35mm · Film photography · Photography

Haggler’s Corner

Hagglers Corner is a multi-functional space just on the outskirts of Sheffield city centre. It hosts live music and other events, has a cafe, a shop and provides spaces for local makers of things. I didn’t get chance to go in on the outing, but will try and make sure I give myself time to do so next time I pass.

Although this picture doesn’t really indicate so, Queen’s Road is a busy thoroughfare, being one of the main arteries into and out of the city centre. I managed to find a brief spell with a gap in the traffic to take my photo that emphasises the road leading into shot (and the zig-zag road markings denoting the Pelican Crossing.

The two towers above the roof of Haggler’s Corner are minarets belonging to the Madina Masjid that sits a short distance beyond.

FILM - Haggler's Corner

Pentax Espio 140M & Kentmere 400.

Taken on 18 January 2020

35mm · Film photography · Photography

Evocations of a journey #1

Last year, Postcard Cafe, a blog I follow, posted a number of pieces featuring photographs made on train journeys. The first of these I came across was a post titled “Jumping someone else’s train” and I commented on their post how I liked the idea and that I might borrow it at some point.

Today’s post is the first attempt at doing something along similar lines (badum-tish!).

If I’m to be critical, then Postcard Cafe’s posts are much better than my attempt here, but I’ll admit to making life more difficult for myself by a) using a compact film camera that struggled with camera shake, and b) attempting to fit picture making in around some work I had to do on the train, thereby probably missing some opportunities (plus I had a window-frame next to my seat, which limited my field of view somewhat too). Anyway, enough with my excuses and on to the photos.

For the purposes of this post, I’ve limited my photos to ones taken station-to-station. I shall also leave them without narrative, and just let them tell whatever story you see fit to make up. They are in chronological order though, both outbound and homeward.

FILM - Trip #1FILM - Trip #1-2FILM - Everone's in a hurry these daysFILM - Trip #1-3FILM - Knocking out a tuneFILM - Trip #1-4FILM - DepartureFILM - Gasometer livingFILM - Trip #1-5FILM - Trip #1-6

Pentax Espio 140M & Kentmere 400.

Taken on 15 January 2020

35mm · Film photography · Photography

Abandoned bags

Another shot featuring reflections (albeit, mostly of the sky in this one) making up a trio of posts over the last three days. I like the ambiguity of this shot, it making it look like the faceless person walking away has forgotten or abandoned their bags.

One thing this roll shot with the little Pentax Espio has taught me, is that the camera falls back on slow shutter speeds very quickly in low light. Several shots on the roll were largely spoiled because of subsequent camera shake (although in some cases, the motion blur has added a great sence of movement to the images too). This said, I have used it in dim light before without any noteable camera shake, so I wonder if it’s somehow mis-read the Kentmere’s DX coding (or maybe it’s just faulty)? Where I’ve used the camera in sunny conditions, it’s a capable little performer though, so I shall bear that in mind for future reference.

FILM - Left behind?

Pentax Espio 140M & Kentmere 400.

Taken on 15 January 2020

35mm · Film photography · Photography

Wellington’s Monument

Stood right beside the twisty oak woodland that I featured yesterday stands Wellington’s Monument. This stone cross features the dedication: “Wellington, Born 1769, Died 1852. Erected 1866 by E.M. Wrench, late 34th Reg’ment” and commemorates Wellington’s victory at the Battle of Waterloo. The cross is visible atop the hillside from the A621 Sheffield Road which passes to the east at the bottom of the valley. Across the valley on Birchen Edge stands another monument, this one dedicated to Admiral Lord Nelson.

FILM - Wellington's Monument

FILM - Wellington's Monument

Olympus OM-1, F.Zuiko 50mm f/1.8 | Zuiko 28mm f/3.g & Ilford Delta 400.

Taken on 4 January 2020

35mm · Film photography · Photography

Tangled

A maze of beautiful twisted oaks just below Wellington’s Monument on Baslow Edge. I don’t think I’ve got the best composition here – I’m not sure about the grassy area at lower left – but it’s a location not too far away, so plenty of chance for me to get a better shot in future.

FILM - At the edge of the tangle

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford Delta 400.

Taken on 4 January 2020

35mm · Film photography · Photography

The Anvil Stone

I present to you today a couple of pictures of the “Anvil Stone” which sits atop Baslow Edge overlooking the Derwent Valley. I’m not sure if it’s name is official, or one of those things that has just fallen into common usage but you can certainly see how it gets the name.

It was blowing a gale when I first arrived, the wind swooping up the valley sides and buffeting anything close to the edge, so I took care where I stood atop the crags. It’s not a sheer drop along most of the edge (although surely high enough to be potentially fatal in a number of places), but it wouldn’t take that big a fall to sprain an ankle or break a limb or two (or smash delicate cameras!) if you were not to take care.

FILM - Anvil Stone

I entitled this second shot “Jawas” on Flickr as I found the shape of the rock form this angle to be evocative of the Sandcrawler vehicles they use on Tattooine. 🙂

FILM - Jawas

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford Delta 400.

Taken on 4 January 2020

35mm · Film photography · Photography

Looking down towards Sheffield

This is the view from the edge of Lady Canning’s Plantation looking back towards Sheffield city centre, which lies around 4.5 miles away. It’s a nice illustration of how close you are to rolling countryside just a hop and a skip from town. The large block of a building that sits to the left of the image is the Royal Hallamshire Hospital.

I think I botched the exposure somewhat as the shadowy area of the wall is showing significant grain. I love my OM-1, but it’s relatively simple metering can sometimes fool me into picking the wrong shutter speed / aperture combo.

FILM - From the hills, the city

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford Delta 400.

Taken on 30 December 2019

35mm · Film photography · Photography

Shooting a roll of Polypan F

A few months ago, a friend on the photography forum I’m a member of offered some rolls of bulk-loaded Polypan F to other members. Apart from generosity, he was interested to see what sort of results a variety of other people would be able to achieve with the film. Several people volunteered to take part and a box full of film was circulated (each person taking a roll and then posting the remainder to the next person, and so on).

I received the box back at the start of November, but didn’t shoot my roll untill the end of December. The main reason for the delay is the nature of the film. Polypan F is a motion picture copy film. It has very little anti-halation and so can make bright light sources bloom and glow in the right conditions. As November in the UK is not known for it’s bright conditions, I decided to wait for a sunny day. The 30th of December wasn’t the first sunny day to come around, but as I work full time, it was the first one where I was off work and could get out and shoot the film.

There was a loose theme attached to the film – the subject matter should be related to the letter “P”. Based on this, I decided to shoot my roll in a plantation of pine trees in the Peak District national park.

Polypan F has a native speed of 50asa so, even given the bright conditions, I would probably need to shoot accordingly. As a result I took along my tripod and a shutter-release cable. Alas though, even these measures were not to be sufficient.

Shooting in relatively well lit areas of the woodland didn’t pose much of a problem, especially with the 50mm lens, but the 75-150mm was another matter. I was using mid-range apertures to try and maximise my depth of field while shooting at focal lengths over 100mm. When in shaded conditions, this was dropping my shutter speed right down to little over 1sec in many instances. While the camera was firmly held on the tripod, and I was using the cable-release, I still ended up with a lot of shots displaying noticeable camera shake. I believe that the long lens, coupled with the slow shutter speed, was subject to vibrations from the cameras mirror when I took the shots. This was a shame as I lost a number of photos that I think were otherwise pretty nice, Still, I’ll take it on the chin and chalk it up to experience. I’ve never used the OM-1’s mirror lock-up before, but am now fully conversant with how it operates!

Here are some of the better shots from the day.

1 – This is the southerly path I took when entering the plantation (Lady Canning’s Plantation, to the south-west of Sheffield at Ringinglow). The plantation is commercially operated but has public access, including a number of mountain bike trails that were in heavy use on the day of my visit. The light blooming is quite apparent in this shot, particularly where the sun is peeking through the trees.

FILM - Through Lady Canning's Plantation

2 – I ventured off the main footpath to take the next two photos. This was perhaps a mistake as the ground was very uneven (from the wheels of heavy plantation machinery that must have worked there some time in the past) and with a notable quantity of prickly, clothes-snagging, skin-scratching brambles to fight through. Even though I was only 20 or 30 metres from the path, I did wonder if anyone would ever notice me where I to collapse or something. Me and my cheerful thoughts, eh?

FILM - Battles with brambles

FILM - Glade

3 – This wide avenue bisects the plantation and is the route of an underground pipeline, hence the lack of tree cover.

FILM - Pipeline passage

4 – The southern boundary of the plantation opens onto Burbage Moor.

FILM - Southern boundary

5 – A couple of hundred metres or so from the southern edge of the plantation stand the Ox Stones, a gritstone tor. Also nearby is a triangulation (trig) point.

FILM - Ox Stones

FILM - Trig point

6 – And finally, here’s a detail shot of one of the Ox Stones.

FILM - Strata

It was interesting to use the Polypan F. I’m not sure it’s a film I’ll rush to use again, but I wouldn’t say no if some more came my way. I wish I’d not had the issues with camera shake though as I might have had more images to share.

All photographs taken with my Olympus OM-1, F.Zuiko 50mm f/1.8 / Zuiko 75-150mm f/4 lenses & Polypan F.

Taken on 30 December 2019