I have vague memories of visiting this pub occasionally at lunchtimes when I was much younger than I am now, many years ago. It was a short walk from the building where I worked with a bunch of thirsty engineers. There would be, generally on Friday’s, sessions where I doubt many of the people were in any fit state to do any work when they got back to the office!
Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.
A few weeks ago I wrote about how I’d bought a salad spinner as a means to remove excess liquid from my negatives before hanging them to dry. At that time I’d only tried it with a single roll of 120 film (and not scanned them at the time of writing). I’ve now developed and spun three rolls using this method and it’s been a resounding success so far. Today was the first roll of 135 film I’ve used the spinner to dry and it looks to have worked really well too – 135 film was where most of my issues occurred and I rarely got noticeable water marks on 120 film (that I could see, at least).
Today’s picture was shot in the Winter Gardens in Sheffield city centre. The table football game hasn’t been there when I’ve walked through on previous occasions, but it has been a while. It made for a nice photo though and I really like the airily lit upper part of the image. Colorplus is a surprisingly nice film, despite it’s ‘consumer’ status.
Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.
This was taken as the new students were arriving in the city for fresher’s week and there were a series of events taking place to introduce them to the city, including some in Barkers Pool in front of City Hall. Yellow schoolbuses are not a thing here in the UK, so they’re certainly worth a picture when they’re spotted.
Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.
This satisfyingly angular building isn’t actually a house. Rather it houses the archaelology department of the University of Sheffield, or at least some of it – there may be other facilities elsewhere amongst the vast array of properties owned by the university also dedicated to the same subject.
I expect it probably was a residential property at some point but I’ve not found anything covering its history in my (brief) online search.
I went out today and shot a full roll of Velvia 50 – a roll that I bought before the pandemic with the intention of capturing some autumn colour but which has sat in the fridge ever since. Today was its day. Let’s hope I get something good, eh? 🙂
Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.
I’ve visited the Kelham Island area of Sheffield many times, but I’d never wandered down through the Little Kelham area before. Here are a few photos I took on my first wander through.
Here’s the main entry into the area with evidence of the area’s industrial heritage.
There are streets of modern housing and apartments, such as this.
Amongst the modern buildings are older structures including this one, now housing a Sardinian restaurant fronted by a row of parasols catching the sunlight.
While the area is occupied by numerous residents, development continues to gentrify the area.
Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.
A couple of photographs of the River Don taken from the Ball Street bridge on a lovely September morning a few weeks back.
Every time I use my Olympus Trip 35 it rewards me with beautiful images, sharp and well-exposed. It’s a camera I really need to use more often and perhaps in conjunction with my XA3 – another Olympus zone-focus model. Perhaps one with B&W and one with colour for flexibility of choice when shooting.
More Olympus Trip 35 pictures to come over the next week or so…
Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.
I’ve walked around the Kelham Island area of Sheffield on numerous occasions and posted many photos of it on my blog. Despit this, I’d never walked through the Little Kelham section before. This section is a mixture of modern housing and gentrified industrial buildings, such as the one in today picture. It’s an area that will benefit from futher visits to see what other photo opportunites await.
This picture was shot with my Yashicamat 124G, which I think may have some haze forming on the taking lens as I’ve noticed on a few occasions that images suffer from veil flare and a loss of contrast towards the centre of the image. Oddly, it’s an inconsistent effect though, sometimes not appearing at all, even in compositions where I might expect it to, so maybe it’s not haze at all? I’ve had a quote for a CLA, but it’s quite expensive, although still much less than a replacement camera, so I think I will need to bite the bullet and get it done at some point. It’s one of my most used cameras so worth the TLC.
Timbuktu, according to the pointer on this signpost, is 2,811 miles from this location. A fair distance for sure, but not a patch on how far it is to Cairns, Australia – a much further 9,423 miles distant. Luckily, the signpost – near the Meadowhall shopping mall in Sheffield – is less than 10 miles from where I live.
Shepherd Wheel is a working museum in the Porter Valley in Sheffield. It’s one of the earliest surviving water-powered grinding workshops in the area. The earliest reference to the wheel is from the 14th century.
The wheel still powers a variety of machinery in the workshop where caraftspeople can be seen putting them to use. It’s fascinating to see the ingenuity of the design, with numerous pieces of machinery powered by a complex series of shafts, cogs, gears, and belts.
I had my Sure Shot Z135 on me when we ventured inside and while this is a capable point-and-shoot (with a flash), I wanted to try and get a picture in natural light. The actual machinery was probably going to be a step to far for the f/3.5 maximum aperture of the camera, but I was able to take this image of some old pots and pans in the light of a window. I’m quite pleased that it came out nice and sharp, and that the film has captured detail in both the highlights and shadows.