Looking into the Hope Valley from Bolehills, with Hathersage off to the right of the frame.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 7 February 2018
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Looking into the Hope Valley from Bolehills, with Hathersage off to the right of the frame.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 7 February 2018
I’m a sucker for photos like this one. It’s a mundane subject, but the tones and depth of field are really nice. I love the way the barbed wire fades in and out of focus as it enters an leaves the shot.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 7 February 2018
I maybe didn’t get the most attractive view of the building here, but it still has it’s charms.
Zeiss Mess-Ikonta & Kodak Portra 400 (expired 2016).
Taken on 7 February 2018
This was a quick snap that I took in the car after a walk around town. It had begun to rain, and the water on the windscreen coupled with the reflection of my parking ticket seemed to be something worth photographing.
I don’t know if anyone else would agree, but I like it.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 3 February 2018
Just a couple of suburban dwellings, but I liked the way they were lit by the low afternoon sun while in the background the sky is dark with heavy cloud.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 2 February 2018
This is the side of the Abbeydale Picture House in Sheffield. Opened in 1920, the building is undergoing a gradual refurbishment as a community arts centre.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 27 January 2018
One of the rules of composition is the “rule of space”. This states that there should be more space in front of an object moving through the frame than behind it. I’ve broken that rule here, but (to my eyes at least), I think the shot works well nonetheless. The fact that the man is closer to exiting the scene than entering it seems to add a sense of urgency (which is also helped by the motion blur).
But what do I know. 🙂
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 03 February 2018
I had a day off work this week and took a trip out into the nearby Peak District National Park. I was mostly trying my hand (not very successfully) at some landscape stuff using my digital camera, but I still stuck a couple of film cameras in my bag and managed to polish off a roll of 120 Portra 400, plus the remains of some Tmax 400 in my Pentax P30T.
The area I visited is littered with millstones in varying stages of completion, hewn from the local gritstone. The one in this photo must’ve been photographed many, many thousands of times as it lays right next to the footpath leading to Over Owler Tor.
Zeiss Mess-Ikonta & Kodak Portra 400 (expired 2016).
Taken on 7 February 2018