35mm · Film photography · Photography

Starsky & Hutch

I did consider sliding across the bonnet (or should I say “hood”?) when I saw this Ford Gran Torino in full Starsky & Hutch colour-scheme, but I’d have either ended up sprawled unceremoniously across the front, or on my backside on the floor. I’d have been risking a potential beating too I think! 😀

Where're Starsky & Hutch?
I took a colour version of this too, maybe that will appear when I get the roll developed and scanned…

Minolta SRT 101b, Rokkor 50mm f/1.7 & Kodak Tri-X (expired circa 2000-ish). Ilfotec DD-X 1+4 8mins @ 20°

Taken on 31 August 2020

35mm · Film photography · Photography

A statue, a sign, and an onlooker

Today was my annual trip to the seaside town of Mablethorpe. I wasn’t sure I’d get there this year what with the pandemic, but managed to sneak in a visit before the Covid cases rise to the extent we can’t travel again (although I hope that doesn’t happen!).

I don’t want to say much about it today because I only got home about half-an-hour ago; I’m very tired from the walking and driving; and I want a shower! Assuming no disasters, there will be photos from the trip in upcoming blogs.

Anyway, here’s a random image of a statue, a sign pointing to a church (I didn’t photograph this one!), some houses, and a bloke looking at me and probably wondering what I’m doing…

Statues, signs, and onlookers
Is he looking at me, or just in my general direction?

Minolta SRT 101b, Rokkor 50mm f/1.7 & Kodak Tri-X (expired circa 2000-ish). Ilfotec DD-X 1+4 8mins @ 20°

Taken on 31 August 2020

35mm · Film photography · Photography

Mormon church & Christ Church

Continuing with an irregular theme of churches that I photograph without ever using them for anything else…

This is The Church of Jesus Christ of Latter-day Saints, a Mormon church not too far from Chesterfield town centre and I usually pass it if when visit the town. It’s a modern building, but looks great when it catches some nice light.

Mormon church

Across the road from the Mormon church is Christ Church, a building I didn’t even realise was of religious use until I stopped to photograph it when I saw how it looked in the morning sun. According to Google the main building is a parish centre rather than a church, although the entrance at the south side of the building is clearly labelled as Christ Church, so perhaps it’s multi-purpose?.

Christ Church
Church or parish centre?

Minolta SRT 101b, Rokkor 50mm f/1.7 & Kodak Tri-X (expired circa 2000-ish). Ilfotec DD-X 1+4 8mins @ 20°

Taken on 31 August 2020

35mm · Film photography · Photography

Pillar boxes

Given Fuji Velvia’s penchant for rich saturated colours, I couldn’t help photographing a couple of red pillar boxes with it.

Priority postbox

Scanning this Velvia 100 took a bit of trial and error to get the colours and tones correct. My initial attempts resulted in slightly flat looking images, lacking in that brightness that you see when viewing a transparency in natuaral light, so I had to create a Lightroom preset to make the necessary adjustments required. Even then, however, the scans still had a very warm cast to them. A little research revealed that scanned Velvia 100 is sometimes nicknamed Redvia due to the red tones in the shadows. It might be possible to remove this in Lightroom, but I found it easier to set up an action in Photoshop to use a curves layer to drop the shadows in the red channel. They look much closer to the original transparencies now, but retain those saturated tones that the film is known for.

Another priority postbox

I’ve been really pleased with the results from this roll (and the fact that the OM-2n’s meter has proven itself to be dependable even when metering for something as finicky as slide film). I hope the other four rolls I have will be just as satisfying.

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Sheffield Space Centre

After yesterday’s photo of the old Bennett’s shop front, here’s a picture of another shop just a few doors down on The Wicker, this one still in full health though. I’m not sure when the Sheffield Space Centre first moved to these premises, but it was sometime in the 80s as I recall.

I would visit regularly, browsing their wonderful stock, and buying copies of American horror movie magazines like Fangoria or special effects stuff like Cinefex. For a while a harboured a vague dream of becoming a special effects makeup artist in the vein of Tom Savini of Rick Baker or something. I went to work in an office instead…

I particularly like the Batman social distancing poster in the window. 🙂

Sheffield Space Centre

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Bennett’s fishing tackle shop

A number of decades ago, back when I was young, I was interested in fishing. As a teenager still at school and blessed with only limited funds, most of the fishing tackle I owned was either passed down from my dad (including a dated, even at the time, cane fishing rod that snapped in half while making a cast one day, much to the amusement of my friends!), or acquired as presents at birthday or Christmas time.

I did have enough money to buy the other necessities of the pastime though: line; floats; lead shot (long since banned!); hooks; perhaps the occasional bigger-ticket item like a keep-net or something; and, of course, bait, usually in the form of a tub of wriggling maggots, often in a variety of dyed shades to make them more attractive to the fish (the ones at all the places I went must have been colour-blind though…).

At the time, years before online shopping and even the World Wide Web itself would be a thing, there were a considerable number of fishing tackle shops in the city. Some were dedicated to the pastime, others were a sideline, such as the barber’s that I visited as a child where you could have your hair cut and then buy a pike lure or something (while pretending not to look at the girlie mags that were amongst the fishing periodicals on a small table between the seats where you sat and waited your turn).

The largest tackle shop in Sheffield (and the country, so it was claimed) was Bennetts. The shop had been opened back in the 1950s by Harry and Peter Bennet, renowned match anglers and railwaymen who used to organise angling tournaments for thousands of local fishermen.

In later years the store moved to larger premises on Stanley Street just off The Wicker on the edge of the city centre, and it was here that I would drool longingly over the extensive range of tackle that I had no possibility of acquiring, before buying a considerably more affordable packet of hooks or a swim-feeder or something along those lines.

As my teens came to pass so, mostly, did my interest in angling, and I probably didn’t set foot in Bennett’s (or any other tackle shop) after that, although my dad continued to fish on occasional trips with his friends that had been organised by the pubs and clubs he frequents, so I would get the odd fishing story every now and then (usually about how he’d caught nothing!),

In 2010 Bennet’s closed for good, partly as a result of the 2008 financial crash and subsequent recession, but also as result of the extensive flooding that hit parts of Sheffield in 2007, submerging the store in feet of water.

The main entrance to the shop on Stanley Street has been repurposed now, but the smaller entrance on The Wicker remains, gradually fading away and falling into disrepair.

I wish I had a photo of the shop in it’s heyday, but I’m still glad for the one presented below. It still serves as a memory and I suspect it won’t be there for ever.

Bennetts

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Cakes

A selection of tasty looking cakes on display in a shop window. I really like the way they are lit by the sun, although somewhat less enamoured at the frosted section of the window that takes up much of the bottom-left of the image. Moving to get a better angle introduced unwanted shadows and reflections though. Such is life sometimes.

Cakes

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Old signs and empty shops

I walked past this abandoned shop while shooting the roll of expired, but satisfyingly good, Velvia 100 that I bought from eBay. The “Properties Cleared” sign was what caught my eye, the paint peeling away from the wood beneath with lovely texture.

Properties cleared

Then I noticed the shop next door, with posters pasted on the boarded up windows, so walked across the road to get a wider view of the whole scene.

It’s probably not everyone’s cup of tea, but I quite like scenes like this and find them interesting to look at. Plus, with the rate of re-development going on in this part of town it will probably not be long before the scene changes again.

I’m very pleased with the sharp rendering of this 50m lens. I already owned the F.Zuiko version, which is very nice anyay, but got the chance to pick up the Auto-S model in the 5xxxxxx seriel number range and the “made in Japan” marking, which is supposed to be the sharpest variant of the OM 50mm lens line up. For a 35mm film shot, the full size scan shows some very nice detail.

On Harvest Lane

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020