Nikon F80 & Nikkor 24-120mm f/4 ED VR on Fujifilm Acros II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 15 August 2026.
Nikon F80 & Nikkor 24-120mm f/4 ED VR on Fujifilm Acros II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 15 August 2026.
A few weeks ago I bought another new (to me) lens – a Nikkor 24-120mm f/4 ED VR. It was bought as a walkabout lens to use with my Nikon F80, and also the Nikon D810 DSLR that I bought to scan negatives, but which I will probably do some actual photography with as well. I believe that the lens was the kit lens for Nikon’s pro line of DSLRs and, from the reviews I read, appeared to be well regarded and sharp.
Othe than the Reto Ultrawide and Slim camera I have, it’s the widest focal length lens I own, and it’s surprising the ammount of difference between 24mm and 28mm (the widest focal length I otherwise have at my disposal), and I’ve made use of this wider angle on a good few occasions now. It does distort noticeably at the wide end though, and not in a way that’s easily rectified (on film shots, at least), but with a bit or perseverance it can be done well enough for my needs.
It’s also not a small lens and is a little unbalanced on my F80, which is quite small for an SLR, but I can put up with this due to the convenience it brings. The 24-120mm focal length is plenty good enough for most of my needs (I can bring along the 70-200mm lens if I need more reach), and it is sharp – far more so than the Tamron 28-300mm I had for a while.
It’s also a VR lens which makes it even more useful thanks to the F80’s ability to make use of the image stabilisation. It means I’m able to handhold it at pretty slow shutter speeds and still avoid camera shake.
I’ve shot a few rolls of film using it so far, and the ones I’ve developed and scanned all look good, so I’m pretty happy with it.
And what better subject for a new lens than some pylons. 😀
Nikon F80 & Nikkor 24-120mm f/4 ED VR on Fomapan 400 (shot at 200asa). Ilfotec DD-X 1+4 9mins @ 20°
Taken 28 July 2026.
Perhaps the biggest outing I had during our holiday in Madeira was a trip I took to the Nuns’ Valley where the village of Curral das Freiras nestles amongst the mountains. The valley is so-named after the nun’s who retreated there as it was out of sight from the coastline and the threat of passing pirates.
I had originally planned on booking an excursion, but then found I could DIY it for much less money by simply catching a bus! I forget how much the excursion would have cost, but the bus fare was around three Euro each way, so a noticeable saving.
So, after working out which bus I needed to catch, and where in Funchal I needed to catch it, I decided to take the trip on the last day of June.
The bus took a route through the centre of Funchal before rising up into the outskirts and residential areas on the steep hillsides, often following roads that you might not expect a bus to fit – but it obviously did. From there it rose into the mountains, one moment through thick and steeply sloped woodland, then next alongside vertiginous drops to the valleys below.
While Curral das Freiras was my destination, for this trip it would very much be a case of the journey being the destination as well as, rather than going directly to the village, my plan was to leave the bus at Eira do Serrado, the location of a scenic mountain-top viewpoint. From there I would follow the mountain path 1,300 feet down to the village below.
Before I began my descent, and after a quick refreshment break in the small hotel and shop that sits at the peak, I first walked to the scenic viewpoint. On the way I met a curious chap playing an accordion and wearing a flag-bedecked hat. As I approached he asked where I was from. “The UK”, I said, and he began to sing me a song. I gave him a few Euro in thanks and asked if I could take his picture.
The viewpoint itself was both spectacular and fear inducing. An amazing view out across the mountains and down into the valley floor, albeit with a vertigo inducing sense or terror when I looked over the waist high fence to a drop of maybe a thousand feet! After (very carefully) enjoying the view for ten minutes, I made my way back down the path to the hotel area. The accordion man asked again where I was from – I clearly made little impression before!
The two pictures below were made from the viewpoint and the path back to the hotel.
Past the hotel I found the top of the hiking trail and began my descent. The trail followed a zig zag down the mountainside, but the first section ran through a stand of trees where the air was refreshingly cooler – the day of my visit featured empty blue skies and a hot sun that gradually brought more of the valley into light as the morning progressed. Part of me wished for more cloud to add some (literal) atmosphere but I guess I was lucky in a way as, while I find empty blue skies uninspiring, they were probably preferable to the low cloud I had seen enveloping the mountaintops on other days and which would have both completely obscured the view and, worse, required me to descend the path in what would effectively be fog.
The path was cut from natural rock in places, and in others paved with placed stones. Sometimes the angle was gentle, sometimes steep. There was an occasional section with a wire guard-line, but it crossed my mind numerous times that a trip or loss of footing might easily see my rapidly stumbling out of control and into nothingness.
At one stage I was a little worried that the path might take me on a precipitous looking ledge hugging a cliffside, but thankfully not. You can get and idea of my concern from the picture below.
As I descended, the village below grew from tiny specks of white to recogniseable buildings, as seen in the next two pictures. I did shoot quite a few colour frames during the hike but I’m not satisfied with how most of them look. The one below is ok though. If you look closely at the bottom right of the frame, you can see a small rest area with a bench and viewpoint about halfway down the mountainside. The next picture was taken from the rest area if I remember correctly.
As the descent continued, so the trail began to pass through more wooded areas. There was also one section with thousands of bees flying all around. Thankfully they were just interested in going about their business rather than the sweaty englishman passing among them.
I walked with another English couple during this lower stretch of the path, and it was nice to share the experience with others. I also passed at least two other couples walking up the trail from the bottom, which must be a real feat of endurance.
As I got down into the valley floor I took some pictures looking back up at the mountainside, and from where I had come. In the first picture you can just make out the hotel up at the viewpoint and the path zig-zagging below.
I’ll finish the post off with a couple of pictures I took in Curral das Freiras itself. The village is small and mostly quiet with a few touristy shops and restaurants (in one of which I treated myself to a nice piece of cake and a very welcome ice-cold drink) and is apparently famous for it’s chestnut dishes. I spent an hour or so wandering around the place, looking inside the church (which has a lovingly kept graveyard where all the graves feature an inlaid photograph of their occupants), before making my way to the bus back to Funchal.
I sat across from the couple I’ve shared the descent with, who it turned out were staying in a hotel not far from ours, although they were heading home the following day. Sadly, as I was facing backwards, I felt somewhat travel-sick by the time I arrived back in Funchal, but not enough to place a cloud over the experience.
And so we come to the end om my Madeira pictures (unless I dig out some more I like at some point). Now to get on with the rest of my growing backlog…
Olympus Trip 35 & Fujifilm Across II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 30 June 2026.
Still posting digital shots it seems, although today I have a good reason – I had to fetch my wife and her sister from the airport and it ended up being a 5-hour round trip!
Will I post the final batch of Madeira pictures tomorrow? I guess you’ll have to wait and see (but I’m not making any promises, lol).
Panasonic Lumix GX7 & Panasonic Lumix 20mm f/1.7 ASPH.
Taken on 12 September 2026
Panasonic Lumix GX7 & Panasonic Lumix 20mm f/1.7 ASPH.
Taken on 12 September 2026
Olympus Trip 35 & Fujifilm Across II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 2 July 2026.
I’ll be back on the film shots soon. I have some remaining pictures from Madeira to finish off that set, then I’ll move onto something else from the huge backlog (well, several rolls…) I’ve yet to upload, scan or develop.
Another from my walk out with the Lumix GX7 for today’s post though.
Panasonic Lumix GX7 & Panasonic Lumix 20mm f/1.7 ASPH.
Taken on 12 September 2026
This 1997 Volvo 940 estate caught my eye while I was out yesterday. I looked to be in pristine condition.
It made me think of the occasional posts Jim Grey does on old cars parked.
The old Lumix GX7 and the tiny 20mm pancake lens has done another good job here, and there’s plenty of resolution even from a cropped 16mp 4:3 file.
Panasonic Lumix GX7 & Panasonic Lumix 20mm f/1.7 ASPH.
Taken on 12 September 2026
I’ve been spending a little time looking back at older pictures in my archive recently. Sometimes there are images hidden away in there that I didn’t spot the potential of at the time (sometimes, usually with digital, because I just had too many to go through)
Here’s one of those images, taken somewhere in Manhattan (I’m not sure where exactly – perhaps someone recognizes the spot – maybe the Applebees will give it away) during our last visit back in 2019. I really like the tonality from the bright sunlit buildings at the top of the frame, to the shadowy fall off at the bottom.
It made me think that I ought to shoot with my micro four thirds kit again – it’s been sat mostly unused for several years (apart from an outing a couple of weeks ago where I wanted to test some ND grad filters that I’m planning on using with my film cameras).
Despite its age, it’s clearly still a very capable camera. It’s also the only digital camera I own that lets me shoot at a 40mm prime focal length, which is something I like. It will pair nicely with the 28mm of my Ricoh GRIII in that regard.
And so I took it out with me today and shot a bunch of frames. My goal was to get a single picture that I liked, but I ended up with several. I’ll perhaps share some here when I’ve processed them.
Panasonic Lumix GX7 & Panasonic Lumix G Vario 12-60 mm f/3.5-5.6 Asph.
Taken on 28 May 2019
Olympus Trip 35 & Fujifilm Across II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 2 July 2026.