A fairly straightforward street photo for today. It works, I think, because the arcade is closed and the blue shutters are down. Had it been opened then the figure would have been lost amongst the background. Lots of blues and a nice burst of colour from the sign look quite nice.
We’ve been hit by storm Eunice here in the UK today, and the southern counties received two red weather alerts, the most serious we get in this country, and not something that happens very often. Wind speeds of over 100mph were recorded in parts of the country. Being a couple of hundred miles north of the worst of it, all we’ve had here is a quite blustery and rainy afternoon. Some of the trees I can see from the house were swaying quite wildly but I’ve not noticed any damage from the limited vantage points I have from looking out of the windows.
A large part of the population seems to have been fixated on this YouTube channel, which has been showing planes landing (or attempting to land in some cases) in the high winds at London Heathrow airport. It had 185,000 viewers when I took a look earlier!
Olympus XA3 and Kodak Colorplus (expired 2012 and shot at 100asa)
I use the Grain2Pixel Photoshop plug-in to convert colour negatives. I’ve found it can be a bit finicky on certain film stocks – Portra for instance – but it always seems to do a great job with Kodk Colorplus, producing lovely saturated colours. I’m not sure how accurate these are to the film’s profile (and who really knows when scanning?) but I like the results very much. In scenes like this the reds leap off the picture.
Olympus XA3 and Kodak Colorplus (expired 2012 and shot at 100asa)
On my trip to Cleethorpes I made a number of pictures around the railway station. While I’m not a railway enthusiast in the sense of being interested in trains especially, I do find that the locomotives, carriages, rolling stock and the infrastructure that surrounds them makes for evocative photographs.
I like how this picture came out. It reminds me of something that might turn up in a set of old mounted slides or something, despite being a contemporary scene and being shot on colour negative film. It wouldn’t have worked anywhere near as nicely without the great light though
Olympus XA3 and Kodak Colorplus (expired 2012 and shot at 100asa)
At the end of January I took myself off for a day at the seaside town of Cleethorpes. It was a nice day with vivid blue skies and plenty of bright winter sunshine. There wasn’t much in the way of warmth however, not helped by the fact that we still had the tail-end of Storm Malik creating blustery conditions. However, this being the UK in wintertime, I was glad enough for the bright day and wore enough clothes to keep the chill at bay.
I didn’t have any particular plans for the day other than to take a bunch of photographs at an off-season seaside town. I knew that most of the attractions would be shuttered up for the winter, but that was kinda the point – to see it in the times when it isn’t full of holidaymakers and day-trippers.
I’d parked up right on the promenade. Unsurprisingly there were plenty of spaces to choose from – almost all of them in fact, and after buying a ticket I decided to head north to the end of the promenade where the beach heads on up to Grimsby. The wind was bitingly cold, but my jacket kept me warm, and I kept on my gloves unless I wanted to make a picture. Despite the fact that most things were shuttered, the big amusement arcade was open and I went in for a bit of warmth and a quick game on an old Galaga machine that I found lurking in a corner.
I had three cameras with me, which might sound like overkill, but two of them (the Olympus XA3 with which today’s photos were shot, and my digital Ricoh) are both tiny and easily pocketable. Only the OM-2n required a bag to carry it and a couple of extra lenses.
The photos in todays blog are of the small funfair on the beach. It’s not much of a funfair – just three rides – but I think it’s pretty much all that is left in terms of these sorts of things at the resort. There used to be a small theme park to the south of the town with some actual thrill rides, but that closed years ago. There were also larger rides including dodgems and a waltzer inside one of the buildings on the promenade, but I believe that it’s now an indoor market. This small cluster of beach attractions consists of a big-wheel (sans carriages at this time of year), a helter-skelter (all locked up), and a kiddies rollercoaster (missing its train, again because no children are around to ride on it in January). Despite their inactivity, they still made for colourful pictures in the bright sunshine though.
The old expired roll of Colorplus (which came with the XA3 when I bought it early last summer) has come out a treat.
Olympus XA3 and Kodak Colorplus (expired 2012 and shot at 100asa)
This signpost sits beside an old wrought-iron footbridge over the River Don in Sheffield. The destinations are mostly areas of the city, but with a few places further afield. The sign pointing to Wales refers to the village of Wales to the east of the city, rather than the nation to the west of England. Interestingly, a variety of measurement types are used on the signs.
Someone on Flickr asked me what a “rod” was, so I looked it up. Today’s bit of trivia (and something I didn’t know before) is that a rod is equivalent to sixteen and a half feet. There are four rods in a chain, forty rods in a furlong, and three-hundred-and-twenty rods in a mile.
Postboxes are another of those subjects to which I seem to be drawn quite often. Usually it’s when I’m shooting colour film as I think that the bright red paintwork lends itself best to that format, but I have more than a few pictures in black and white too, as with today’s photo.
Colour would have worked well too, although the box was in shad so might not have “popped” in the same way as when illuminated, but this particular example has the added interest of a bunch of stickers pasted to its side – a mixture of random art and political messaging of varying persuasions. I made the picture with the lens wide open af f/2.8 as I wanted to remove the background clutter, but perhaps a little narrower might have better benefited the ability to read the stickers.
I’d planned to come up with a longer piece for today’s blog but then my eldest son and his girlfriend came to visit for a few hours, so I’ve not got the time now. Maybe I’ll farebetter tomorrow.
This picture was taken pretty much adjacent to the one that featured yesterday, this time looking up the path beside the river rather than down into the water.
When I visited Kelham Island the other week I decided to follow the river downstream to where it skirts the edge of the town centre and shot a number of black and white photos on that leg of the walk. The photo in today’s post shows the scene just upstream from Lady’s Bridge (which you can see peeking into the shot at the lower right).
I received a new film camera in the mail today. An actual, bona-fide brand-new film camera to boot and, no, it’s not a Leica. Quite the opposite infact – it’s a RETO Ultrawide and Slim, which is a copy of the Vivitar Ultrawide & Slim. It’s a toy camera made almost completely out of plastic, including the lens, with the distinctive feature that the lens is a 22mm focal length, hence the “ultrawide” in the name. There have been a number of copies of the original Vivitar version, of which this is the latest.
I’ve not had chance to try it out yet, but the lens is supposedly quite sharp (although what that means in real terms, I’m unsure), but with a dropoff in quality to the edges of the frame, and with a vignette too. I’m a fan of my Holga and the images it produces, so thought this might be fun to try out. It cost me £30, which is probably more than it is worth (especially considering some other cameras I could buy for the same or less) but, well, I’ve spent money on worse things.
When I get around to shooting with it I’ll post some results and maybe a review.
Today’s photo is of The Fat Cat pub in Kelham Island. It’s a place I’ve photographed on a number of occasions as it always seems to catch my eye, especially if the conditions are nice, as they were on this day.
I think that, because I tend to choose Kelham Island for photography outings quite often – it’s close and easy to get to and I can usually find free parking. Plus it’s undergoing gentrification so change is taking place all the time – that an element of over-familiarity might have set in and that I’m drawn to the same compositions that attracted me on previous visits – the more obvious ones at least.
There will be countless other pictures to be made, but I need to look more carefully and draw them out I think.
A couple of earlier posts featuring The Fat Cat can be seen here and here.
Steel City Snapper photography 