35mm · Film photography · Photography

Developing, scanning and remembering a trip in the countryside

I’ve remained mostly housebound today, with the exception of a quick trip to the local shops for some food and other essentials – and as my wife was with me, that was in the car rather than walking it there as I usually do these days. I was amused to see that the car parked beside ours had been converted into an “RV”. I’ve seen plenty of vans that have been converted, but this was a family estate car that had a cooker, cupboard and fridge, along with electrical sockets fitted in the rear. It looked like a fairly professional job had been done, but I can only image the amount of back-twisting maneouvering that would be required to carry out tasks in a space maybe three feet wide by three feet high!

I spent the rest of the day doing some other film-related tasks.

Firstly, developing a roll of Delta 400 that I finished shooting about a week ago. The process went smoothly and the negatives look good (although I haven’t scanned them yet). Some of them do look like they have noticeable dust on them though, which hasn’t happened before, so I might have issues when I do get around to scanning them.

I also scanned a roll of Fomapan 100 that I shot during my trip to Magpie Mine a little while before the country entered lockdown. The shots on that roll look quite nice, and I will post some here later in the week. The camera I used for the roll, my Yashica Mat 124G, has developed some haze on the taking lens and is currently away for a service, but the shots on this roll aren’t, for the most part, showing any signs that they’ve been affected.

Today’s photo was taken on the same day as visiting the mine as I walked back to where I’d parked my car.

A place in the country

Canon Sure Shot Supreme & Ilford Delta 400.

Taken on 16 March 2020

35mm · Film photography · Photography

Routine stuff

A long day at work today so we decided to have takeaway for tea – the plan was to get pizzas delivered, but the local pizza shop has closed for the time being apparently, so I ended up going out for fish and chips. Because of social distancing, the queue stretched from the doorway of the shop (where the staff are taking payment and handing over your order) right around the corner with everyone spaced out at sensible intervals. I was stood queueing for at least twenty minutes.

After eating, I had just enought time to clear away my film developing stuff (I developed a roll of HP5+ at lunchtime and after washing the equipment, I left it to dry on the sink drainer), and then grab a quick shower before calling our eldest, who lives in a different part of the country now.

Apologies that this is somewhat concise, but I’m tired and want to just hit the sofa and veg out. 🙂

Today’s picture is of a corner house that I passed while out exercising a week or so back. It’s a bit of a mundane scen, but the way it was lit and arranged called out to me, so I made a photograph.

House on a corner

Canon Sure Shot Telemax & Ilford Delta 400 – Ilfotec DD-X 1+4 9mins

Taken on 12 April 2020

35mm · Film photography · Photography

Gennel

“Gennel” (pronounced “Jennel”) might be an unfamiliar word to some, but it’s a widely used term in Sheffield and refers to an alleyway or passageway, often running between houses (sometimes used specifically as a covered passageway between terraced homes).

Similar terms are used in other areas, such as the similar “ginnel” used in neaby Barnsley (this time with a hard “G” as in “Gun”), or “snicket” which is more widely used throughout the north of England.

Today’s photograph is a good example of a gennel.

FILM - Gennel

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford XP2 (expired).

Taken on 19 December 2019

35mm · Film photography · Photography

House with a curved drive

This house was close to the camera fair I attended last weekend. The fair is in Boston Spa, which is around 40 miles from where I live and I’ve visited a few times in the past (it’s held around five or six times each year). I quite fancied the idea of picking up 6×9 medium format folding camera, but while there were a few for sale, I wasn’t certain and decided against purchasing any of them in the end. All I came away with was a circular polariser that will fit my ETRSi 75mm lens. Well, that and a bunch of photos.

I shot several frames around Boston Spa, some of which will appear here in the coming days and then finished the roll at Ferrybridge on the way home (again, stuff from that to come soon). For today though, here’s a nice looking house with a photogenically curving driveway. There’s also a squirrel if you look for it.

FILM - House with a curved drive

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford HP5+ (pushed to 800asa).

Taken on 15 December 2019

35mm · Film photography · Photography

Oddly appealing

Sometimes I make photographs that I like for obvious reasons. Maybe it’s the composition, the light, the subject, place or whatever. Sometimes though, I make a photograph that I like for reasons that I can’t quite put my finger on. Obviously there must have been something about the scene that caused me to take the image in the first place – these aren’t just random, shot from the hip accidents.

Todays photo is one such picture. I like it a lot but can’t put my finger on the precise reason(s) why. I guess it could be the way the scene is lit – there are plenty of shadows in the scene, but they’ve been lent a subtlety by the white painted gable-end of the house acting as a giant reflector and this has created some nice lighting. Maybe it’s the colours – it’s got a bit of that blue and orange thing going on, which is nice. The composition is ok – the tree in the background is nicely placed and the green pops in the scene. Or maybe it’s just little details – the satellite dish, the plants in the window, the garden shed with the barely-visible bins in front of it, or the flag.

Or maybe it’s just a combination of all these things that appeal specifically to me and my brain just said “Yep! That’s a nice photo!” and so I clicked the shutter.

It’s one of those images that I suspect many others won’t really take to, but it fires some circuits in me, and I’m even wondering what it would look like as a print.

FILM - White gable

Olympus 35 RC & Kodak Portra 400.

Taken on 13 September 2019

35mm · Film photography · Photography

House

I went for a walk last weekend to test the Z135 (which I posted about a couple of days back). I wandered through a part of the city that I’ve never really explored on a loop out and back from the town centre. It was mostly residential streets and I took photos of a few houses that I passed that I felt had an interesting look to them. Here’s one of them.

FILM - On a street in a town

Canon Sure Shot Z135 & Ilford HP5+.

Taken on 27 April 2019

35mm · Film photography · Photography

The house at the bottom

There’s an impressive flight of steps that descends the side of the hill down to the road where this house stands. I didn’t venture down them on this instance though, just took this shot before the roll of film ran out. As it was the final frame, there was some damage to part of the negative and so it’s been cropped to a square format. The light wasn’t great and I shot this wide open, which has resulted in a nice effect from the resulting shallow depth of field on the foreground.

FILM - The house at the bottom

Nikon F70, Nikkor 50mm f/1.8 AF-D & Ilford HP5+.

Taken on 9 March 2018

Film photography · Medium Format · Photography

After a fruitless walk

This photo was taken a stones throw from the one in yesterday’s post (I was stood beside the house in this picture when I took that one).

I’d intended to follow some of the footpaths and go on a nice walk, but it was quickly curtailed when, at the bottom of the hill where I took this shot, it became apparent that the route was impassable thanks to field covered in about 8 inches of wet mud churned up by tractors. Maybe if I’d been wearing wellies I’d have given it a try, but not with the shoes I had on sadly. So I walked back up the hill and took this on the way.

FILM - Journey's end

Zeiss Mess-Ikonta & Kodak Tri-X (expired 2013).

Taken on 25 January 2018