I had a day off work yesterday and decided that I would take my Chamonix 045N-1 for a second outing. After my initial test a couple of weeks or so back, I felt confident enough to take a slightly longer trip out into the Peak District. By some miracle, the weather was actually good too – warm, with plenty of sunshine and cloud. There was a risk of rain predicted but not until later in the day.
My initial plan had been to visit a few locations but, in the end, I only went to a single spot as I soon discovered that, despite everything else, there was still sand in the gears (not literally!).
I drove out to Surprise View car park in order to photograph Mother Cap, a large gritstone outcrop, and then to photograph the birch woodland in the same area. Although Mother Cap isnt too far from the car park, it is quite a bit higher and the footpath requires some scrambling over rocks – nothing too challenging, but still enough to work up a sweat when you’re carrying a big tripod and a heavy backpack.
The first two shots went well, I thought, although I found focusing a little difficult because I had fitted a yellow filter to the lens (note to self, focus before fitting the filter enxt time). As it turned out, I managed to get some camera shake on the first shot, probably because the tripod was stood on springy heather covered ground and wasn’t stable enough.
The next shot was taken on firmer ground but the issues with the filter meant that there are a few minor focusing problems where I hadn’t set the camera movements as well as I might. It was at this point that my cable release also broke, the threading on the end somehow coming undone slightly, so the next shot had to be taken using the shutter release on the lens without the benefit of the cable. It was at 1/60sec though, so it came out ok. I’ll post these two pictures tomorrow.
The final shot I took was of the birch woodland. This time the camera was placed in a stable spot, and I managed to finagle the cable release enough that it functioned properly again (although I’ll be using a different one in future AND taking a spare). Despite this, a new problem came to bear…
Because it was a warm day with hot sunshine, and because I was quite hot from hiking around with my gear, I now found that beiing under the darkcloth for more than about ten seconds resulted in my spectacles completely steaming up, rendering any attempt to focus of check the scene nigh on impossible (and made even more difficult by the yellow filter).
I did my best with it, but it wasn’t good enough, and the resultant image has a number of problems with soft focus in various parts of te scene. Thankfully it’s not terrible, but it’s not what I wanted. I do like the resulting picture though and it might be worth another visit to try and get a technically better result.
Here it is. It probably looks fine on a small screen, but it loses a lot of sharpness when viewed large.
Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Fomapan 100. Ilfotec DD-X 1+9 12mins @ 20°
Taken 19 June 2023.


It’s a lovely composition, and the choice of yellow filter works great. I clicked through to Flickr to see it larger as you suggested, and I am a bit surprised by some of the areas that look troublesome. I am not a large-format photographer in the least and have next to no knowledge of the equipment, although I do understand you can use movements to tilt the focal plane. But I wonder if there is an issue with the film flatness. I can’t understand how else some of the spots would be blurry whilst neighboring areas seemingly in the same plane of focus are sharp. I’m particularly looking at the right-hand side, about midway vertically and about 1/3 from the right edge, where some branches and trunks look defocused, but are surrounded by sharp branches and trunks. No need to respond since I’m just a dilettante commenter, but perhaps this observation helps diagnose and find the path to improvement?
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Thanks Karl.
I expect that it’s caused by some odd combination of camera movements. 4×5 film is fairly rigid in comparison with 135 or 120 format, and the design of the film holders would prevent film from not lying flat (or would end up in a more catastropic failure, such as the fil coming out of the holder, or the darkslide being blocked or something).
I am going to keep an eye on it though, hopefully when I don’t have my vision fogged by condensation! 🙂
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