My wife and I spent the weekend just gone in Barcelona to visit the Christmas markets and just wander round the city. It’s the first time I’ve traveled overseas so close to Christmas and I was a little concerned that we might get caught up in a mass of travelers going home for Christmas, but everything went very smoothly and, while Barcelona was pretty busy, the travel was not.
We had a very nice time just wandering about the place, not doing anything in particular other than visiting shops and markets and eating nice food. We visited the Sagrada Familia as there was another Christmas market there, and I did consider going inside the cathedral, but I would have needed needed to book tickets in advance and there were none available to buy on the day as it was fully booked. My wife isn’t particularly interested in visiting cathedrals anyway, and I would have felt a little guilty if I was dragging her around the place while I took photos and admired the architecture, so I wasn’t too concerned about missing the opportunity. Maybe I’ll get another chance one day.
I shot a roll of colour 35mm film while there, but it will be after Christmas before that gets developed, but took some more photos with my Ricoh GRIII, including the one posted here today, so will share some of those once I’ve gone through them all.
This large star can be found in Plaça Sant Jaume in Barcelona, Spain. It is titled Origen and was created by Xevi Bayona and Àlex Posada. It projects light from the points of the star onto the facades of the buildings in the plaza.
I visited Bradford in West Yorkshire today to attend the 10th Annual Photobook Fair hosted by the Impressions Gallery.
This is the first time I’ve attended the fair or, indeed, the Impressions Gallery, but it’s a place I will look to revisit again. I only found out about the book fair recently, otherwise I’d have been there previously as I do like a good photobook.
The thing that brought it to my attention this year was when someone alerted me to the fact that they were accepting submissions of zines to be displayed and sold at the event. I’ve never really sought to commercialise any of the zines I’ve made – they’ve all been produced primarily for the zine swap I take part in each year – but I thought this might be a good opportunity for others to see my work.
I had to supply the gallery with five zines, plus a display copy. Unfortunately I didn’t have enough left from the zine swap, so I had to get another batch printed which, along with other costs, will have completely wiped out any profits I might make from sales, so I certainly didn’t do it for financial gain.
You can just make out my zine Brutal on the middle row, second from the left. I chatted with the guy manning the stall and was very pleased (and more than a little surprised) when he later informed me that one of them had been sold, although by the time I left the event, the rest of them were still present (although they will apparently be offered for sale on the gallery website for a while too).
Submitted books and zines for sale…
There were a number or speakers giving talks throughout the day, including Daniel Meadows, who kindly signed a copy of a Cafe Royal zine that I had bought containing some of his work. You can see a lot of Daniel’s photographs on his website.
There were talks on publishing from a number of speakers, which were interesting and informative, covering the processes, decisions, and costs that can be involved when producing a book of your own work.
The final speaker of the day was Craig Atkinson, the founder of Cafe Royal Books, a family run independent publisher that produces zines every week covering documentary photography focused generally on British and Irish subjects. He gave a history of how the publisher came about and what had been involved. It was another fascinating talk. I own some Cafe Royal Books publications, but there are now – I believe – over 700 of them, all of which were on display (with the ability to sit and browse each), along with some large prints of pictures from selected photographers. The picture below shows just a fraction of the titles available.
While I didn’t buy a great deal today – I spent this month’s photobook allowance* a couple of weeks ago when I visited the Peter Mitchell exhibition in Leeds – I still came away with a bagfull of stuff thanks to being incredibly fortunate on a tombola stall. Of my clutch of ten tickets, four(!) were winners, landing me a couple of photobooks, a zine, and a set of postcards. 🙂
* I don’t actually have a monthly allowance for this, but I buy enough photobooks that maybe I should. I’ll certainly make sure I have a bigger budget for next year’s book fair.
I visited Leeds Art Gallery today to see Nothing Lasts Forever, a retrospective of the photographer Peter Mitchell’s work.
I had just intended to view the photographs, but was pleasantly surprised when it turned out that, not only was Peter Mitchell there in person today, but that there was also space on the walking tour of the exhibition given by Peter himself. I was also able to get my copy of his book, A New Refutation of the Viking 4 Space Mission, signed. 🙂
The exhibition is well worth seeing but I only just got there in time. Although I’ found out about the exhibition a few months ago when I visited this year’s Photo North event, I had completely forgotten about it and it was only by chance when I saw someone talk about it on YouTube that I remembered. Just in the nick of time too as it finishes tomorrow!
I made a few photos of Peter as he told us about the work, what had inspired it, and the things it had involved. It was a very worthwhile visit.
Since I posted about my film stash the other day, it has now grown from 168 rolls to 189 rolls! I did mention in that post that I had 15 rolls on their way to me but, as I was also given the opportunity to buy some more, I did…
It’s all colour 120 format film: 10 rolls of Ektar, 5 rolls of Portra 160, 3 rolls of Ektachrome E100, 2 rolls of Portra 400, and a single roll of Velvia 50. It was also all better than half-price (although some of it is just past expiry), which was why I bought it despite knowing how much film I already have.
Most of it will be frozen and not used until next summer comes around, but I hope to be able to shoot some of it this autumn if favourable weather and free time align. We shall see, I guess.
Today’s picture used the sum total of zero frames from my stash, being a digital photo, but I quite like the cluttered double-exposure-style image that was visible both through, and reflected in, a bar window. My shadow self is in there too! 🙂
On the penultimate full day of our holiday in Dubrovnik, we decided to take an excursion to Kotor in the neighbouring country of Montenegro. Kotor is a World Heritage Site set deep in a vast fjord-like tidal bay surrounded by mountains. We had two potential days when we could have made the trip, but chose the second as the weather seemed ok at the time of booking.
The weather was not ok…
There were two stops on the trip (well, four if you also count the toilet break at a service station, and the quite long stop while passing through the border), the first being Perast – a small village beside the bay – where we had a short boat trip to the Church of Our Lady of Škrpjela, which sits on a small man-made island. Unfortunately, as soon as we got off the coach the heavens opened with a torrential downpour that continued throughout the stop. While we had a waterproofs with us, they were jackets and provided no cover whatsoever for our legs and feet and before we even got inside the church our shoes were soaked.
I posted this picture already during the holiday, but here it is again for some context – the church we visited is on the island at mid-right, the one with the blue dome.
We got wet again after leaving the church, although thankfully the small boat we used for the crossing had a roof. The boat’s roof did not protect us on the walk back from the jetty to the coach however.
Thankfully, by the time we arrived at Kotor itself the rain had stopped, and it stayed dry for the rest of our visit, but the wet feet and damp clothing persisted and took some of the shine off the trip.
We had an affable tour guide inside the walled city, and our group of soggy day-trippers followed him dutifully around the crowded and narrow streets of the town while he pointed out various sights, explained the history, and suggested which restaurants might be good places for lunch.
Kotor is apparently quite famous for the number of cats that live there, and as well as seeing them everywhere you looked, there was a wide range of cat-related merchandise available from almost every shop.
Three live cats, and one sculpted kitty are lurking in this scene…
I shot both colour and black and white film during the visit, sometimes of the same subjects.
The rough cobbles of this steep street were treacherously slippy under the soles of my (wet) trainers!
The entrance to the walled city.
Kotor is a destination for cruise ships and there were three of them moored when we visited, which probably explained why the place was so busy!
High above the city is a line of walled fortresses. We didn’t even think of climbing this trail with our wet feet, but it looks like quite the climb!
Remnants of the wet weather obscure the mountain tops.
On the whole, while Kotor is certainly an interesting destination, visiting it while soaked through (literally) dampens the enthusiasm somewhat.
A couple of near identical photos today, both of the underside of the parasol that sheltered my sun lounger from the sun during our holiday in Dubrovnik.
The first was with the Canon Sure Shot Z135 on Kodak Gold. The Z135 has a noticeable vignette, particularly at the wide end, which is readily apparent here, and the sky is a rich and saturated blue.
The second was taken with my Ricoh GR III and is a lot more subtle in it’s tonality. The Ricoh’s excellent lens and the 24Mp digital sensor have also resolved more finer detail. The digital image also stands up to more post processing than the film scan and I think, in this case, that it’s the better picture.
Ricoh GR III
Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Another cheeky digital picture today – mostly because I’ve been out at the cinema* and don’t have time to write about the pictures I’d originally intended..
This is the somewhat derelict former Salvation Army citadel in Sheffield city centre. There has been some sort of legal wrangling over the use of the building for years now, all while the building slips into further disrepair. This is a shame as it’s a handsome looking building, something that the city should cherish. I hope it can be repurposed to some good use while maintaining the beautiful architecture.
Today was the day I picked for my annual pilgrimage to Mablethorpe on the Lincolnshire coast. Although the weather forecast stated good weather for the location, it was drizzly, grey and even foggy for much of the 80-odd mile journey there, only brightening up after I crossed the Wolds to the coastal area. By the time I arrived it was a beautiful day with nary a cloud in the sky. Although, being a photographer, a few clouds to give the skies some interest wouldn’t have gone amiss. 🙂
Normally I tend to stay in Mablethorpe itself during these day trips, but today I set off early so that I could walk down the coastal path to Sutton-on-Sea, where I shot the picture below.
I shot four rolls of B&W film (using the GW690, so 32 shots in total), but none of those are developed or scanned yet. So in the meantime, here’s a digital photo from the outing.
Another shot taken on my walk into the office the other week. The building the person is walking in front of is the same one I posted another picture of here.
A quick post today, and it’s of a subject I’ve shot before (see here), but it’s the steps to the top of a railway bridge and, beside it, a particularly pointless cycle gate. It’s one of those mundane pictures that I nonetheless quite like.