three shots of the same subject today, all of St. Paul’s Cathedral in London taken from across the river on the South Bank from the end of Millennium Bridge. Two of the photos were taken using the Olympus Zuiko AUTO-Zoom 75-150mm f/4 lens, my second time using it since I bought it back in the late summer (I used it for a few shots on my trip to Hull a few days prior to this). So far I’m quite happy with it’s performance. Like most Zuiko lenses, it’s pretty compact, but it has a decent reach and is able to compress distances nicely.

The first shot was taken with the Zuiko 28mm f/3.5.

This is one of those slightly cliched and overdone photo locations – albeit for obvious reasons – but I’ve never shot it before and as it’s not a place I get to visit often I though I might as well take the opportunity while I had the chance.

FILM - St. Paul's (wide)

FILM - St. Paul's (mid)

FILM - Millennium Bridge

Olympus OM-1, Zuiko 28mm f/3.5 & Zuiko AUTO-Zoom 75-150mm f/4 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

35mm · Film photography · Photography

Turn up the contrast

I shot a roll of Fuji Across a couple of weeks ago and, expecting the weather to be a bit on the gloomy side, pushed it to 400asa. As it turned out, the sun decided to come out for at least some of the shots. This resulted in super-hight-contrast images being the outcome. Across is pretty contrasty anyway, but pushing it amplifies this noticeably, such as in today’s photograph of a street corner convenience store in Southwark in London.

The sunlit areas, particularly those with lighter tones stand out vividly, while the shadows have been reduced to deep blacks – the lady on the left of this shot seemingly emerging from a pool of liquid darkness.

I do like a contrasty image, but care needs to be taken when shooting in such conditions of light and shade that it doesn’t become too much. I’m pretty happy with this one – there is still detail in the highlights, and while the shadows are deep, they work nicely withe the brighter details popping out of them.

FILM - Contrast

Olympus OM-1, F.Zuiko 50mm f/1.8 & Fujifilm Acros (pushed to 400asa).

Taken on 22 October 2019

35mm · Film photography · Photography

It’s a bit blurry and I don’t care

I generally try to ensure that my photos are in focus. It’s kinda important in most cases (for the sort of pictures I make, at least). Sometimes however, despite my best intentions, they are not in focus – perhaps due to missing focus, or sometimes due to camera shake adding some unintended blur.

Sometimes it doesn’t really matter. Sometimes you still like the photograph despite it’s flaws. Sometimes they might even enhance it.

Today’s photo is one such example. It was taken under the railway bridge that passes over Blackfriars Road just north of Soutwark Underground station, carrying the line heading east/west in and out of Waterloo. The light beneath the bridge was quite dim and I had to lower my shutter speed somewhat. I also needed to be quick to try and catch the image while people were placed in a pleasing way and also when no road traffic (of which there was much) was passing through the scene. These factors likely combined to cause a small but noticeable amount of camera shake in the the resulting picture.

Perhaps the photo would have been better had it been perfectly sharp, but the slight fuzziness is pleasing in some way. It gives the picture a slight vintage feel somehow that I’m quite pleased with. I don’t tend to publish photos that I believe are mistakes unless they rise above their shorcomings, and I think that this is one of them (for me, at least).

FILM - Blackfriars Station

Olympus OM-1, F.Zuiko 50mm f/1.8 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

35mm · Film photography · Photography

Road-crossing reflections

People waiting to cross cast their reflections on the wet road surface.

It’s one of those photos where I noticed after scanning the negative that someone appears to have spotted me when I took the photograph (three people in this case!). It’s a little difficult to tell for certain, and some of them might just have been glancing in my direction, but I always get an “I’ve been spotted!” feeling when I notice such things.

I was hardly being covert to be fair – stood on the oposite side of the road with a camera to my eye. 🙂

FILM - Crossing the road in the rain

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 26 October 2019

35mm · Film photography · Photography

X

I didn’t spot this noticeable “X” formed by the reflection of the buildings and sky until I looked at the negatives.

The water feature is one of several, variously-sized, artworks near the Winter Gardens in Sheffield. They are, along with the “Cheesegrater” car park – which is a literal stone’s throw from this spot – probaby the most photographed objects in the city.

FILM - Calling all mutants

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 26 October 2019

35mm · Film photography · Photography

Cathedral in a perspex case

While wandering around Sheffield city centre last weekend I went into the cathedral to see if there were any photos to be had (and also, because there’s a cafe in there, to get a coffee).

Past experience of shooting film in the cathedral have proven that, given the use of tripods and flash are not normally permitted within the premises, that 400asa film is very limiting in terms of the photos that can be achieved. Even opening my 50mm f/1.8 lens to its widest aperture would still only allow shutter speeds of 1/30sec in the best cases and considerably slower in most others. As a result, while there are some great subjects within the building, without a faster film (or a digital camera on a higher ISO) most of them ar unachievable without significant risk of camera shake.

Today’s photo is one of a couple I made on the day, and even this one – from a relatively well illuminated area – was still shot at 1/30 wide open. It depicts a scale model of the cathedral itself and was located on ground level a little behind the brightly lit tower that can be see at the left side of the model.

FILM - Cathedral in a box

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 26 October 2019

35mm · Film photography · Photography

Spurn lightship bow

A couple of days ago I posted a photo of the Spurn Lightship. Today’s image is a detail shot of that ship’s bow.

I really like the tones I’ve got in this picture, especially the milky quality of the water, but also the relief of the plates and rivets of the vessel’s hull too. Despite the film being pushed to 800asa the grain has remained relatively unobtrusive in the shot as well.

FILM - Bow

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 25 October 2019