35mm · Film photography · Photography

Empties

While I rarely witness it, a regular sight on Sunday mornings in the town centre is the detritus of the previous evening. Sometimes, if you’re in town early, this will sometimes include the people who didn’t manage to find their way home again, usually as a result of too much of a good time. While sometimes these people would make for great photos – such as the person I once saw slumped in a doorway fast asleep and wearing a suit, with a half-eaten (and long-cold kebab) still in his grasp – I don’t tend to take pictures of those scenes. I have a rule to try to not take “unkind” photos and I think images like this – as with photographing homeless people – would fall into that bracket. I’m not a photojournalist, and I don’t think I could really dress my pastime up as “social commentary”.

However, that doesn’t mean the things that late night revellers left behind can’t make for a shot or two, such as today’s collection of bottles.

FILM - Empties

Nikon F80, Nikkor 50mm f/1.8 AF-D & Ilford HP5+.

Taken on 2 February 2020

35mm · Film photography · Photography

K.I.S.S.I.N.G.

Painted on the wall of Fagan’s pub on Broad Lane in Sheffield, this lovely piece of art – named “The Snog” – hopefully cheers up commuters heading out of town at the end of the day.

Quite often there are cars parked in the space in front of the wall which block the view, but as there were none there on this day, I made a photo.

It was painted by local artist Pete McKee and if you click this link, you can find out more about it and even see a video of its creation.

 

FILM - Snog

Nikon F80, Nikkor 50mm f/1.8 AF-D & Ilford HP5+.

Taken on 2 February 2020

35mm · Film photography · Photography

Lone figure

I like the sense of scale in this photo. I’ve never really considered how tall these trees are before, but the figure in the distance gives some sense of their size. There is, to be fair, a little bit of perspective to take into play – the person in the shot is beyond the leftmost bit of the trees, but not by too far.

FILM - Figure

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020

35mm · Film photography · Photography

Dogwalker

Continuing my series of photos from the misty morning walk I took a couple of weeks ago, here’s someone walking their dog. Without the mist this would have been rubbish, I think, but as it stands the conditions plus the grainyness in this photo (and the ice filled potholes) work pretty well.

One thing I’m unsure about is the stuff in the upper-left of the image. At first I thought it was a mark on the film, but then I realised that it’s actually part of the cable-waterski equipment at the lake. I find it a little distracting and did consider cloning it out, but then I would have felt deceitful – I have a particular attitude to cloning stuff out of my photos. I’ll happily remove small distractions or fix flaws, but there comes a point where, even where could make a success of it, it feels like I’ve gone too far and have altered the reality of the scene too much. And so I decided that the cables would stay in the shot, even if they perhaps spoil it a little.

But hey, it game me something to talk about in today’s post. 🙂

FILM - Dogwalker

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020

35mm · Film photography · Photography

Floating leaf

I obviously thought that this leaf floating on the still water at the edge of the lake was worth photographing, but I’m very pleased with the resulting picture. At the time I though about using a polariser to remove reflections and increase the visibility of the lake-bed, but I’m so glad I didn’t. The reflected clouds are what make the photograph for me.

FILM - Leaf

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020

35mm · Film photography · Photography

Still and misty waters

This is a photograph the lake at Rother Valley Country Park, not too far from where I live. It’s not generally a place I find condusive for taking photos because, while it’s good for walking, running, cycling etc., and there are a variety of watersports (as well as waterfowl) to enjoy, it’s location means that any sort of wide shot features the surrounding hills, most of which have either houses or industrial units upon them. While I’m sure there are plenty of great photos to be had, I’ve probably been spoilt by familiarity and don’t tend to find it very inspiring.

On misty days however, all that (literally!) fades away and the place takes on a wonderful serenity. The background distractions melt away into the haze leaving much more subtle sights.

Today’s photo is one of a pair I took at this spot. The first one shows just a ripple as the coot decided to dive beneath the surface just as I pressed the shutter. This one was taken shortry after it re-emerged.

FILM - Still

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020

35mm · Film photography · Photography

Suburban sunrise

A couple of weeks back I awoke to a beautiful misty morning. Alas I was at work that day – plus I had to get the kids sorted for school – so I thought it would be another one of those occasions where I feel robbed of the opportunity to take advantage of the conditions. Thankfully however, the mist persisted past the time the kids left the house and left me a short window of opportunity to get out and make some photographs.

I managed to get to the local country park, which is just a short distance from home (you’ll see some of those pictures in the coming days, hopefully), and today’s picture is of some houses sat beneath the rising sun which I passed on my way.

FILM - Suburban sunrise

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020

Film photography · Medium Format · Photography

Cascades at Hell Bank Plantation

One of the ways I like to find potential locations for photography is by browsing Ordnance Survey maps. Usually I look for public footpaths and rights of way and plan a walk in the hope that there might be something interesting to photograph along the route – usually there is. I’ve loved to look at Ordnance Survey maps ever since I first came across them as a child – specifically the 1:25,000 scale Landranger maps. They’re a treasure trove of detail with their beautiful design and iconography, and just skimming across them will turn up evocative little identifiers for things like trig points, towers, tumuli, wells and all manner of other intriguing things. And so it was on this occasion, where my browsing alighted upon the intriguingly named Hell Bank Plantation which also had a little marking stating “Waterfalls“.

So last Saturday, after my walk along the River Derwent at Calver, I decided to head home via a route that would take me to Hell Bank Plantation so I could see what it was like as a location.

After a wrong turn that would have gotten me where I needed to go – if I was on foot(!) – I finally took the right route and managed to get a parking space at the top of the plantation (where a decent number of other vehicles were already parked). The entrance into the plantation was via a stile a few yards from where I’d parked and the trail led down into the pine woodland. After a short distance the main footpath had a fork with the narrower branch heading down towards where I assumed the stream and waterfalls would be.

FILM - Gnarly

The path led me across the stream and then took a left turn so that it descended into the valley with the stream on my left, now at the bottom of a steep-sided gorge. I could see a number of cascades of water down there – nothing spectacular (although I guess it will be much more exciting after some heavy rain) but attractive nontheless. After walking down the valley a couple of hundred yards, it became apparent that there was no easy way to get to the stream from this path down here so I back-tracked. Back near the top I found a place where, with care, I might get down to the water. So, using my tripod as a walking pole, I eased myself down the steep bank to the bottom.

FILM - Hell Bank cascade

Near the bottom was the remains of a stone bridge about ten feet wide, broken in the middle and covered in moss. Thankfully, it also looked like there might be an easier way back up the opposite bank when I finished with my photography. I made my way upstream a little to get in position for some photos – while the stream wasn’t a torrent, there were still some pools that were plenty deep enough to submerge my walking boots fully, so careful progress was required. When I found a good spot I took an incident meter reading and also a couple of spot readings of shadows and highlights to see what they would show (the average wasn’t too far off the incident reading, so I went with that). As I wanted to try and get everything in focus, I metered for f/22 which gave an exposure of around 2 seconds.

FILM - In a narrow gorge

After taking a number of shots I retreated to the broken bridge and, as I’d hoped, was able to climb the eastern bank with relative ease and from there walked back uphill to the car and the journey home.

FILM - Cascade

The processed negatives were a little on the thin side, although not unduly so, and I’ve ended up with contrasty images that I like – at least where the stream and cascades of water are concerned. Some of the other shots (including the bridge) are somewhat busy and I think, if I return to the location, it deserves colour to properly seperate the vegetation, rocks, water and wood textures in the pictures.

There is also another waterfall further down the valley according to Ordnance Survey. 🙂

Bronica ETRSi, Zenzanon 75mm f/2.8 & Kodak Tmax 400.

Taken on 25 January 2020