Film photography · Medium Format · Photography

Weekend stuff

Today has been a somwhat uneventful day. I haven’t left the house, and the only photography-related activity has been reading my Portraits of America book, reading some blogs, and loading a roll of Fomapan 100 into my Bronica ETRSi (but not, so far at least, making any photographs with it). I did also upload a couple more shots to Flickr from the roll of Hp5+ I developed on Friday, one of which you can see in this post.

Yesterday, while not exactly exciting, was more eventful. My wife needed to pick up some things from the hospital and, as she was unsure if she’d be able to find a parking space outside the ward (and would otherwise have a lengthy walk), asked if I would drive her there. This was a reason for me to both drive the car – something I’ve barely done in over a month – and also, because we took our small car (which has been sat on the drive for weeks), give it a run to get some charge in the battery and get some movement in it’s parts. While hardly the trip of a lifetime, it was nice to be able to venture further from home for once.

Then, yesterday afternoon, I decided to combine a walk with picking up some things my wife had been been unable to buy during the weekly supermarket shop. I decided to get some decent exercise by taking a circuitous route around the area, looping around to the shopping centre, and then back home. At around 3.5 miles it wasn’t a really long walk, but I kept up a brisk pace throughout and got some good fresh air and exercise.

I also had the Sure Shot Telemax in my cargo-pants’ pocket, and managed to finish the roll of Delta 400 that it contained. Just a few snapshots as I walked, but maybe something worth a second look when I get around to developing them. The roll ended rather abruptly at frame #32 because I think the camera’s frame-counter has developed a fault – it sometimes jumps back to a lower number, or (in this case) miscounts how may shots have been taken. It’s done it before, but I don’t think it’s actually lost any images, still producing the expected 36 or 37 photos.

Today’s photo has both railway lines and power lines, and is the sort of composition that the Holga seems to eat up for lunch.

Lines

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

Beighton Station

Today’s photograph is of the signalbox that sits beside the railway crossing in Beighton village. The box still holds the title of Beighton Station, although the station was closed back in 1954 and the Great Central Railway signalbox and crossing are now all that remain. The station opened back in 1893 and originall formed part of the Manchester, Sheffield and Lincolnshire Railway. The line is still in regular use.

Being not too far from home, I’ve photographed this scene on a number of occasions, and it featured in the blog before back in 2017 in the post “Twelve frames an hour“.

Someone commented that the signalbox really “pops” in the frame in this shot, and that it reminded them of an old box camera, meniscus lens image. This is fitting, given the Holga also sports a simple meniscus lens. The vignetting and soft edge-focus of the Holga gives an effect not totally dissimilar to the shallow depth of field that might be generated bys a wide aperture on a larger format camera.

Beighton Station

Holga 120N & Ilford FP4+.

Taken on 10 March 2020

Film photography · Medium Format · Photography

I waited and waited but no train came

This photograph was taken from almost the same spot as yersterday’s image – atop a railway bridge – that one depicts the view to the right from here.

I stood atop this bridge waiting for a train to enter the scene for almost 15 minutes, but none made its presence felt. As I’d walked to this location, three trains had passed in quite close proximity, so I’d hoped for another, but nada. After a while, my legs began to feel the chill so I decided to move on, sure that as soon as I got beyond range I’d hear the sound of another locomotive and curse my decision to move, but (surprisingly, given my usual luck) I didn’t.

Before I left though, I took this photo. Part of me thinks it’s better without a train anyway.

FILM - To unknown places

Holga 120N & Kodak Tmax 400.

Taken on 18 December 2019

35mm · Film photography · Photography

A rainy day in York

The British summer behaved as expected last weekend, when my wife, her sister and I went on a trip to York, delivering a day of rain and muggy humid conditions. The trip came about because I fancied a photography outing, but didn’t want to leave my wife out if I went somewhere nice, but I similarly didn’t want to feel guilty or limited in what I could do by dragging her around while I took photos, so I suggested she bring her sister so that they could do the shopping thing, while I went off to do my stuff.

Anyway, the trip from Sheffield to York takes about an hour, so it’s nothing too onerous to undertake, but the weather definitely put a (literal) dampener on things and so, while the ladies went around the shops, I was forced to find some indoor location myself, and decided upon the National Railway Museum. The museum is worth a visit (even if you’re not all that interested in railways), and I’ve been a number of times in my life, both as a child, and then as an adult, with our own kids. The major downside in the museum, photographically speaking, is that it’s not incredibly well-lit – especially in the hall where the royal trains are housed – and while this isn’t a hindrance to modern digital cameras, where the ISO can be changed on the fly to account for dim light, it’s something of a nuisance for a tripodless film SLR, even with 400 ASA film loaded. So, while I took quite a few shots inside, there were many where I just had to let them go as I would’ve needed far too slow a shutter speed to be able to hand-hold the camera. Oh well.

The photos below were taken on the way to, and inside the museum. I have a bunch of other shots from the day in York (it did mostly stop raining in the afternoon, thankfully), but I’ll perhaps share those in a future post at some point – plus some of them are on a roll of film that hasn’t been finished as yet.

All the shots below were taken with my Olympus OM-1 with a F Zuiko 50mm f/1.8 lens fitted, on Ilford HP5+ film. It’s a lovely camera, and the lens is capable of some very sharp results (although I did lose a couple on the day thanks to camera shake in the low light).

#1 & #2 – While heading towards the museum, I spotted a tour group in the town centre. As the rain was coming down quite hard, they were all holding umbrellas, and I thought they were worth a shot or two. Sadly, just as I got the camera out of my bag and focussed, the group decided to move on, which is why there’s a degree of motion in the first shot. Still, I decided to follow them to their next point of interest and got a more satisfying second shot.

FILM - Tour group

FILM - Umbrellas

#3 – Just before you arrive at the National Railway Museum if coming from the town centre), the road goes beneath the norther edge of York railway station, and there is a separate tunnel for pedestrians and cyclists.

FILM - The Tunnel

#4 – Just inside the museum, next to the reception area, is a steam engine of some sort, and I spotted this interesting-looking gauge on the dome.

FILM - Under pressure

#5 – In the Station Hall section of the museum I was very limited by the available light, and only took a couple of shots – one of which had awful camera shake. If the day had been brighter, then the skylights would have let in much more illumination, but not on this visit unfortunately, so this is the only shot I got in there. It’s a shame as there are lots of things of interest in here, both for the museum visitor and the photographer looking for interesting subjects.

FILM - Old timer

#6 & #7 – The other main section of the museum is the Great Hall. This section houses most of the locomotives and has an operating turntable that is demonstrated at set times throughout the day. One of the first things you see in the Great Hall is a Japanese Bullet Train, and you are able to board the single carriage and watch films that are screened at either end of the compartment. I seem to be receiving a concerned or disapproving look from the lady in the second shot, although I didn’t really notice her at the time of taking the picture.

FILM - Bullet

FILM - Inside the bullet

#8 – The main feature of the Great Hall is the turntable, and the first shot here shows a group of spectators waiting for a demonstration to begin.

FILM - The table is about to turn

#9, #10, #11 & 12 – show details of some of the locomotives arranged around the turntable, and these shots show a replica of Stephenson’s Rocket, the Mallard, the Evening Star (Britain’s last steam locomotive run by British Railways) and a Class 31 diesel locomotive.

FILM - Rocket

FILM - Built for speed

FILM - Evening Star

FILM - Diesel power

#13 – Also in the Great Hall was this odd little locomotive off to one side of the larger specimens.

FILM - Off the rails

#14 – The final shot I’m including here is of a couple of diesel shunters that were stood outside the Station Hall.

FILM - Face-off

I have to say that I’ve a new-found love for Ilford HP5+. My early attempts with it resulted in slightly flat, grey images that I wasn’t top happy with, but I’ve now realised that this was a fault of the photographer and not the film, and my recent shots have been far nicer in their tones.