The last of the Magpie Mine pictures, and one I took as I headed towards the nearby village of Sheldon, a way marker showing the path on which I’d just traveled, and the one I was about to take.
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.
This was my third visit to Magpie Mine, a former lead mine in the Peak District national park. You can see some other posts from previous visits (where I shot 30-year-expired film, and large format) here, here, and here.
This time I was shooting my Nikon F80 with my Tamron 28-300mm zoom lens. As I mentioned the other day, I haven’t been impressed by the sharpness of the lens, and while it’s not too evident in these images, there are others from the roll that I wish had been sharper.
[Magpie Mine] was the last working lead mine in the Derbyshire orefield and is one of the best surviving examples in the UK of a 19th century lead mine. The mine has a fascinating history spanning more than 200 years of bonanzas and failures, of bitter disputes and fights resulting in the “murder” of three miners, and a Widows’ Curse that is said to remain to this day.
Thankfully there were no murders while I was there, and no sign of the widow’s curse. I did however witness another visitor’s dog race off across the fields next to the mine when a hare appeared. The hare made it’s escape hopefully none the worse for wear.
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.
Today’s pictures show a replica horse gin that stands at Magpie Mine in the Derbyshire Peak District. It is located at the same spot as the original which was used to raise lead ore from the mine workings.
More pictures from Magpie Mine incoming…
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.
Although, I think those building might not be a farm and actually house holiday rentals… But it looks like a farm, what with all the fields and animals and whatnot.
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.
Right at the limit of the 28-300mm Tamron lens I was using.
I bought this lens as a good walkabout lens. It’s compact, quite light, has a good range of focal lengths, and the vibration reduction means handholding it is very easy. Unfortunately, despite the reviews, I found it to be a bit soft, particularly at the edges of the frame.
I wondered about putting up with it for the convenience but, after some umming and aahing, decided that image quality was important to me and so traded it in against a used Nikkor 70-200mm f/4 VR lens. This lens is considerably less convenient in a number of ways (weight and size, certainly), but I’m hoping it will live up to its reputation for being very sharp. If I pair it with my cheap, but very good 28-80mm lens, then I still have most of the focal length range (it was quite rare for me to go beyond 200mm with the Tamron).
I’m hoping to finish off a roll shot with the 70-200mm this weekend, and am keen to see the results.
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.
I’ve noticed this pair of semi-detached houses before and the seems to be a definite droop as though both halves are sinking away from the centre. I wonder it the effect is replicated inside?
Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Kentmere 400. Ilfotec DD-X 1+4. 11.5 mins @ 20°