Film photography · Medium Format · Photography

Muddy cow

This was, I think, the last photograph I took before Christmas. It’s certianly the final shot from the roll of HP5 that I shot on the 23rd December. After making most of the pictures near Meadowhall and the nearby M1, I decided to drive home on a circuitous route to see if there was anything I could use the remaining few frames on. After taking a landscape shot of some haybales, I came across a farm I’ve never driven past before which had a wonderful (and very muddy) farmyard right beside the road, where a herd of cows were feeding and taking shelter. This photo is one of two I took.

The farm has a shop and I bought myself a very tasty black-pudding sausage roll for my lunch while I was there too.

FILM - Should've worn your wellies

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

Film photography · Medium Format · Photography

The Sportsman Inn

Sheffield, as with many cities, towns and villages in the UK, has a significant number of closed pubs. Whereas pubs in residential areas and the city centre still survive (and thrive) – either due to footfall, location, or by adapting to changing tastes and becoming family orientated pub-restaurants – in places that were once centres of heavy industry, they haven’t fared so well.

The east-end of Sheffield was once carpeted with steel foundries, engineering firms, and manufacturing industry. While this is still the case to some extent, much of the heavy industry has gone and with it the huge numbers of workers keen to slake their thirst after their shifts came to an end.

The decline in this industry has also changed the residential makeup of the surrounding areas. Row upon row of terraced houses that used to house the workers and their families have now either been demolished, of are now inhabited by new generations less inclined to spend their leisure time in public houses. As a result of this, huge numbers of pubs in the area have been closed or re-purposed.

The picture today is of the Sportsman Inn, which is on Blackburn Road in Sheffield. The pub was acquired by Gilmours in 1906, so probably dates back earlier than that. The facade staes 1919, but that is apparently when the pub was rebuilt (perhaps after bomb damage during the first world war?). The pub probably closed sometime in the last five years as the WhatPub site last updated it’s page in 2016, when the pub appeared to be still trading.

FILM - The Sportsman Inn

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

Film photography · Medium Format · Photography

Across and up

This is a footbridge across the M1 motorway just north of junction 34. I’ve driven beneath the bridge on many occasions, but have never walked across it before I took this photo. It’s quite a long way down when you get to the upper end, with traffic hurtling beneath.

I’ve thought about taking photos in this area on more than one occasion as I’ve driven past, and so I finally took the opportunity to do so just before Christmas. It’s hardly the most beautiful of places, but there are lots of interesting photos to be had.

FILM - Ascent

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

Film photography · Medium Format · Photography

Nineteen

A shot taken a couple of days before Christmas in typically wet UK December conditions. It was raining quite heavily when I took this so I perhaps rushed the shot a little. With hindsight I should have either gotten lower or angled the camera down to get more of the reflection in frame (and at the same time removing some of the somewhat uninteresting sky). I have thought about cropping it, but in the end decided not to.

I do like it though, and think it might be worth a re-visit if there are similar wet conditions (and an empty car park) again at some point.

FILM - 19

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

35mm · Film photography · Photography

Shooting a roll of Polypan F

A few months ago, a friend on the photography forum I’m a member of offered some rolls of bulk-loaded Polypan F to other members. Apart from generosity, he was interested to see what sort of results a variety of other people would be able to achieve with the film. Several people volunteered to take part and a box full of film was circulated (each person taking a roll and then posting the remainder to the next person, and so on).

I received the box back at the start of November, but didn’t shoot my roll untill the end of December. The main reason for the delay is the nature of the film. Polypan F is a motion picture copy film. It has very little anti-halation and so can make bright light sources bloom and glow in the right conditions. As November in the UK is not known for it’s bright conditions, I decided to wait for a sunny day. The 30th of December wasn’t the first sunny day to come around, but as I work full time, it was the first one where I was off work and could get out and shoot the film.

There was a loose theme attached to the film – the subject matter should be related to the letter “P”. Based on this, I decided to shoot my roll in a plantation of pine trees in the Peak District national park.

Polypan F has a native speed of 50asa so, even given the bright conditions, I would probably need to shoot accordingly. As a result I took along my tripod and a shutter-release cable. Alas though, even these measures were not to be sufficient.

Shooting in relatively well lit areas of the woodland didn’t pose much of a problem, especially with the 50mm lens, but the 75-150mm was another matter. I was using mid-range apertures to try and maximise my depth of field while shooting at focal lengths over 100mm. When in shaded conditions, this was dropping my shutter speed right down to little over 1sec in many instances. While the camera was firmly held on the tripod, and I was using the cable-release, I still ended up with a lot of shots displaying noticeable camera shake. I believe that the long lens, coupled with the slow shutter speed, was subject to vibrations from the cameras mirror when I took the shots. This was a shame as I lost a number of photos that I think were otherwise pretty nice, Still, I’ll take it on the chin and chalk it up to experience. I’ve never used the OM-1’s mirror lock-up before, but am now fully conversant with how it operates!

Here are some of the better shots from the day.

1 – This is the southerly path I took when entering the plantation (Lady Canning’s Plantation, to the south-west of Sheffield at Ringinglow). The plantation is commercially operated but has public access, including a number of mountain bike trails that were in heavy use on the day of my visit. The light blooming is quite apparent in this shot, particularly where the sun is peeking through the trees.

FILM - Through Lady Canning's Plantation

2 – I ventured off the main footpath to take the next two photos. This was perhaps a mistake as the ground was very uneven (from the wheels of heavy plantation machinery that must have worked there some time in the past) and with a notable quantity of prickly, clothes-snagging, skin-scratching brambles to fight through. Even though I was only 20 or 30 metres from the path, I did wonder if anyone would ever notice me where I to collapse or something. Me and my cheerful thoughts, eh?

FILM - Battles with brambles

FILM - Glade

3 – This wide avenue bisects the plantation and is the route of an underground pipeline, hence the lack of tree cover.

FILM - Pipeline passage

4 – The southern boundary of the plantation opens onto Burbage Moor.

FILM - Southern boundary

5 – A couple of hundred metres or so from the southern edge of the plantation stand the Ox Stones, a gritstone tor. Also nearby is a triangulation (trig) point.

FILM - Ox Stones

FILM - Trig point

6 – And finally, here’s a detail shot of one of the Ox Stones.

FILM - Strata

It was interesting to use the Polypan F. I’m not sure it’s a film I’ll rush to use again, but I wouldn’t say no if some more came my way. I wish I’d not had the issues with camera shake though as I might have had more images to share.

All photographs taken with my Olympus OM-1, F.Zuiko 50mm f/1.8 / Zuiko 75-150mm f/4 lenses & Polypan F.

Taken on 30 December 2019

Film photography · Medium Format · Photography

A bridge over the River Moss

Muchos grain in today’s photos, both Holga shots on expired Tri-X which resulted in pretty thin negatives. As a result I increased the exposure in Lightroom which has increased the noise in the images by a considerable amount.

Both images depict a wooden footbridge across the River Moss, where I took a walk last weekend.

FILM - Bridge over the Moss

FILM - Crossing point

Holga 120N & Kodak Tri-X (expired 2012).

Taken on 27 December 2019

Film photography · Medium Format · Photography

Ponies behind bars

When I saw these ponies behind a gate, I took a detour from the footpath to make a photo. At first only one was there, but others soon became curious and joined the group – possibly with the expectation that I might have some sort of tasty snack for them. I felt oddly guilty for attracting them to the gate, even if unintentionally,  with no reward other than a photograph that they will never see.

I’ll take this walk again at some point though, so perhaps I’ll take along an apple or two next time.

FILM - Behind bars

Holga 120N & Kodak Tri-X (expired 2012).

Taken on 27 December 2019

Film photography · Medium Format · Photography

I do date from pagan times, and age makes bones to creak

A quote from John Masefield’s “The Box of Delights”, or at least the BBC television adaptation – I’m not sure if the quote is in the book or not – has been used for today’s post. It seemed to fit the image.

While the tree stump (and living tree that frames it) most likely don’t date from pagan times, I think the image is evokative of ancient woodland and has an air of mystery about it. The spidery, blood-vessel-like branches work very well to add to the feel and, once again, the Holga adds it’s own brand of unique beauty to the scene.

The photo is underexposed as a consequence of the Holga’s limited aperture and (even more limited) shutter speed choices, and also the fact that the film was almost 10-years expired. I do like this sort of moody, high-contrast look though, and it’s one that the Holga carries off with aplomb in a way that I think would be disappointing had I used one of my other medium format camera,

FILM - Cosmic horror

Holga 120N & Kodak Tri-X (expired 2012).

Taken on 27 December 2019

Film photography · Medium Format · Photography

I waited and waited but no train came

This photograph was taken from almost the same spot as yersterday’s image – atop a railway bridge – that one depicts the view to the right from here.

I stood atop this bridge waiting for a train to enter the scene for almost 15 minutes, but none made its presence felt. As I’d walked to this location, three trains had passed in quite close proximity, so I’d hoped for another, but nada. After a while, my legs began to feel the chill so I decided to move on, sure that as soon as I got beyond range I’d hear the sound of another locomotive and curse my decision to move, but (surprisingly, given my usual luck) I didn’t.

Before I left though, I took this photo. Part of me thinks it’s better without a train anyway.

FILM - To unknown places

Holga 120N & Kodak Tmax 400.

Taken on 18 December 2019