35mm · Film photography · Photography

Squeezed in between

This scene was photographed somewhere in Knaresborough, although I can’t remember precisely where (and my XA3 doesn’t do GPS tagging!). Anyway, I liked the way this house looked squashed between the two other buildings. The road-sign, wiring, and planter add a bit of interest too.

Down the narrow path
A house is squashed in between
Its foreground neighbours

Squeezed

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 26 May 2021

Film photography · Medium Format · Photography

Springtime

A blossom laden tree and stone built house make for an attractive scene. Although 6×4.5 is pretty small where medium format film sizes are concerned, I’m always happy with the quality of the photographs produced by the Bronica ETRSi.

Blossom on the trees
Soon to fall in white cascades
Herald of summer

Springtime

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Kodak Portra 160.

Taken on 6 April 2021

Film photography · Medium Format · Photography

Maybe halfway up

I’d estimate I was perhaps halfway up the side of the valley when I made this photo, climbing from the River Derwent at the bottom up to Over Owler Tor – the highest point on my walk that day. The house that can be spied beyond the gate sits on the main Sheffield to Hathersage road.

Thighs aching, I walk
My ascent up the valley
To my origin

Just a field away

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 6 April 2021

35mm · Film photography · Photography

Suburban scenes

There are a number of these “Tudor”-style houses that I pass on the way to Rother Valley Country Park. They were built in the 80s. Most of them still look pretty well kept, but I wonder if the particular design involves additional upkeep not required by the more standard brick-fronted properties?

Would Tudor people
Have lived in a house like this?
Something tells me no

Tudor suburbia

Canon Sure Shot Supreme & Fujifilm C200.

Taken sometime early January 2020

35mm · Film photography · Photography

Over the hill

My two week’s leave came to an end and today marked my return to work. The last things I did before the Christmas break seem distant and yet the two weeks seem to have flown by in an instant!

Work resumed today
I now need to remember
What it is I do

Another Christmas Eve walk photo today. I saw this house / farm peeking over the growing crops in this hillside field and thought iw ould be nice picked out with the telphoto lens. The footpath through the fields was a somewhat nerve-wracking experience as it had a thin skein of surface mud that threatened to take my feet out from beneath me! I don’t thinks I would have gotten hurt, but muddy and wet would be unwelcome all the same. Luckily I managed it to the bottom intact.

Just over the rise

Pentax P30T, SMC Pentax 50mm f/1.7 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 December 2020

Film photography · Medium Format · Photography

Working my muscles with the Texas Leica

I shot my first real roll through my recently acquired GW690 last week. When I say “real” roll, it’s actually the second one – the first was a roll of Velvia that the previous owner had left in the camera when they sold it. It had seven unused frames which, in my eagerness to try out the camera, and the somewhat temperemental relationship I have with that particular film, meant that I was mostly unhappy with the results. The compositions were not especially interesting, the exposures were not good – I blew the highlights significantly in most of the shots – and my scans were disappointing in their colour reproduction. As a result I’ve not uploaded a sigle frame from the roll.

For this second attempt I used something I knew I should have more success with – at least in the exposure and scanning apects, if not the composition of the images (although, in this, I hope I still managed to get something nice). The results are much better than the first set, although still not quite perfect and, given the relative expense of using the camera – just eight shots per roll! – I need to up my game, slow down, and pay full attention to what I’m doing. Also, at this satge, I still have that “exciting new camera” feeling, so I’m probably not doing the best I can. Most of the shots are nice though, but a couple are slightly soft due to camera shake (I think I maybe need to do some weight training before using this handheld 🙂 ), and a couple of slightly dull compositions.

The photo posted today is one of the frames I liked. The curve of the road is nice and the light is good. It also shows the very nice results that the lens on the GW690 can produce.

More to come soon…

The road through the ford

Fujica GW690 & Ilford Delta 400. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 20 December 2020

Film photography · Medium Format · Photography

A change in sharpness

I scan all my medium format black & white and reversal images using an Epson V550 flatbed, while 35mm is scanned on a Plustek Opticfilm8100. Ive always left unsharp mask on when scanning 120 film as I thought the results were good. Untill a week or so ago when I was testing out Vuescan.

Vuescan allows image sharpening, but it has a simple on/off checkbox rather than the levels of control afforded by Epsonscan and (moreso) Silverfast so I decided to test a few things to see how the various scanning options on each piece of software compared – plus no sharpening of the scan at all with sharpening applied later in Lightroom.

At first it looked like the sharpened images from Epsonscan had better resolution of detail, but after a lot of scanning, re-scanning, and playing around with the sharpening control in Lightroom I decided otherwise. The sharpened images from Epsonscan were displaying a level of noise and “grit” that I decided I didn’t really like, whereas unsharpened scans from the same software processed in Lightroom were much more appealing, showing a much nicer rendition of detail and grain.

It’s striking how, after years of thinking you had something just how you wanted it, you can all of a sudden change your mind.

I think I’ll stick to Epsonscan for my 120 B&W scans. Vuescan is great, and does a much better job on reversal film, but it lacks the tweakable visial histogram that Epsonscan has, and that makes a big difference to my final results. At least until I find a better way… 🙂

Today’s shot was scanned on the V550 and sharpened in Lightroom. If you look at the full size image on Flickr you might find a black cat that was keeping an eye on me. At least I think it’s a cat. It could possibly be two spots of strategically located dust that look like eyes. Or something more sinister… Eek!

The house by the canal

Yashica Mat 124G & Ilford HP5+.

Taken on 12 July 2020

Film photography · Medium Format · Photography

Uninspired

I had the day off work today and had planned a trip out into the countryside. Alas, the weather had other plans and the day was one of those with a solid sheet of blank grey sky. To make matters worse it also kept raining. Not proper, people-with-umbrellas rain though, but the fine, almost mist-like, rain that just hangs about in the air and gets onto every surface – especially cameras and the front elements of lenses!

So I changed my plans and drove into town instead. Today would be my first trip into the city centre since the non-essential retailers were allowed to open their stores last Monday (and only the second time since lockdown began in March!). Although early, I’d expected more people and traffic that there was – having seen pictures of crowded streets and shops in the media, I thought there might be something similar afoot – but there were very few people about. More than my previous, pre-shops-re-opening visit, but still not many – not even many people travelling into work. The largest groups of workers I saw were construction workers, of whom there were a significant number apparent around town.

Today’s trip was different to the last though in one simple way – I was uninspired. Whereas on my previous visit last weekend I saw photographs everywhere, today I saw few, and the ones I made (I shot around half a 36 exposure roll of HP5+) felt for the sake of it rather than anything I expect to be good when they are developed. Usually, shooting a full roll of film is no problems, but today I left defeated.

It was the first outing for my newly acquired Olympus OM-2 too and perhaps getting to grips with the slightly different fuctionality when compared to my familiar OM-1, had an impact on my photograph making. I’m hoping I might get to finish the roll over the weekend (and I have an extra day off on Monday too) and that the next outing will see me in better spirits.

Today’s photographs are from the dust-spotted Fomapan roll of doom that I’ve spoken about in recent posts. It took me ages to get rid of all the speckles, so I hope someone likes them. 🙂

A gap in the crops

Rainy day lane

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 6 June 2020

35mm · Film photography · Photography

Walking in the Moss Valley again

I’ll post a few more shots from the roll of expired Lloyds Pharmacy 200 today. Probably the last ones I’ll post from this roll unless I stick up a few odds-and-ends at some point. Tomorrow will likely mark the return to black-and-white.

I’ve been writing more diary-type posts recently and I’m wondering if I should illustrate them differently, or delay their contents – they’ll probably work better if they contain photographs from the events depicted, rather than stuff I already have to hand. The downside being that the events documented in words will likely be dated by the time I post them as it’s rare that I’ll shoot, develop, and scan a roll on the same day I shoot it.

Graveyard path

I got up early today (for a Saturday, at least) and drove out to the Moss Valley again for a walk. I’d mapped out my route the night before and the app on my phone optimistically suggested it would take an hour. I can only assume that the app doesn’t take hills into consideration when calculating walking speed. Or stopping to make photographs, for that matter.

It was the first time that I’ve taken this particular route, or part of it anyway – the latter half involved a section of footpaths that I’d walked last year, albeit from a different starting point. It started off simply enough with a pleasant stroll alongside The Moss, the small river after which the valley is named, and I stopped to make a few photos of the river.

House in the morning light

Soon, however, it was time to leave the valley bottom and ascend to the highest part of the route – a climb of over three-hundred feet. While I wasn’t worried that my heart would explode or anything, I was properly sucking in air by the time I completed the initial, steepest part of the climb. Shortly afterwards I discovered that I’d gone off-route into some private woodland (although a sign informed me that walking was allowed – good job I’d left the bikes and horses at home!). A quick check of my map showed me that this path would still bring me close to where I’d intended, so I carried on rather than turn back.

After exiting the woods and then skirting some fields of growing crops, the path took me towards a route through a farm that would exit onto the road where I needed to be. Or so I thought. Upon reaching the farm a sign on a gate informed me that I shouldn’t proceed further as the farm was self-isolating. I wondered for a moment if I shouldjust chance it and hurry the short distance through the farm, but I decided that I’m not that sort of person and so, with a sigh, turned around and went back the way I’d come.

Checking the map again showed another path I could take – this one would add about a half-mile to my journey, but at least it would be unseen territory and, hey, I was intending to get some exercise anyway, so what the hell.

Twenty minutes later and I was back on track on the planned route with the additional bonus of (apart from one short, but steep stretch) it all being downhill back to the car now.

I shot my twelth frame as I got back to the bottom of the valley (I had an extra roll of film in the bag, but decided the one roll would do for today) and finished the short distance back to my car. It had been a pleasant, if tiring, walk and I felt good for taking it. I’ll hopefully develop the roll tomorrow (today’s developing was set aside for the roll of HP5+ I shot the previous time I walked in the Moss Valley last weekend).

Beighton Gospel Hall

Nikon F80, Sigma 105mm f/2.8 OS HSM & Lloyds Pharmacy 200 (expired 2008).

Taken on 21 April 2020

35mm · Film photography · Photography

The size of a tree

I took these two photographs on my way back to the car after visiting Magpie Mine back in March. The light in the village here was lovely and I finished the roll of Delta 400 that was in my (somewhat tempremental – it sometimes decides that it’s won’t fire, until suddenly springing back into life a few minutes later) Sure Shot Supreme making photographs of some of the scenes.

I didn’t really pay heed at the time, but on seeing the scan of this first image it really brought home to me just how big trees can grow in comparison with their surroundings. This one towers above the house it stands beside and I wonder which of the two came first?

Giving trees a sense of scale

It’s not really a tall tree in the scheme of things either, there are much larger ones to be found – including true titans such as the giant sequoia’s that grow in the western US. I think that this one is a sycamore (judging by the texture of the bark at least), but it’s very possible that I’m wrong. There was a time when I was younger that, in true boy-scout fashion, I could readily identify a whole range of trees from their shapes, leaves, fruit, bark etc., but it’s a skill that has faded over time. I still know the obvious ones – oaks, chestnuts, maples – and I would recognise sycamores from their leaves and seeds – but I’m not sure I’d know an ash from a birch these days without looking it up. I have a book of British flora and fauna, so maybe I’ll see if I can refresh my knowledge.

Scenes that catch your eye

Canon Sure Shot Supreme & Ilford Delta 400.

Taken on 16 March 2020