35mm · Film photography · Photography

Walking in the Moss Valley again

I’ll post a few more shots from the roll of expired Lloyds Pharmacy 200 today. Probably the last ones I’ll post from this roll unless I stick up a few odds-and-ends at some point. Tomorrow will likely mark the return to black-and-white.

I’ve been writing more diary-type posts recently and I’m wondering if I should illustrate them differently, or delay their contents – they’ll probably work better if they contain photographs from the events depicted, rather than stuff I already have to hand. The downside being that the events documented in words will likely be dated by the time I post them as it’s rare that I’ll shoot, develop, and scan a roll on the same day I shoot it.

Graveyard path

I got up early today (for a Saturday, at least) and drove out to the Moss Valley again for a walk. I’d mapped out my route the night before and the app on my phone optimistically suggested it would take an hour. I can only assume that the app doesn’t take hills into consideration when calculating walking speed. Or stopping to make photographs, for that matter.

It was the first time that I’ve taken this particular route, or part of it anyway – the latter half involved a section of footpaths that I’d walked last year, albeit from a different starting point. It started off simply enough with a pleasant stroll alongside The Moss, the small river after which the valley is named, and I stopped to make a few photos of the river.

House in the morning light

Soon, however, it was time to leave the valley bottom and ascend to the highest part of the route – a climb of over three-hundred feet. While I wasn’t worried that my heart would explode or anything, I was properly sucking in air by the time I completed the initial, steepest part of the climb. Shortly afterwards I discovered that I’d gone off-route into some private woodland (although a sign informed me that walking was allowed – good job I’d left the bikes and horses at home!). A quick check of my map showed me that this path would still bring me close to where I’d intended, so I carried on rather than turn back.

After exiting the woods and then skirting some fields of growing crops, the path took me towards a route through a farm that would exit onto the road where I needed to be. Or so I thought. Upon reaching the farm a sign on a gate informed me that I shouldn’t proceed further as the farm was self-isolating. I wondered for a moment if I shouldjust chance it and hurry the short distance through the farm, but I decided that I’m not that sort of person and so, with a sigh, turned around and went back the way I’d come.

Checking the map again showed another path I could take – this one would add about a half-mile to my journey, but at least it would be unseen territory and, hey, I was intending to get some exercise anyway, so what the hell.

Twenty minutes later and I was back on track on the planned route with the additional bonus of (apart from one short, but steep stretch) it all being downhill back to the car now.

I shot my twelth frame as I got back to the bottom of the valley (I had an extra roll of film in the bag, but decided the one roll would do for today) and finished the short distance back to my car. It had been a pleasant, if tiring, walk and I felt good for taking it. I’ll hopefully develop the roll tomorrow (today’s developing was set aside for the roll of HP5+ I shot the previous time I walked in the Moss Valley last weekend).

Beighton Gospel Hall

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 21 April 2020

35mm · Film photography · Photography

Drifting further into the abstract

As it’s a public holiday here in the UK on Monday (Spring Bank Holiday or, as it used to be known when I was a kid, Whitsuntide) I decided to extend the weekend futher and book today off work as well. As my wife is currently nursing an injury, my morning consisted of doing the weekly grocery shop and then, when I got home, helping with the housework. Not quite what I’d hoped for when I booked the day’s leave. Still, being positive, at least those chores are now done and I can spend the next three days doing mostly what I please.

The trip to the supermarket was a little stressful – while I’ve been in the local Sainsbury’s store on several occasions since the lockdown and social-distancing measures were enforced, this was my first trip to Morrison’s. Perhaps because the aisles are less spacious in Morrison’s, and perhaps because they were allowing more shoppers in at a time, the place felt crowded – certainly in comparison with my experiences at Sainsbury’s. There was little hope of maintaining a constant two-metre distance anywhere other than the queue for the checkouts (or the queue to get in). A good number of people didn’t seem to care anyway and I caught myself holding my breath on more than one occasion in some sort of futile attempt to ward off viruses! In the end, a task that takes my wife an hour (even under current conditions) took me almost two, and I was duly chided for it when I got home.

After unpacking the shopping, it was onto the housework – although there wasn’t too much to be done, thankfully. Once complete, I had some lunch and then undertook a couple of photography chores. I have a roll of HP5+ that needs to be developed, so I loaded that into the tank ready to dev it tomorrow. All went well getting it onto the spiral, but the bit of tape that holds the film to the backing paper evaded my fingers and stuck itself to the film. Whether this was on a section of exposed emulsion, I’m not sure, but I’m bracing myself for at least one knackered negative. After this, I scanned a roll of Fomapan 100 that I developed last weekend. This is the first roll of Foma that I’ve home devved in the Ilfotol DD-X so I was curious as to the results, and I’m pleased to see that they look good. I like Fomapan 100 and I’m glad the DD-X does it justice. It’ll be a while before any of those see the light of the blog though as I’ve got a bunch of other stuff I’ve already scanned but not yet published.

Today’s photo is another shot from the expired roll of Lloyds Pharmacy 200 shot over Easter. It’s another abstract, this time of a ridged golden vase that holds a bunch of artificial flowers.

Bands of gold

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 11 April 2020

35mm · Film photography · Photography

Faking it

I made photos of a bunch of things in the house during lockdown. Some that looked appealing in the viewfinder resulted in disappointing photographs. Some, however, turned out pretty well.

Stems

The three photos today are of a small vase containing some artificial flowers (I don’t know if they’re supposed to represent an actual species of plant or if they’re just some kind of made up blooms – I know little about plants). Framing them against the out-of-focus yellow wallpaper has created a nice colour contrast.

Flowers

Considering the fact that flowers are not something I readily turn to as a subject for photographs, I’m very happy with these – artificial or not.

Petals

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 11 April 2020

35mm · Film photography · Photography

Freedom part deux

The insect screen that hangs over the back door catches the wind pretty easily, and so it did while I sat on the back garden one day back in April. I liked the way the fluttering tassles looked against the blue sky so decided to take a photo. Obviously, as soon as I got my camera in hand this meant the wind dropped and I had to stand in place for five minutes before they blew into the air again.

This shot isn’t perfect – it has a significant vignette for some reason, and very few sections of the tassles are in focus, but I like the summery feel it has.

Blowing

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 11 April 2020

35mm · Film photography · Photography

Kinda drifting into the abstract

Another photograph shot over the Easter weekend, something a little abstract. We have an insect screen that we fit over the back door when we leave it open. The last one, which had plastic beads on threads, became tangled and had to be thrown away, but the new one is made of plastic ribbons. The slightest of breezes sends it fluttering about (usually resulting in a large gap that allows insects past!), and I liked the look of it as it blew about just beyond the frosted glass of the back door.

I’m quite happy with the colours I’ve gotten from this roll of expired film. A few outdoors shots are showing marked grain in shadow areas, but most have come out fine, including this one. I believe the film is re-branded Ferrania Solaris.

Visualising a breeze

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 11 April 2020

35mm · Film photography · Photography

Farewell 6×9

My brief foray into ownership of a 6×9 camera came to an end today with the camera being posted back to the seller for a refund. Will I dip my toes back into the world of large medium format negatives again? At this point I don’t know – while the seller has been very good about my returning the camera, the experience has made me a little more cautious about buying another folding camera online for the time being. I’ll perhaps stick to what I have (for a while, at least).

Just dandy

Some more photos from my Easter back garden session today.

Daisy

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.

Taken on 11 April 2020

35mm · Film photography · Photography

Further afield

Today was the first time in almost two months that I’ve driven out to do some photography. The lockdown rules here in the UK now allow travel for exercise or other lesisure activities (but with social distancing enforced – you can only go alone or with members of your household, and you still need to remain 2 metres apart from other people you encounter wherever possible).

Despite so many places now being potential destinations, the location I chose is only a few miles from home. If I didn’t mind a long hike, it’s actually within walking distance in fact. Nonetheless, being able to drive there and then enjoy a walk was a definite pleasure.

I set off quite early, and parked the car at eight am, and the entire walk took me around two hours. During this time I encountered one other walker, two dog walkers, one jogger, and a couple of farmers shooting pigeons. Social distancing was easily maintained, and there were far fewer people around than if I’d visited the footpaths closer to home.

I also saw a deer, which was nice.

I took a couple of cameras with me. Firstly, the recently acquired Zeiss 6×9 folder that I shot the other day but which I believed to be faulty. I wanted to shoot another roll to confirm that this was the case before requesting a refund. Secondly, my Yashica Mat, which has just come back from being serviced, and so I wanted to give it an outing.

Snail in the heather

I’ve not developed the Yashica pictures yet, but I’m hopeful that there will be some nice photographs amongst them. The roll from the Zeiss was developed when I got home and scanned a short while ago. I didn’t have any great expectations from the photos as I didn’t spend too much time composing them, expecting them to show the same issues as before. The scans confirmed my fears, with the pictures afflicted by the same out-of-focus problems on the left of the frames. I’ll perhaps post one or two of them if I upload them though.

It’s disappointing, as I’ve been thinking of picking up a 6×9 folding camera for some time and, given the superb quality of images from my 6×6 Zeiss folding camera, I had similar expectations. Sadly, it’s not to be this time.

I’m looking forward to seeing my Yashica Mat photos though!

Snail shell

Todays’s photos are another trio from my Easter weekend in the back garden. A couple of shots of a snail shell I found perched in some heather, and one of a bag of leaves I’d swept up earlier in the day. This latter photo is one that I fully expect most people to dislike – it is, after all, just a bag of rubbish – but there’s something about it that caused me to make the photo in the first place – I think it’s probably the warm colours of the dead leaves framed by the black plastic of the bag. I dunno though, I like it whatever it is. 🙂

After the sweeping

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.

Taken on 11 April 2020

35mm · Film photography · Photography

Freedom?

This is the first weekend in England under the slightly relaxed lockdown rules, which allow people to travel for exercise or leisure. The weather is forecast to be good in many parts of the country.

Peg skeleton

This has resulted in calls from the national parks, seaside resorts, and other areas likely to attract visitors, that people should stay away. Many locations have not opened their carparks and other facilities to try to prevent visitors from coming. Despite this, there have been reports of full carparks and large numbers of people turning up at these locations. I expect we’ll be able to look forward to another full lockdown in due course…

Corrosion

Today’s photographs were made in the back garden during the Easter weekend a month ago. I was reading William Eggleston’s Guide in the sunshine and it inspired me to make pictures myself. I ended up shooting nearly a full roll of film during the afternoon, so you’ll see some more ot those in the comimg days. Some of them worked out pretty nicely, some not so much, but I’m pretty happy with the Kodak Gold. It’s the first time I’ve shot a roll of this, believe it or not, and I like how it looks.

Red rag, no bull

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.

Taken on 11 April 2020

35mm · Film photography · Photography

Rural transport and the making of memories

Yep, it’s a bus stop. It’s quite a nice stone-built one though, and it’s in a beautiful location.

This is one of those photos that I like without it being of a traditionally photogenic subject. A bus stop is mundane, but this one looks like some sort of miniature bothy sat on a wide grass verge beside a country road.

I like the way the telephone wires lead out of the scene to destinations unknown.

I like the white laundry blowing on the washing line as it reminds me of the freshness in the air on the day I made the photograph.

I sometimes wonder how much a photograph engages it’s creator because it triggers memories? For other people, the stories need to be created. For me it brings the day I visited this place back to the front of my mind, and reminds me of the other things that happened on the day: How I was cross that it was cloudy on the morning I left the house, despite the weather forecast promising otherwise; how my mood lightened as the sun began to break through the cloud cover; remembering a long-ago school trip to one of the villages I passed; thinking my little car might struggle to carry my weight up a very steep hill; how myself and another walker struggled to follow the footpath (and he climbed a dry-stone wall and nearly did himself an injury on some barbed wire; how a man videoing Magpie Mine asked me if I would let him record my thoughts (I did); waiting ten minutes for clouds to move across the sky and balance out one of my compositions…

Maybe not a thousand words, but it’s not the half of what this picture says to me either.

Country bus stop

Canon Sure Shot Supreme & Ilford Delta 400.

Taken on 16 March 2020

35mm · Film photography · Photography

The size of a tree

I took these two photographs on my way back to the car after visiting Magpie Mine back in March. The light in the village here was lovely and I finished the roll of Delta 400 that was in my (somewhat tempremental – it sometimes decides that it’s won’t fire, until suddenly springing back into life a few minutes later) Sure Shot Supreme making photographs of some of the scenes.

I didn’t really pay heed at the time, but on seeing the scan of this first image it really brought home to me just how big trees can grow in comparison with their surroundings. This one towers above the house it stands beside and I wonder which of the two came first?

Giving trees a sense of scale

It’s not really a tall tree in the scheme of things either, there are much larger ones to be found – including true titans such as the giant sequoia’s that grow in the western US. I think that this one is a sycamore (judging by the texture of the bark at least), but it’s very possible that I’m wrong. There was a time when I was younger that, in true boy-scout fashion, I could readily identify a whole range of trees from their shapes, leaves, fruit, bark etc., but it’s a skill that has faded over time. I still know the obvious ones – oaks, chestnuts, maples – and I would recognise sycamores from their leaves and seeds – but I’m not sure I’d know an ash from a birch these days without looking it up. I have a book of British flora and fauna, so maybe I’ll see if I can refresh my knowledge.

Scenes that catch your eye

Canon Sure Shot Supreme & Ilford Delta 400.

Taken on 16 March 2020